Challenging Gender Stereotypes in Diverse KidLit

Currently Reading: Look, by Zan Romanoff

New Look!

If you’re new to my blog, welcome! If you’ve been here before… you’ll notice that I’ve made some layout changes! This is because there are exciting things coming for the blog… recently, I’ve begun working with an artist to put together a branding package for the site, so that it will reflect me and my vibe a little bit more. I’ll share more on that later, as things come together! If you’re really curious, you can visit Ice’s site, and get hyped!

Trans Lit News

I’m excited today to be writing this (belated) post in order to be part of the blog tour for Each Tiny Spark! I’m also celebrating having 1K Twitter followers, and I’m grateful to have this platform to use to share my thoughts about publishing, books, and issues that affect LGBTQ2S+ people. Before I dive in about this newly-released middle grade title, I want to share two links that might be useful. First, I’ve had an ARC of Sissy by Jacob Tobia on my TBR shelf for ages, and I still haven’t managed to get to it. In part, that’s because there are just so many trans memoirs these days – it’s really astonishing. Even though I can’t speak to it, trans journalist Harron Walker wrote a piece about this memoir for Jezebel, that can be found here, called What Can a Trans Memoir Do? In addition, Bookish Heights, written by a UK blogger, has a great post that offers up some recommendations for books with non-binary MCs. This is a great roundup, and has some titles that I have yet to feature in this blog, so check it out (and get ready to explode your TBR…)!

Each Tiny Spark Blog Tour

A banner for the Each Tiny Spark Blog Tour, with that text, and the Penguin logo in the bottom right hand corner. The image on the left shows a girl with light skin and curly red hair, wearing a pink shirt and green coveralls and yellow gloves, holding a welding helmet and a welder. There are small lightning bolts coming out of the welder.

Even though Each Tiny Spark, by Pablo Cartaya, isn’t an LBTQ2S+ title, I was super excited to be invited to be part of the blog tour for this exciting middle grade book. I’d grabbed the ARC for one of the kids in my life a while back, and it’s a title to watch for a number of reasons. First, Cartaya is a seasoned, award-winning, Latinx novelist. Second, this book features a feminine main character who smashes gender stereotypes as bonds with her father working on old cars with him. Third, the book features representation of neurodiversity – something that isn’t explored enough in books for younger audiences.

As part of the blog tour, I got to ask Cartaya about his work directly… and here’s what I wanted to know: I talk a lot about gender on my blog, and one of the things that interested me about Each Tiny Spark was that the main character reconnects with her father through welding – something that I wouldn’t consider a traditionally feminine pursuit, but a skill that really is so useful and so cool for folks who can do it well. I would love to read something from him about why he chose to write about a feminine main character, and what he hopes young readers will take away from the story, both folks from the Latinx community, and folks from outside.

Check out Cartaya’s post below! Each Tiny Spark was released just yesterday, and can be ordered here, or from your local book shop!

Challenging Gender Stereotypes in Diverse KidLit: Pablo Cartaya

A photo of the author, Pablo Cartaya.
Pablo Cartaya, author of Each Tiny Spark

I began writing Each Tiny Spark with a singular scene. I didn’t know exactly where it was going, so I just listened to the voice in my head and wrote down what it told me. What emerged in that first iteration was a twelve-and-a-half-year-old girl welding a piece of metal to a car door while her father looked on quietly. I suppose something subconsciously was telling me to write this story with a female protagonist while her Papi looked on without saying much, but I didn’t understand why at first.

When I finished the manuscript, I realized that I was building a character modelled around my own twelve-year-old daughter. It was my way of trying to understand, respect, and listen to who she is and how she sees the world. There are many layers to this story but at its heart, this is a book about a father and a daughter finding their way back to each other by literally welding a car back together. My books are very personal as are my characters and I hope that readers, both in my Latinx community and beyond feel empowered by their own voices and build on their experiences. With Each Tiny Spark, I realized that first vision of the girl welding a car as her dad looked on quietly was in fact, a hope for my daughter to claim her identity and voice as she navigates the world. Ultimately, I wrote a book with her in mind so when I read it back now, it’s her voice I’m listening to.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Critical Publicity

Currently Reading: After the Eclipse, by Fran Dorricott

On Talking About Books

Recently, I was listening to an episode of the Print Run Podcast that was about the nuances that exist in talking about books, particularly the difference between writing about books for the sake of criticism versus writing about books for the sake of publicity. I spent the remainder of my drive after the episode ended thinking about my own talking about books, and considering why it is that I do what I do, and exactly what it is that I think I do, both in my personal life, and in this blog.

I have lots of qualifications that mean that I am well-suited to write literary criticism. I am a published doctoral student with a speciality in critical theory, and I spend a lot of time evaluating, peer reviewing, and producing academic writing. I am also a bookseller in a small, independent, justice-oriented bookstore in Toronto. If I’m feeling particularly self-confident, I would tell you that my marginalized identities and my social location mean that I bring a unique perspective to the books that I read.

That said, I would be lying to myself and anyone who cared to ask if I didn’t say that even when I’m providing criticism of a book, I’m ultimately doing it for the purposes of sales. It will probably damage my anti-capitalist street cred to say that, but living in a capitalist world, when I look around me and I consider what luxury purchases I want people to spend their surplus money on, and what investments I want people to make with their time? I want them to spend it on books.

A lot of that is selfish. Publishing is not a perfect industry, by any stretch – and mass market publishing is such a small part of the publishing sector as it exists in the world. But as person who has often felt isolated in the world, it’s not an exaggeration when I say that books have often been my closest friends, and there are many parts of my life that I never would have survived without them.

Reading is formative for me. It has made me who I am and continues to make me. Book sales provide some of my very limited income. And one of the only things that I have strong faith in is the ability of ideas to make the world better… so ultimately, I spend a lot of my energy trying to get the books that I think will do that into the hands of people who need them.

I’m not always sure that readers understand all of the moving parts that is the giant machine of mass market publishing. I know that I don’t fully understand it yet, and I had an even more limited grasp before I began working as a bookseller. From conception to writing to physical production to distribution to sales, there are so many links in the chain that need to remain strong for books to make it into the hands of readers.

Right now, at the shop where I work, there are some scary conversations happening. Toronto is one of the most expensive cities in Canada, so the basic costs of maintaining a storefront in this city are a challenge for any retail business, especially one with profit margins as small as bookselling has. Although my shop still maintains a storefront, we also do the vast majority of our business through school board contracts and with educators – whose budgets are getting slashed by our current provincial government. That means fewer book fairs, fewer vendor fairs, and fewer librarians, lib techs, and teacher librarians who are ordering from us.

On a more macro level, things like paper shortages and tariffs on books will impact our tiny store’s ability to get newly published titles in a timely manner, especially in comparison to places like Amazon and Indigo, who are able to order much larger quantities of books pre-sale. Because of this political climate, the amount of backorders and slow reprints that we have to manage these days is much higher than it was in the past, which makes it difficult to please educators and retail customers.

And more than ever, authors are being pressured by their economic situations and also by the publishing industry to always, always, always be focused on that elusive measure of success… the pre-order. But so often, I see huge authors – in some cases, very successful people who have won the majority of their recognition in part due to the efforts of independent booksellers – promoting their pre-sales through Amazon, or other big chain bookstores. Authors are my heroes, but it hurts my heart to see those links. Indies (and other brick and mortar stores) can take pre-orders, too!

When I review a title, I always try to offer a critical perspective. I choose diverse titles to read on purpose. I almost never read books written by allo cis het men, and I try to read as many books by underrepresented authors and with characters who embody marginalized identities as possible. No matter what I read, I try to write reviews honestly and analytically.

But when I review a title… I am always hoping that someone is going to go out and buy a book, or visit their local library and take one out. I always hope that someone is hearing about a book that they need to read, or that someone they know needs to read, when they open my blog on a Monday afternoon – or, that they’re hearing about a book that they should absolutely avoid, but in favour of something that’s going to do the job better. I don’t think that that makes my reviews less legitimate, or that it makes my perspective less valuable. Publicity for any individual book is important, but whether I review a single title well or poorly, I like to think that that is publicity for books… and for me, that is the most critical thing of all.

Review: Wilder Girls

The cover of Wilder Girls, by Rory Power.

…which brings me to my review this week. I almost don’t even need to review Wilder Girls, by Rory Power, which was released on July 9th. As I’m writing this, it currently sits at the top of the Goodreads list of top titles published this month, with over 40 000 users having added it to their “want to read” shelf. No one needs me to recommend them this book (content warnings found here), because chances are good, if it’s for you, you’ve heard about it already.

What the publicity copy on this book won’t tell you, though, is that this is a book that I needed, and that the world needs, so badly. The book is gripping. I stayed up way past my bedtime and woke up long before my dogs were hungry the next morning just to finish it. In so many ways, I feel like I’ve been waiting my whole life for a book like this one.

This is a YA title, but this book is straight up genre fiction. It’s definitely a horror title that stands on its own legs outside of the YA category – and for me, that’s important in and of itself, because it demonstrates the depth and breadth that YA titles encompass these days. More than that, this book is queer AF. Three are three main protagonists in this story, and all three of them are queer women. But the best thing for me? That’s not what the book is about. The book is about politics, infectious diseases, climate change, adaptation, transformation, disfiguration, trauma, coming of age, mental health, love, friendship, and ALSO… queerness.

The protagonists of Wilder Girls are complicated. The relationships that exist between them and that the characters have with themselves are morally ambiguous and messy and raw… and this book isn’t even about all that. We are finally getting books that embody those aspects of queer life and community, but also have riveting, thought-provoking, surprising plotlines. This is one of the first times that I have ever felt myself reflected in a book in an authentic, multi-faceted way, and I am deeply grateful for the weird and wonderful experience that that was.

Listen. It surprises me more than anyone that 40 000 want to read about infectious queer girls sprouting gills and fighting over food and trying to save their friends from dying, literally. But I am here for it.

If you didn’t pre-order Wilder Girls, and you think that it’s your speed, don’t sleep on it. Your local bookshop can and should hook you up, and while you’re at it, put in a request at your local library, too. Out there, there’s a teenaged me who’s going to have a very different life than I did because this book landed in their hands early on.

Starting Fresh

Currently Reading: Normal People, by Sally Rooney

One of my favourite things to do as a bookseller is to work with customers to find them the perfect book. It helps that the shop that I work in is so well-curated, because it makes the job a lot easier. I also understand that not everyone has a carefully curated indie accessible to them, and not every bookseller loves to give recs. Sometimes, in my spare time, I’ll give recs to folks in my life or online for fun, or for practice looking for something that’s outside of my wheelhouse. 

When a mutual of mine on Twitter mentioned that they had been a voracious reader as a child, but had had trouble finding books that resonated with them as an adult, I was excited to give them some recs, as they’d recently been working through a shelf purge and needed some enticing things to fill in the gaps. 

They told me:
1. They wanted to read more LGBTQ lit, but that they wanted to avoid anything that addressed trauma.
2. They enjoyed reading YA.
3. Three of their recent faves included Looking for Alaska, Roller Girl, and the Dispossessed

My Picks

My first pick was Check, Please!, by Ngozi Ukazu. This is a new YA graphic novel about sweet, queer, masculine hockey players. I picked this in part because I knew the person I was picking these books for through #DerbyTwitter, and thought that maybe another heartwarming, sports-related graphic would go over well. 

Next, I picked a charming, character-driven graphic novel. I personally read this in one sitting while selling books at a vendor table, and despite the bubblegum pink cover, it charmed the hell out of me. The book is The Prince and the Dressmaker, from Jen Wang. I gave this book bonus points for having positive non-binary trans representation, and pretty (drawings of) dresses, which is a total soft spot of mine.

Because they had mentioned the Le Guin, I also sought out a future dys/utopian hero story, and landed on Dhonielle Clayton’s The Belles, even though it’s not explicitly a queer book. Later, I learned that it falls somewhat into the “bury your gays” trope – so if it’s something that a reader is particularly sensitive to, I won’t go down this road again. That said, it is a book that has strong WOC protagonists, and it is #OwnVoices. Now, you can also check out the second book in the duology, released earlier this year.

Finally, riffing on the John Green fave from above, I sought out a dramatic, queer, contemporary love story. I gave these recs a while back, and at the time I decided on Nic Stone’s newest, hadn’t been released yet. Odd One Out is a fresh take on an old story, a teenage love triangle. Unfortunately, this book has turned out to have some awkward bi-shamey content. If I were giving these recs now, I’d instead turn to a fan favourite – Red, White, and Royal Blue, by Casey McQuiston, is a quippy, fast-paced, fluffy contemporary queer romance that I enjoyed earlier this year. One of my favourite aspects is that it also paints a picture of an alt-history United States that made my political heart yearn for better times.

Response?

Well, the person who I gave these recommendations to raved about the Prince and the Dressmaker in particular – and also read it in a single sitting. Ftw! 

If you enjoyed reading these recommendations, and would like some of your own, head on over to my contact page, and send me a message! I love giving recs and readers’ advisory, and have lots of experience from my work as a bookseller.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Spooky Books for Sunny Seasons

Currently Reading: Pet, by Akwaeke Emezi

Recent Picture Recent Releases

The cover of When Aidan Became a Brother, by Kyle Lukoff and Kaylani Juanita.

Before I dive in to the recommendations I have this week, I want to make quick reference to two recently-released picture books featuring trans characters. Both of these books came out on June 4th, and would be a great addition to any personal or classroom library. They are, When Aidan Became a Brother, by Kyle Lukoff, and illustrated by Kaylani Juanita, and It Feels Good to Be Yourself, by Theresa Thorn, and illustrated by enby artist Noah Grigni. Be sure to check these out, and if you’re able, consider ordering them through your local independent bookshop!

The cover of It Feels Good to Be Yourself, by Theresa Thorn and Noah Grigni.

New Releases to Give You Chills

I grew up on an island in the North Atlantic. My body was not built for hot weather! If you’re like me, and you are seeking some spooky stories to beat the heat this summer, or a captivating thriller to keep you enthralled on the beach, I have recommendations for you, because there are some incredible grimdark tales set to release in the summer months this year.

Spring 2019

The cover of the Wise and the Wicked, by Rebecca Podos.

There are a couple of books that came out this spring that definitely fit the bill in terms of un-put-down-able reads for a spooky summer. I’ve written about one of these already, The Wise and the Wicked, by Rebecca Podos, which came out this May, but it deserves a second mention here. This is one of my favourite reads of 2019 so far, hands down, and as a bonus, it features affirming and interesting trans representation. This YA title came out in May, and is available now.

The cover of The Van Apfel Girls are Fone, by Felicity McLean.

The Van Apfel Girls Are Gone, by Australian author Felicity McLean, also came out this past spring. This book is described as a thriller, and although I wouldn’t necessarily categorize it that way, it is a great, suspenseful book. I’ve seen it categorized as YA, but it has great potential as a YA/adult crossover.

I got a review copy of this book through Edelweiss+, and I loved it. I picked it up in part because it was described as “quintessentially Australian”, and I’d never read an Australian title before, so I wanted to see what that meant. In the end, I could not put this book down, and I learned a lot. It made me curious to read books by other Australian authors!

Although the plotline is focused on the disappearance of three girls, the narrative centres on how we process childhood memories as a adults, and how we come to terms with childhood grief. The story is not super sad, and it’s extremely compelling. CW for missing children, cancer, and death. The Van Apfel Girls Are Gone was released in April, and is available now.

July

The cover of The Best Lies, by Sarah Lyu.

Sarah Lyu’s The Best Lies is the perfect one-sitting YA thriller for a rainy day at the cottage or sprawling on the beach. I grabbed this book from Edelweiss+ because I thought it would be fast-paced and formulaic – but wow, was I wrong. This psychological thriller gets deep fast, and I didn’t want to put it down. We know from the beginning of this book that the protagonist’s boyfriend is dead, that he was shot, and that the person who killed him is the MC’s best friend. Very quickly, we learn that nothing is as it seems for this character, an unreliable narrator, or for the reader.

This story is told in two timelines – one that begins three hours after the death of Remy’s boyfriend, and one that begins nearly a year earlier, when Remy met her best friend for the first time. As the plot of this murder mystery unfolds, the pacing and suspense both build, and readers are lead through an exploration of trauma, abuse, queerness, gun violence, and love. It’s a fantastic, if difficult read. I would recommend this book to any teen, educators interested in inclusive discussions about healthy relationships and boundaries, and adult readers alike. CW for domestic violence and obsessive behaviour. The Best Lies is available for pre-order now, and will be released on July 2nd.

The cover of Destroy All Monsters, by Sam J. Miller.

Both of my other July recommendations are books that deal with issues of mental health in a nuanced, sometimes suspenseful, and sometimes fantastical way. Both of these books reflected aspects of my own experiences in ways that kept me reading. I got an eARC of Destroy All Monsters from Edelweiss+ based on the recommendation of one of the owners of the shop where I work. Her description of this YA title really drew me in. Destroy All Monsters is by Sam J. Miller, a gay author, and is told from the perspectives of two friends, Solomon and Ash, who both experienced a traumatic event prior to the beginning of the narrative. Solomon suffers from psychosis and inhabits a rich inner world that is explored through his fantastical chapters, whereas Ash only experiences Solomon’s fantasies through the lens of her camera. The friends do not remember the trauma that they share, and this book explores their journey of discovery together.

I loved aspects of this book, but there were aspects that were disappointing. The treatment of mental illness in this book was skillful, however the ending was particularly unsatisfying for me, given the centrality and depth of the narrators’ friendship throughout the book. That said, for readers interested in exploring themes around trauma and who like fantasy worlds with awesome sky-dragons and suspenseful plotlines, this book is still a great read. This book comes out on July 2nd, and is available for pre-order now. CW for childhood trauma and sexual abuse.

The cover of Fractalistic, by Gerardo Delgadillo, which shows the image of a girl with eyes closed and hair spread above her head, as though she is floating. The background is a mixture of opaque images of stars and waves, and the cover is largely in monochromatic colours.

If you are a regular reader of this blog, you’ll know already that it’s not often that I will pick up a book that’s written by an author who appears to be a cis het white man… but seriously, if that cover doesn’t draw you in, I’m not sure what will. Shoutout to Shayne Leighton, who designed this, and most of the other Parliament House Press Covers, for grabbing my interest in Fractalistic, by Gerardo Delgadillo, which I got as an eARC through NetGalley.

For me, Fractalistic did have some tell-tale signs regarding the author’s privilege. None of the feminine characters in the book had the understanding of technology that the MC’s male love interest did. The male love interest’s future was also of great concern, whereas the futures of the female characters was never discussed in seriousness. In addition, although the book featured a racially diverse cast, the Spanish used because of the Mexican setting was all translated nearly word for word, and other aspects of diversity were lacking. All of the characters in the book were cisgendered, and the multiple romantic storylines were all heterosexual.

The other aspect of this book that was disappointing was that the technology itself was not well-described. I was surprised to read that the author is himself a coder, since it felt to me as though it was written by someone without a thorough understanding of the subject matter, but obviously it was a problem of translation and not of comprehension.

Even with the books flaws, I have to say that I ate it up. It’s a YA/adult crossover, so I would recommend it to mature readers of any age. Fractalistic is an absolute fever dream, and it was a spooky pleasure to let it wash over me. What was even more of a pleasure was that the surprising conclusion of the book was emotionally satisfying and had a lot of poignant things to say about the experience of mental illness. As a reader who has experienced many symptoms of neurodivergence and mental illness throughout my life, this book felt resonant and reflective of my experiences, and it was really enjoyable to read. Fractalistic comes out on July 9th, and is available for pre-order. CW for death of a parent, psychosis, gaslighting and manipulation.

(PS, if you like Fractalistic, but you are also a fan of cozy mystery, YA romance, and publishing world intrigue? Keep your eye out for The Undoing of Thistle Tate, by Katelyn Detweiler, which comes out on July 23rd. I DNF’d this book because the tropes weren’t for me – but it’s a bit more lighthearted than Fractalistic and has a lot of similar appeal!)

August

The cover of Here There Are Monsters, By Amelinda Bérubé.

I got an eARC of the YA novel Here There Are Monsters by Amelinda Bérubé through NetGalley. Although Here There Are Monsters might not have been my favourite spooky read of this year, I think it might be the perfect book to take to a beach. This book is a classic monster murder horror story. There’s nothing too heady here, and there’s a lot of really great, creepy imagery. The main character’s sister disappears in the first pages of the novel, and the rest of the story follows the MC’s quest to get her back from the monsters in the haunted wood behind their house.

Although this story is predictable and tropey, it’s well-written, and the characters are relatable. It’s a quick read, making it perfect for evoking spooky feels on a summer day. I didn’t have strong feelings about this book, but I enjoyed it. CW for violence, and off-the-page death of an animal. Here There Are Monsters drops on August 1st, and is available for pre-order now.

If you enjoyed reading these recommendations, and would like some of your own, head on over to my contact page, and send me a message! I love giving recs and readers’ advisory, and have lots of experience from my work as a bookseller.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Non-Fiction about Gender and Trans Experiences!

Currently Reading: A Dress for the Wicked, by Autumn Krause

A question that I get asked all the time is what people should read if they want to learn about trans experiences. Most often, this question comes from people who have a trans person in their social circles, and folks are almost always seeking non-fiction titles. For a long time, I’ve been maintaining a long list of recommendations, and I figured it was high time to publish it as a resource here.

It’s important to note that this is not an exhaustive list. These are the books that I would personally recommend – as a non-binary trans person, as a bookseller at a shop that specializes in LGBTQIA2S+ non-fiction, and as a reader in community. It should also be noted that not all of these books speak directly to the experiences of trans people, however all of them are trans-affirming. FINAL NOTE: These titles are listed in no particular order, because I struggled to land on an organizational system and finally just… didn’t.

I hope that this resource will be useful, and that if you feel I’ve missed something significant, you’ll fire me a message and let me know!

Adult Non-Fiction (General)

  • Transgender History, Susan Stryker, 2008
  • Who’s Your Daddy?, by Rachel Epstein and Tobi Hill-Meyer, 2009
  • Excluded: Making Feminist and Queer Movements More Inclusive, by Julia Serano, 2013
  • To My Trans Sisters, by Charlie Craggs, 2017
  • Tomboy Survival Guide, by Ivan Coyote, 2016
  • “You’re In The Wrong Bathroom”: And 20 Other Myths and Misconceptions About Transgender and Gender Non-Conforming People, by Laura Erikson-Schroth and Laura A. Jacobs, 2017
  • I’m Afraid of Men, by Vivek Shraya, 2018
  • The Trans Generation: How Trans Kids (and Their Parents) Are Creating a Gender Revolution, by Ann Travers, 2018
  • Fired Up About Reproductive Rights, by Jane Kirby, 2017
  • She/He/They/Me: For the Sisters, Misters, and Binary Resisters, by Robyn Ryle, 2019
  • Queer Magic: Power Beyond Boundaries, by Lee Harrington, 2018
  • Fucking Trans Women, by Mira Bellwether, 2010
  • Queer and Trans Artists of Color: Stories of Some of Our Lives, by Nia King, 2014 (and Volume 2, 2016)
  • Trans/Love: Radical Sex, Love, & Relationships Beyond the Gender Binary, multiple authors, 2011
  • Life Isn’t Binary: On Being Both, Beyond, and In-Between, by Alex Iantaffi and Meg-John Barker, 2019

Adult Political Non-Fiction

  • Sexing the Body: Gender Politics and the Construction of Sexuality, by Anne Fausto-Sterling, 2000
  • Black Girl Dangerous on Race, Queerness, Class, and Gender, by Mia McKenzie, 2014
  • Black on Both Sides: A Racial History of Trans Identity, by C Riley Snorton, 2017
  • The Remedy: Queer and Trans Voices on Health and Health Care, multiple authors, 2016
  • Captive Genders: Trans Embodiment and the Prison Industrial Complex, by Eric A. Stanley and Nat Smith, 2011
  • Going Stealth: Transgender Politics and US Surveillance Practices, by Toby Beauchamp, 2019
  • Histories of the Transgender Child, by Julian Gill-Peterson, 2018
  • Life and Death of Latisha King: A Critical Phenomenology of Transphobia, by Gayle Salamon, 2018
  • Sovereign Erotics: A Collection of Two-Spirit Literature, by Qwo-Li Driskoll, 2011
  • Queer Indigenous Studies, by Qwo-Li Driskoll, Chris Finley, Brian Joseph Gilley, Scott L. Morgensen, 2011
  • Struggling for Ordinary: Media and Transgender Belonging in Everyday Life, by Andre Cavalcante, 2018
  • Pleasure Activism: The Politics of Feeling Good, adrienne marie brown, 2019

Adult Workbooks and Educational Resources

  • Trans Bodies, Trans Selves: A Resource for the Transgender Community, by Laura Erickson-Schroth, 2014
  • The Queer and Transgender Resilience Workbook, by Anneliese A. Singh, 2018
  • Gender: Your Guide, by Lee Airton, 2018
  • You and Your Gender Identity: A Guide to Discovery, by Dara Hoffman-Fox, 2017

Adult Memoir

  • Redefining Realness: My Path to Womanhood, Identity, Love, and So Much More, by Janet Mock, 2014
  • Sissy: A Coming-of-Gender Story, by Jacob Tobia, 2019
  • A Two-Spirit Journey, by Ma-Nee Chacaby, 2016
  • Tomorrow Will Be Different: Love, Loss, and the Fight for Trans Equality, by Sarah McBride, 2018
  • The New Girl: A Trans Girl Tells it Like it Is, by Rhyannon Styles, 2018
  • A Life in Trans Activism, by A. Revathi and Nandini Murali, 2016
  • Tranny, by Laura Jane Grace, 2016
  • Uncomfortable Labels, Laura Kate Dale, forthcoming in 2019
  • Butch is a Noun, by S. Bear Bergman, 2006
  • Blood, Marriage, Wine, & Glitter, by S. Bear Bergman, 2013
  • Butch Heroes, by Ria Brodell, 2018
  • Born Both: An Intersex Life, by Hilda Viloria, 2017

Adult Fictionalized Memoir

  • Small Beauty, by Jiaqing Wilson-Yang, 2016
  • Nevada, by Imogen Binnie, 2013
  • Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoir, by Kai Cheng Thom, 2016
  • Freshwater, by Akwaeke Emezi, 2018
  • A Safe Girl to Love, by Casey Plett (Short Stories), 2014

Adult Non-Fiction Poetry

  • Holy Wild, Gwen Benaway, 2018
  • Disintegrate/Dissociate, Arielle Twist, 2019
  • a place called NO HOMELAND, Kai Cheng Thom, 2017
  • Even This Page is White, Vivek Shraya, 2016

Graphic Non-Fiction

  • Pregnant Butch: Nine Long Months Spent in Drag, by AK Summers, 2014
  • First Year Out: A Transition Story, by Sabrina Symington, 2017
  • A Quick and Easy Guide to They/Them Pronouns, by Archie Bongiovanni and Tristan Jimerson, 2018
  • A Quick and Easy Guide to Queer and Trans Identities, by JR Zuckerberg and Mady G, 2019
  • Super Late Bloomer, by Julia Kaye, 2018
  • Gender Queer, by Maia Kobabe and Phoebe Kobabe, 2019
  • Death Threat, by Vivek Shraya and Ness Lee, 2019
  • Queer: A Graphic History, by Meg-John Barker and Julia Sheele, 2016

Young Adult Non-Fiction

  • The ABCs of LGBT+, by Ashley Mardell, 2016
  • Trans Teen Survival Guide, by Owl Fisher and Fox Fisher, 2018
  • Proud: Stories, Poetry, and Art on the Theme of Pride, multiple authors, 2019
  • The 57 Bus, by Dashka Slater, 2017
  • transVersing: Stories by Today’s Trans Youth, multiple authors, 2018
  • Girl Sex 101, by Allison Moon, 2015
  • Queer, There, and Everywhere: 23 People Who Changed the World, by Sarah Prager and Zoe Moore O’Ferrall, 2017
  • The Book of Pride, by Mason Funk

Young Adult Memoir

  • Before I Had the Words, by Skylar Kergil, 2017
  • Being Jazz: My Life as a (Transgender) Teen, by Jazz Jennings, 2016
  • Trans Mission: My Quest to a Beard, by Alex Bertie, 2019
  • Some Assembly Required: The Not-So-Secret Life of a Transgender Teen, by Arin Andrews, 2015

Children’s Non-Fiction

  • Gender Identity Workbook for Kids, by Kelly Storck, 2018
  • Who Are You: The Kids’ Guide to Gender Identity, by Brook Pessin-Whedbee and Naomi Bardoff, 2016
  • Gender Now Coloring Book: A Learning Adventure for Children and Adults, by Maya Christina Gonzales, 2010
  • What Makes a Baby, by Corey Silverberg and Fiona Smyth, 2012
  • The Gender Wheel: A Story About Bodies and Gender, by Maya Gonzales, 2017
  • It Feels Good to Be Yourself: A Book About Gender Identity, by Theresa Thorn and Noah Grigni, 2019
  • Sex is a Funny Word: A Book About Bodies, Feelings, and YOU, by Cory Silverberg, 2015
  • They She He Me: Free To Be!, by Maya Gonzalez and Matthew Sg, 2017

If you enjoyed reading these recommendations, and would like some of your own, head on over to my contact page, and send me a message! I love giving recs and readers’ advisory, and have lots of experience from my work as a bookseller.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Guest Post by Lisa Bunker

Introduction…

I am super excited to be hosting a drop in post today from Lisa Bunker, author of two middle grade books featuring trans main characters. Bunker’s first book, Felix Yz, was released in 2017, and was a science fiction story about a child who had an alien inside of him, and who faced a dangerous Procedure to separate the two beings. Felix Yz is told as a series of journal entries written by the main character as he anticipated the Procedure.

The cover of Felix Yz, by Lisa Bunker.

This year, Bunker released her second middle grade novel, Zenobia July, which I reviewed back in April. As I told Bunker during our correspondence, this book wasn’t necessarily the book for me, however I am a huge supporter. There needs to be a diversity of voices in middle grade books, especially when it comes to books that represent trans, non-binary, and other LGBTQ characters. My shop carries the book, and I advocate for it with our school board and educator customers.

This gentle story about trans character Zen navigating life at a new school and solving a cyber mystery is a great path for readers who may not know a lot about trans issues, and perfect for young trans readers looking to see themselves reflected in literature.

The cover of Zenobia July, by Lisa Bunker.

The other reason I advocate for Bunker’s books is because of the author herself, and her strength as a role model for trans and other LGBTQIA2S+ readers. A trans woman herself, Bunker is not only a successful published author, and a pioneer of #OwnVoices trans literature for the middle grade bracket, but also an accomplished politician. Bunker is currently a Democratic state rep in New Hampshire. Following the election of Danica Roem in Virginia in 2017 that gave her a boost of confidence to run for office as a trans woman, Bunker used her decades of activist and community organizing experience to become one of New Hampshire’s first trans legislators.

For all of these reasons, I’m proud to host Bunker herself on my blog today, the only (to my knowledge) #OwnVoices author of trans middle grade books!

What The World Needs Now is Post-Binary Narrative

A guest post by Zenobia July author Lisa Bunker

No doubt binaries come in handy. We humans need to be able to sort and classify our worlds, in order to be safe and productive. But binaries can also easily get out of hand, and are susceptible to abuses. As a trans author of stories with lots of queer characters, I am on a mission to keep binaries under good management and to push back against the abuses. I’ve gathered my ideas about this mission under the new-minted genre descriptor Post-Binary Narrative. And, in order to make it manageable and memorable, I’ve come up with the following six quippy characteristics of this kind of writing.

Human Scale

How many times do plucky protagonists have to save the world (again) before we become completely numb? The whole Marvel Universe arc that just ended with “Avengers: Endgame” is a perfect example of scale overkill. I don’t know about you, but I left that movie feeling bludgeoned and empty. Could we please get back to stories driven by the struggles, choices, defeats, and victories of individual characters? I think such stories can actually have a bigger impact, because a reader who invests will be able to connect in a way that feels right-sized for once. In my new story, Zenobia July, someone hacks the school website, protagonist Zen deals with teasing at school while living in stealth, friendships form, and a family starts to come together. Those are the biggest plot elements, but they make just as engrossing a story as if Zen were single-handedly averting Armageddon (again).

No Evil

Note the capital E. I’ve gotten so tired of villains who are just purely, cartoonishly vile. Disney, much as I love many of the movies, is particularly egregious about this. Jafar, Scar…there’s no way to understand them as human (lion), and the good guys flatten out as well, because they are so completely Good in contrast to the Evil. I try to write gloriously imperfect humans coming into conflict with other gloriously imperfect humans, with everyone doing what they do for reasons that make sense to them, and I strive to write them all sympathetically. That’s not to say that Evil has never existed in the world, but plenty of other story-makers are making those stories. Too many. For deconstructing binaries, No Evil is the way to go.

Challenge “Normal”

Inevitably, in each binary we humans invent, one side weighs heavier than the other side, and then some less-than-ideal things start to happen. One is that generally the heavier side gets to decide what counts as “normal,” and that can lead to the lighter side getting defined as abnormal, freakish, less than, other. To counter this, Post-Binary Narrative includes the idea of challenging and even subverting this pattern. I have gotten reviews that complain that there are too many queer characters in my stories. In my first book, Felix Yz, I did it just for the lark, but in the new one it’s very much on purpose, as queer family of choice is a powerful force for good in Zen’s life. Within the bounds of both these stories, the nerdy geeky Rainbow Folk are the “normal” of the story, and the cis/het characters are the ones fluttering around the edges. This subversion jostles the comfortable in a fruitful way, and is definitely part of the playbook.

Fight Injustice

This is a distinct and more serious version of challenging “normal.” When the imbalance of power in various binaries gets entrenched in how our culture operates, we get outcomes like systemic racism and the glass ceiling. I mean, for crying out loud, when are we going to finally elect our first female President? Such interleaved injustices are challenging to name, describe, and dismantle, not least because those in power constantly offer counter-narratives that tell us that we’re wrong, that we’re imagining it, that we’re over-reacting, that they’re just kidding, that it’s our own damn fault anyway. Gaslighting is rampant around these ingrained power-imbalances, and we have to keep crafting narratives that push back against it. It’s crucial to the future well-being of our species as a whole.

Remember “We”

In these increasingly polarized and reactive times, I think it is essential that at least some of us keep trying to find ways to say “we” and “us” that actually mean all of us, not just other humans sharing our particular bubble. And, we need to do it while holding the “fight injustice” provision in our hearts at the same time. It’s like when #blacklivesmatter happened, and there was the immediate reactive response of #alllivesmatter. The Post-Binary Narrative response to that is, “Yes, true, in one sense, but that’s not what we’re talking about right now. We’re talking about a world where unarmed black teens get gunned down by police and then told it was their own fault. Of course all lives matter, but we have a problem, all of us together, that we still need to fix.

Practice Love

I’ve chosen the verb on purpose for its dual meanings: “practice” as in enacting something in the world, and “practice” as in continuously working at it because it’s hard to do. In particular, it can be hard to give some version of love back to someone who is pointing hate at you. Sometimes we can’t, and that’s OK too. But as much as possible, speaking for myself, I try to offer love back to everyone, all the time. Or, at least, refrain from hating back. Not much more to say about this – it’s pretty simple.

Human scale stories, with no Evil, that challenge accepted ideas of what constitutes “normal” and that fight injustice, while recognizing that we are all humans and that all humans are worthy to love and be loved. That’s Post-Binary Narrative. I respectfully submit that our poor over-burdened planet needs more of it.

Vamps in Denim

Currently Reading: Red, White, and Royal Blue, by Casey McQuiston

One day, I had a little spare time and was feeling restless, so I asked a friend of mine who I knew was a bit of a bookworm if she wanted to me to do some reading recommendations for her. As luck would have it, her taste as a big fan of urban fantasy was way outside of my wheelhouse. Some day, I’m going to do a Read Harder challenge, or at least make a reading goal to do a cursory read of some genre fic… in the meantime, I learned a lot giving these recommendations, and as a result, I’ve spent some time reading some urban fantasy on my own. In this post, I review an upcoming YA urban fantasy novel that drops in May – Carmilla, by Kim Turrisi – and I’ll offer up my recs. Special thanks to @genderqueerwolf and the SFF channel over at the Rogue Book Coven for being my go-to experts and helping me figure this one out! 

Carmilla

I received an ARC of Carmilla by Kim Turrisi from Edelweiss+. I saw it on a list of queer books coming out this year, and when I saw that this was about lesbian vampires and was based on a web series, I was like… yes. Obviously. And simply put, the book completely delivers. It’s tropey, it’s charming, and it’s clearly written for fans of Buffy or who have Twilight among their problematic faves. I loved it.

I don’t have a whole lot else to say about this book except that it made me laugh in a way that a lot of books don’t, and I was truly surprised that in a pretty light read, it had fantastic, accessible genderqueer representation that made this enby’s heart swell. Carmilla came out on May 7th, so order it, and treat yourself. Get a spooky bath bomb, too. (Unfortunately, the one in the photo is out of production, but my forever fave is Secret Arts.) You won’t regret it.

Recommendations

Here’s what I knew:

  1. Reads mostly urban fantasy
  2. Favourites are Anne Bishop’s Others series, and all of Holly Black’s novels 
  3. Most recently read books include Karen Marie Moning’s Fever books.

My Picks

I’m going to start out with two recommendations that aren’t strictly urban fantasy, but will still appeal to fans of the genre. Both are superhero books in contemporary settings. The Heroine Complex books, by Sarah Kuhn, are an award-winning series that features Asian-American superheroines, and was pitched as “The Devil Wears Prada with superheroes”. This is a compelling comp for me, because The Devil Wears Prada has long been one of my comfort-watch movie go-tos. There are three books available in this series right now.

The cover of the Heroine Complex by Sarah Kuhn.

The Santa Olivia series by Jacqueline Carey is also a superhero series, but unlike Kuhn’s books, they also integrate fantasy creatures: comic book superheroes, meet werewolves. Carey is probably best known for her Phèdre Trilogy, the epic fantasy series which begins with the award-winning Kushiel’s Dart. In Santa Olivia, Carey brings the fantastic to a more urban, near-future setting, in a disenfranchised town between Texas and Mexico. My only caution with this series is that I couldn’t find any claim to Mexican heritage in my research that I did on Carey, and because of the setting of this book and use of “Santa Olivia” – a seemingly fabricated town and patron saint – I can’t be sure whether or not readers will encounter culturally appropriative elements in this series.

The cover of Santa Olivia, by Jacqueline Carey.

The Root is the first novel in the Wrath and Athanaeum series, by Black, queer author, named Na’amen Gobert Tilahun. This is a gritty series set in San Francisco, and featuring gods, secret government agencies, and hidden magic. It has a super diverse cast, including trans representation, and monster butt-kicking. The Root is Tilahun’s debut novel, and the third in the series is forthcoming.

The cover of The Root, by Na'amen Gobert Tilahun.

Next up, I propose Mishell Baker’s Borderline. This is the first book in the Arcadia Project series, a three-book series. This book was a Nebula and World Fantasy Award nominee, and has characters that are queer, disabled, and neurodiverse… and fantasy creatures, of course.

The cover of Borderline, by Mishell Baker.

Indigenous literature seems to be taking the world by storm these days, and this isn’t the first time I’ve recommended Trail of Lightning, by Rebecca Roanhorse. It isn’t without a caveat, since this book has been criticized by some Indigenous community members as containing some culturally appropriative material. That said, this powerhouse #OwnVoices novel is still on my own TBR, and has been nominated for several awards – just know when you read it that no book exists in a political vacuum, especially if you’re picking this one up as a settler reader.

Since the release of Trail of Lightning, Roanhorse has also finished a young adult novel called Race to the Sun, to be released in January of 2020, and has released the second book in the Sixth World series: Storm of Locusts, which continues the story of Diné monster hunter, Maggie Hoskie.

The cover of Trail of Lightning, by Rebecca Roanhorse.

Okay, yall. Let’s talk Hillary Monahan for a second. Earlier this year, I picked up The Hollow Girl while on a plane ride between Toronto and Denver. This is a gruesome book, about the revenge of a Welsh Romani girl who is sexually assaulted and tortured by the son of her chieftan. I will write a full review of this book another day, but I could not put it down. It was an incredible book.

So when I was looking for diverse urban fantasy, I was scanning LGBTQ Reads, and came across a book called Snake Eyes, by Monahan. It is the third in the Gods and Monsters series. The first two are written by different authors, so I can’t vouch for them, but they appear to stand alone either way. If Snake Eyes is anywhere near the quality of the Hollow Girl, it is well worth giving this book a try – but if I know Monahan, this book may not be for the faint of heart.

The cover of Snake Eyes, by Hillary Monahan.

Finally, I thought that Malinda Lo’s fast-paced, character-driven style might appeal to a fan of urban fantasy, even if I’m not sure that’s how her work is typically characterized. Her novel Huntress features the strong female protagonists that are typical of urban fantasy, in an adventure prequel to Lo’s most well-known work, Ash, an #OwnVoices title featuring Chinese cultural influences.

The covers of Ash and Huntress, by Malinda Lo.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.