Final Fall 2019 Previews

Currently Reading: A Place called Perfect, by Helena Duggan

This post is in part a news update, and then I have two more exciting fall books to talk about! First, I want to talk about Carmen Maria Machado’s memoir, In The Dream House, that comes out in November, and then I will talk about the Canadian launch of Naomi Klein’s newest book, On Fire, which is already on shelves.

Blog Redesign

It’s coming! For those of you who don’t know, I’ve commissioned an incredible artist, Bill Underwood, who also goes by Ice, to create some beautiful work so that this space will reflect more about who I am, and what my blog is all about. It’s going to be spooky and delightful, and I can’t wait to show it to you… AND share it with you. Ice has graciously agreed to let me create some small tokens of my appreciation for followers of this blog featuring some of their artwork, so keep your eyes on my Twitter account when we get closer to the relaunch for the chance to snag some spooky literati swag…

Image is of a spooky cat. The body of the cat is purple and has skeletal-style shadows over its body. Two front legs are visible, as well as a thick tail that branches into two ends. The top half of the cat's face is a skull.
A preview of some of Ice’s final art for this blog!

Non-Binary News and Reviews

If your identify is part of the non-binary umbrella, and you want to give your work a little boost next month, mark your calendars for October 1st, which is the next #IAmNonbinary day. If you are not non-binary, it’s a great time to be an active ally. Peruse the hashtag, boost non-binary creators, and drop a little cash to those who need it if you can!

Thank you to Almost, Almost for posting some great ARC reviews of trans and/or non-binary books recently! They/Them/Their: A Guide to Non-Binary and Genderqueer Identities, by Eris Young, is a new book that was released on September 19th. Much of the content is UK-specific and the book trends a little toward the dense side, but it’s an interesting new resource to have on hand. You can read a full review of this book here.

The cover of They/Them/There: A Guide to Nonbinary and Genderqueer Identities is on the left. The title is purple text on a vibrant yellow background. The cover of Trans+: Love, Sex, Romance, and Being You is on the right, the letters are in the colours of the trans pride flag on a charcoal background.

Trans+, by Kathryn Gonzales and Karen Rayne is a broad sexual and relationship education text intended for teenagers. It includes references to additional materials, as well as #OwnVoices materials supporting the provided information. You can read a full review of this book here. Thank you again to Almost, Almost for providing such thoughtful reviews!

Useful Databases

There are so many people putting together great resources to support members of the literary community these days. I wanted to share two here. One is the Aromantic and Asexual Characters in Fiction database. This is a resource that is particularly useful to those interested in underrepresented groups under the LGBTQ2S+ umbrella. The other is the New Adult database, which is still in development. As it grows, this database will be an index of books that would otherwise be classified as “late YA” or “YA/adult crossover titles”. These books feature characters and themes relevant to those in the 18 to 29 age bracket and/or lifestyle bracket. This is a genre that has traditionally faced a great deal of stigma in publishing, and thus NA books can be difficult to find for the readers who find them relatable (like me!).

In the Dream House, by Carmen Maria Machado

In the Dream House is the much-anticipated memoir of Carmen Maria Machado, following her feminist horror fairytale collection that was released last year, Her Body and Other Parties. Machado’s memoir tells the story of a prominent queer relationship in her life that was extremely abusive, and seems to have affected her deeply. It is also a book that plays with narrative style and genre, each chapter playing with a different literary form – including my favourite, the choose-your-own adventure book.

I have never read a memoir like this one. It was artistic and captivating, as well as deeply relatable and in that way, chilling. This was a book that rippled through me. I read it shortly after reading Machado’s short story collection, and in many ways, that was extremely satisfying. It felt as though I understood more deeply some of the ways in which Machado had used her experiences as inspiration for some of the stories in Her Body and Other Parties after reading this book.

I was in awe of this rich, devastating book. I am so grateful that it exists, and it seems like with this work, Machado was able to articulate experiences that are underrepresented both in literature and also in sociocultural conversation. I would recommend it to anyone, but particularly to people who are of the opinion that abuse only exists in relationships that include men. CWs for abuse perpetrated by a woman (physical, emotional, sexual).

On Fire, by Naomi Klein

On the left, the cover of Naomi Klein's new book, On Fire. It is a red cover with yellow text, where the word "fire" is represented by the flame emoji. The subtitle reads, "The (Burning) Case for a Green New Deal. The author's name is in white text below. On the right is a popular image of Klein, a white woman with brown hair, looking directly into the camera. She is against a grey backdrop, holding her glasses in her hands, and wearing a black jacket over a pink shirt.

I didn’t preview On Fire in my last post about CanLit because I don’t know that I have anything to say about Naomi Klein and her work that hasn’t already been said over and over. However, the shop where I work in Toronto, which happens to be Klein’s local indie, was the book vendor for the Canadian launch last night, and when I left feeling inspired and touched after the event had ended, I knew I needed to say something.

I have been a fan of Klein’s work since Shock Doctrine, and the first time that I ever heard her speak was in 2016 at an event raising funds for families of MMIW, where she delivered a speech about Bella Laboucan-McLean. You can listen to Bella’s story as told by Klein, with music from Cris Derksen, here.

Since then, I had the pleasure of seeing Klein regularly, when she came into Another Story, often with a plate of pasta from Roncesvalle Italian eatery Alimentari, to sign copies of her books, and to pick up something to read. I’ve definitely missed my encounters with her since she took a position at Rutgers as the Gloria Steinhem Endowed Chair in Media, Culture, and Feminist Studies. She was always humble, charming, warm, and sharp to interact with. She was no different at last night’s launch, which began with a video that Klein was involved in about the Green New Deal that left me in tears.

“I think hope is something that we earn,” Klein said early on in the evening, when she spoke about having spent the day conversing with the Canadian media. Admittedly, I came to the event assuming that I would leave feeling incredibly sad. I was impressed by Klein’s ability, after so many years in climate activism, to remain positive and motivated. She pointed out that she gets asked often how she can remain hopeful, and I appreciated her reframing of this idea throughout the evening.

The theme of Klein’s launch was undeniably one message: that climate activism is urgent, and that it must be intersectional. “We can each put the devil’s advocate questions to each other, and it is all just a massive waste of time,” she said, speaking about Canada’s centrist media, Jonathan Franzen’s recent article, and the distractions of conservative politicians in the climate dialogue.

Despite Klein’s many mentions of race, gender, and other aspects of intersectionality in climate justice, I would be remiss not to make a note that in her acknowledgements, I was disappointed to hear one of my most admired authors make a mention of Judy Rebick on the microphone at the AGO, as one of the activists who paved the way for Klein’s work. Although Rebick has undeniably made a huge impact in Canadian activism with her second wave feminist work on reproductive rights, and as founder of Rabble.ca, she has also maintained a trans-exclusionary stance throughout her life in the public eye. To assert that activism must be intersectional, but to overlook these problematic views feels antithetical.

Even as someone who follows the news around climate justice and global warming, I learned a great deal from Klein’s Q&A with Democracy Now’s Ishmael N. Daro, including but perhaps especially about a valuable voting resource as we approach Canada’s upcoming federal election: Our Time. Klein asserts, and I must agree, that our best case scenario for the upcoming election is to vote very strategically to achieve a Liberal minority government, in which Liberals are forced to make alliances with the NDP and Green Party.

The cover of No One is Too Small to Make a Difference, a plain grey cover with black text. The title is small, and the author's first name, GRETA, is the largest text, at the top of the cover.

One resource which Klein failed to mention during her launch that I would recommend especially readers who can’t make the commitment to read Klein’s longer works, is the new short book by youth climate justice leader Greta Thunberg, No One is Too Small to Make a Difference. I would also recommend Kai Cheng Thom’s new book, I Hope We Choose Love, to Klein and readers who enjoy On Fire. I reviewed it in my post two weeks ago. It feels to me as though Klein and Thom are definitely working in similar theoretical spheres with their philosophies for the future.

An excerpt from On Fire, which is available now, can be read here. I would like to close this post with Klein’s closing words from her launch, which were, “What scares me most is not the weather, it’s how people can turn on each other if we don’t invest in infrastructures of care.”

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Can’t Lit Fall Previews

Currently Reading: Your House Will Pay, by Steph Cha

Not to throw shade (except kind of really to throw a little shade…), but there is one Canadian book that has been getting some serious buzz this fall. And guess what? I don’t think it’s the most exciting CanLit that’s being released this season! Not even close. Let me tell you about what I DO think is the most exciting CanLit being released this season…

Empire of Wild, by Cherie Dimaline

The cover of Empire of Wild: A Novel, by Cherie Dimaline. The cover also notes that the author is the same as the #1 Bestseller The Marrow Thieves. The image is a mostly desaturated image of a green armchair sitting in the middle of a forest clearing.

I work at Another Story, an indie bookshop in Toronto’s west end. The year that I began working there was the year that Cherie Dimaline’s YA Indigenous speculative fiction novel The Marrow Thieves took the world by storm. When I chewed through it in one sitting, the cover was fresh and bare. Now, the cover is littered with medallions representing the awards that this title has won since its released, so much so that they nearly obscure the art. By the time the winter holiday shopping season rolled around, we were literally having cartons of this title delivered by hand from our distributors at the last minute to keep up with customer demand.

I was working at the Festival of Literary Diversity (FOLD) in Brampton in 2018 when I learned that Dimaline had secured contracts for four more books after the success of the Marrow Thieves, and on September 17th, the first of those will be available to the public. Empire of Wild is, like Dimaline’s last book, an Indigenous speculative fiction title, this time written for a mature audience. I couldn’t wait to get my hands on an ARC of this book.

I wasn’t disappointed. Much like when I read the Marrow Thieves, it took me a few chapters to really get into the pacing. As a settler reader, I sometimes find myself challenged by this aspect of Indigenous storytelling, but the more Indigenous lit I spend time with, the more that I am growing accustomed. Taking the time to get into the rhythm of brilliant books is always well worth it.

In Empire of Wild, Dimaline skillfully weaves her Métis heritage into a politicized, suspenseful narrative that centres around a woman’s search for a missing partner, the damage that Big Oil does in Indigenous communities, and the rougarou – a Métis mythical creature that calls to mind an anthropomorphic, demonic wolf.

CWs for this book include murder, other violence, possible abduction/abandonment by a family member, extreme right religious content, and substance use. It is an adult title, and it doesn’t pretend to be for a YA audience. I would definitely recommend this book. Is there any more enjoyable way to learn about social justice issues than through delicious, #OwnVoices storytelling?

If you are a settler and pick up Dimaline’s work, and then want to learn more about Indigenous issues, there are some great resources and books that can be read as follow up – including Billy-Ray Belcourt’s fall release, NDN Coping Mechanisms, which I recommend later in this post.

Other resources I would recommend are the final report of the national inquiry into Missing and Murdered Indigenous Women and Girls, and the content produced by Idle No More. Some non-fiction titles that would be fantastic follow up include 21 Things You May Not Know About the Indian Act, by Bob Joseph, Seven Fallen Feathers, by Tanya Talaga, Heart Berries, by Therese Marie Mailhot, and A Mind Spread Out on the Ground, by Alicia Elliott. Last but not least, if you can’t get enough Indigenous speculative fiction, I can’t recommend Jonny Appleseed enough, by Two-Spirit author Joshua Whitehead.

I Hope We Choose Love, by Kai Cheng Thom

The cover of I Hope We Choose Love: A Trans Girl's Notes from the End of the World, by Kai Cheng Thom. A red flower with a yellow and red centre on a black background, with white lettering.

Kai Cheng Thom is one of the only authors whose work I savour. From her insightful articles and essays to her picture books, Thom’s writing is some of my favourite. She has an advice column in Xtra, and her recent essay on the legacy of trauma within queer communities has been resonating with lots of folks online. From the Stars in the Sky to the Fish in the Sea is one of my all-time favourite, gender-affirming picture books to read with children and adults alike, and Thom’s artwork is sumptuous and vibrant.

I’ve read, re-read, and been repeatedly brought to tears by her poetry collection a place called NO HOMELAND, but I’ve actually held off on reading her fictionalized memoir, Fierce Femmes and Notorious Liars, which got some buzz recently since it was Emma Thompson’s Shared Shelf pick in March of 2019. I couldn’t bring myself to read it, because Thom didn’t have any other books, and I didn’t want to have read everything she’d published! I was so excited when I heard that Thom had a new project in the works, and now the wait is almost over, since her new collection of non-fiction essays, I Hope We Choose Love: A Trans Girl’s Notes from the End of the World, will hit shelves on September 24th.

Heartwrenchingly, I find myself hesitant about this new collection. It is beautiful, and brilliantly written. It is thought provoking, and that Thom brings a perceptive, and well-informed analytical lens to the issues that marginalized people face surviving the current political climate together. I would never hesitate to recommend any of Thom’s work (this collection included) to another reader, but I wondered even reading the title if perhaps our paradigms had diverged too far in recent times for me to find Thom’s newest work meaningful for me personally in the same way that I had her previous publications. Am I too cynical? Am I too white? Am I too hopeless? Am I too immature? Am I too angry?

I saw red flags that led me to believe this book was not for me. In the first chapter, Thom referenced works that make me deeply uncomfortable, for example, Sarah Schulman’s Conflict is Not Abuse, which is a deeply problematic work that can be used to gaslight victims of harassment. Thom also criticized “call out culture” or “cancel culture”, when I am of the opinion that if cancel culture’s existence isn’t a myth entirely, people often use this rhetoric when what they really mean is “consequences.” Yet, when Thom outlined her political views, I found nothing objectionable, and so I decided to proceed with caution.

Whatever it is about me and my social location, or about this political moment, I struggled with this collection. The format alternates between essays and poetry, and while much of the poetry reached me in a way that felt reminiscent of NO HOMELAND, the essays did not. They’re accessible and well-articulated, and I was often right there with Thom, until about three quarters of the way through. At some point in each of the essays, I found myself taking pause.

There was a conversation on Twitter recently about how instead of describing the written work of a marginalized person as “important” or “urgent”, we should be approaching these works as requiring “urgent listening.” I hold Kai Cheng Thom in great esteem, and while the conclusions drawn in this book are difficult for me to agree with, it is a book that I think warrants urgent listening, and probably for me, revisiting. I would definitely recommend it to fans of books like Emergent Strategy, by adrienne maree brown, and it may just become my alternate recommendation when folks come into my shop for Conflict is Not Abuse. In the meantime, me and my rage are looking forward to savouring Fierce Femmes and Notorious Liars in the not-too-distant future.

NDN Coping Mechanisms, by Billy-Ray Belcourt

The cover of NSN Coping Mechanisms: Notes from the Field, by Billy-Ray Belcourt. The cover notes that the author is the winnter of the Griffin Poetry Prize. The image is a person with long, dark hair, wearing a black shirt, set against a backdrop of dry, tall grass or wheat, and a pale, clear blue sky. The person has their hands folded as if in prayer in front of them, and the hands are bound together with white fabric. They are holding a piece of wood that looks like a dried, dead tree, with a hole positioned over one of the person's eyes. The wood obscures the rest of the face.

I was honoured to be able to attend the Toronto launch of this book as one of the staff of Another Story, who are the book vendors for the literary events held at the Art Gallery of Ontario. As Belcourt himself noted during his talk, the event was very well-attended, and I spent the majority of my time behind the bookselling table admiring the spectacular beadwork and other Indigenous jewellery that so many of the people in the diverse crowd seemed to be wearing.

In my doctoral studies, I cite Belcourt’s work on animality in decolonial thought constantly these days. He is one of few Indigenous scholars based in colonial Canada who has written academic work in this area, and since I study working animals using an anti-racist and decolonial lens, his work has been invaluable to me. Because I had yet to read Belcourt’s Griffin-award-winning poetry collection This Wound is a World, I was intrigued by this new work consisting of both scholarly theorizing, as well as poetry.

The event, like the book (title pronounced N-D-N Coping Mechanisms), was varied in both tone and intellectual register. The book is a gripping commentary on the paradoxical horror and beauty of Indigenous queer life in colonial Canada. Belcourt noted that the book had already made the CBC Books Bestseller List for its first week out – but had, strangely, been placed in the fiction category.

Belcourt was joined at the AGO by fellow Indigenous author and scholar, Leanne Betasamosake Simpson, who asked questions ranging from how Belcourt conceptualized success and envisioned his responsibility to future Indigenous queer authors, to probing for details about the men that Belcourt writes about in his new book. Belcourt himself joked about being born in the 90’s and thus having too short an attention span to write a novel, and also mused about who the anthropological object of his creative work was. I simultaneously enjoyed the evening, and felt (appropriately) like a complete outsider. At times, the conversation was theoretically challenging for me to keep up with – and I say that as a fifth year PhD student. I was both awed, and at times, a little lost. Both Belcourt’s and Simpson’s readings of excerpts from the book made me shiver.

There were a few moments in the evening that were particularly poignant for me. When asked why he writes, Belcourt responded, “I don’t know how else I would deal with all this shit.” As someone who has been eyeball-deep in affective scholarly work for the better part of my adult life, this was deeply relatable to me. In some ways, NDN Coping Mechanisms appeals to me as a work precisely because of this. I am interested and often validated when I have the opportunity to read about the experiences of other marginalized people who have found creative ways to cope with the state of the world, or who cope through content production.

I was also charmed and impressed when Simpson inquired whether Belcourt suffered from imposter syndrome, and he replied, “Maybe it’s just my generation’s thing of being like, I know I’m amazing!” The audience laughed, and Belcourt paused before continuing, “I know what I bring to the table.” As a bookseller and a member of the literary community, if I could have one wish for all Indigenous people, it would be that they all feel this kind of confidence in their work. Indigenous literature is certainly having a cultural moment right now, one that I hope will have a lasting effect on the literary scene in our colonial nation state, and I hope that Indigenous creators can all be aware of just how much they bring to the table.

Lastly, and to make reference back to some of my complicated feelings about Thom’s I Hope We Choose Love, Simpson mentioned during the launch that some of Belcourt’s lines of poetry would stay with her forever, and I think that the one that she mentioned is a good place to end this recommendation of Belcourt’s NDN Coping Mechanisms, which is available for purchase now. He wrote, “Revenge is more decolonial than justice,” something which feels equitable and firey and powerful to me. Simpson therefore asked herself, and Belcourt, and I think that it is a good question for everyone in the Canadian literary community to consider: what does revenge look like in CanLit?

Other Fall Books That Just Can’t Lit

…and if two books won’t be enough to stock up your TBR this fall, there are lots of other Canadian releases you should know about, for readers of all ages. These are some of the ones that I would recommend:

  • One Drum, by Richard Wagamese, October 19th
    Political non-fiction, Indigenous author.
  • On Fire, by Naomi Klein, September 17th
    Political non-fiction.
  • From Where I Stand, by Jody Wilson-Raybould, September 20th
    Political non-fiction, Indigenous author.
  • Breaking the Ocean, by Annahid Dashtgard, available now
    Memoir, Iranian-Canadian author.
  • Pickles vs the Zombies, by Angela Misri, September 21st
    Middle grade dystopian.
  • Angry Queer Somali Boy, by Mohamed Abdulkarim Ali, available now
    LGBTQ2S+ memoir, POC author.
  • Hustling Verse, various authors, available now
    Poetry, authors are sex workers.
  • African Canadian Leadership, various authors, available now.
    Political non-fiction, POC authors.
  • I Promise, by Catherine Hernandez and Syrus Marcus Ware, available now
    Picture book, LGBTQ2S+, POC authors.
  • Blanket Toss Under the Midnight Sun, by Paul Seesequasis, October 22nd
    Photography, Indigenous artist.
  • We Three, by Markus Harwood-Jones, available now
    YA with polyamory and LGBTQ2S+ representation.
  • In My Own Moccasins, by Helen Knott, available now
    Memoir, Indigenous woman author.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Fall Preview: Music and Monsters

Currently Reading: NW, by Zadie Smith

I am super lucky that for this upcoming season, I was gifted some amazing (and in some cases, very high profile) ARCs, either for the purpose of screen reading them to see if they’d be a good fit for the bookshop where I work, or for review. Some came directly from incredibly generous publicists, and others came from the shop’s hardworking sales reps. Others came from Edelweiss+ or Netgalley. EITHER WAY, for the next couple of months, I’m going to do my best to share the wealth and feature some of these hot new titles in this space.

If you’re interested in my own personal reading, I stumbled across this read-a-thon that’s too perfect for me to pass up! It’s called the #VillainAThon, and I’ll be participating until the end of October. It’s my first ever read-a-thon! (When do I get my merit badge?) I’ve paired the information about the #VillainAThon with a fall preview that would be a perfect fit!

Before I get to these great ARCs, I stumbled across a new resource recently that is incredible. Compiled by Ray Stoeve, it’s the YA Trans Ownvoices Masterlist – a list of all the trans, young adult lit that is written by trans authors. Check it out, and if you like it or find it useful, please remember to show your appreciation through ko-fi.

High School, by Tegan and Sara

Cover image of High School, by Tegan and Sara. Image is of two twins with long, thick hair, standing back to back, looking into the distance. Image is black and white, on a light gray background. Image is oriented in landscape, although the book is oriented in portrait.

I first discovered Tegan and Sara’s music when I was an unaware queer teen, living in St. John’s, Newfoundland. It wasn’t even that I was closeted, it was that I was so unexposed to the breadth of LGBTQ2S+ experiences that I didn’t know that there was queerness beyond gay, white men. I had no idea that I could be anything other than a cis, het, woman. And even so, something in their music spoke to me in a way that most other music never had. So Jealous became the soundtrack to my life overnight, and awakened something in me that had yet to be discovered.

I’ve been a huge fan of theirs since then. The Con guided me through much of my early twenties, and I can sing every word of Sainthood by heart. I’ve seen them in concert in arenas and grassy fields, and heard their music echo off the towers of the Toronto skyline during Pride. When I heard that they had a book coming out, I was so excited.

High School isn’t exactly what I expected. When I saw the previews online, I imagined a glossy, hardcover book, with loads of photos, lyrics sprinkled throughout, something abstract and commemorative – but the book is a straight memoir. While there are photos included, the book is a collection of autobiographical essays, alternating authors, that chronicles the artists’ lives from tenth through twelfth grade, in downtown Calgary, Alberta.

This memoir feels very CanLit to me. Written in a chronological timeline, the stories are set on a backdrop of cold, Alberta winter days that turn the skin of the white authors’ knees purple through their ripped jeans, and freeze car batteries. There are stories of weekends spent in Jasper, and shows at the Saddledome. The anecdotes that Tegan and Sara tell are also very 90’s throwback. I think any white, middle class, Canadian Millennial who picks this up will find something relatable in the ambling stories of twins who troll Value Village for striped sweaters, write long notes to their friends, and fight over the telephone.

I almost felt like this book was told in two parts. Tegan and Sara before music entered their lives, and after. *High School* is the story of three tumultuous years, and the first half of the book is an exploration of budding queerness, the complex relationship that exists between twin sisters and their adolescent friends, and (CW) more alcohol drug use than I expected. For me, it was honest, complicated, and relatable. While I enjoyed reading Tegan and Sara’s musical origin story, the second half of the book focused much more on their fledgling career. I wished that the themes of the first half had bled a little more into the later part of the book.

Now having read the whole thing, I’m glad that I did, and I would recommend it to fans of Tegan and Sara’s music, CanLit memoir fans, or young queer Canadians still learning about their identities. The one burning question that I felt the book left unresolved for me – and maybe this is petty – is how “Sara and Tegan”, used throughout the entire text of the book, became “Tegan and Sara”?!

*High School* comes out on September 24th, and is available for pre-order now. Peripherally, Tegan and Sara’s new album, “Hey, I’m Just Like You,” comprised of songs unearthed while working on writing the memoir, will drop on September 27th. If you’re a fan of their older music like I am – I’m feeling cautiously optimistic about this new album, and I could be ready for a nice nostalgic Spooky Season this year. If you haven’t seen the preview video for the new album, you can watch it below, and get hyped for all this fresh Tegan and Sara content…

Pet, by Akwaeke Emezi

Cover of Pet, by Akwaeke Emezi. Letters of the title are large and blocky, filled with cream-coloured feathers. They are set against a map of a neighbourhood in purple and cream. In the foreground stands a young Black girl in pajamas and slippers, holding a large feather in her right hand.

…cue the gushing. I’ve written about Emezi before on this blog, so it should come as no surprise that when I heard they had another book coming out, I was immediately eager to read it. Even with my high level of anticipation, this book blew me over in so many ways. First, when talking to one of my partners while I was reading, I described the worldbuilding in this book as setting a high bar for what the norm for books of the future should be. To begin, Pet is set in a fictionalized world, post-revolution, in a time of relative peace. Emezi takes this basic, familiar setting, and masterfully crafts their main character, Jam, and her surroundings in a way that sets a fresh standard for what diverse representation in novels should be.

Race, transness, queerness, disability, and neurodiversity all get a place to unapologetically shine in this book in a way that regularly brought me to the edge of tears. I am doing my best to be acutely aware of my privilege as a white, settler reader, as I write this next bit. I had to read Pet more slowly than almost any book that I’ve ever read, and part of the reason for that is because it was so much to take in. I was completely overwhelmed by the way that Emezi’s poetic prose and nuanced, loving character development served as both a window and a mirror for me over the course of this book.

I felt deeply reflected in this book by the implicit rejection of gender norms, the generous depictions of characters with a rich internal worlds and varying outward capacities, and the tacit portrayal of non-monogamous and queer bio and found family structures. Meanwhile, the dialogue, clothing, and foods that the characters take up through this story were a window into a racial and cultural world that both felt welcoming and nurturing, and utterly unfamiliar to me.

Emezi achieves in Pet much of what they achieve in their previous fictionalized memoir for adults, Freshwater, which is to say that it is a paradigm-shifting gem of a book, but it unfurls in a way that feels more accessible to younger readers or people who may be triggered by some of the content of Freshwater. It also feels more plot-driven – and the story itself is a wild ride about a fantastical creature that is accidentally summoned from a painting in the first few pages of the book, who challenges Jam’s perceptions of the world, but also of her dearest friendship. But I wouldn’t want to spoil it anymore than that.

Pet is exquisite, and it comes out on September 10th. It’s available for pre-order now, and I would encourage you to do that through your local brick and mortar book shop. (CW for mention of child abuse, not very detailed.)

The #VillainAThon

I stumbled across Kailey Steward’s Villain-themed read-a-thon just in time for my favourite time of the year: Spooky Season! I always read a lot of horror, thriller, and paranormal books, but I definitely try to indulge even more in my favourite genre as October approaches. Even though I’ve never participated in a read-a-thon before, I figured this would be the perfect chance, given that the bar for participation was low, and it would give me a chance to chat about my favourite kind of books with some other people who were also excited about them!

My only hesitation in participating is a feeling that’s new to me, but there are a lot of rad folks on Twitter these days who are so much younger than me! While I definitely appreciate that youth and young adults are doing such cool things and using the internet in the best ways, I’m also 31, and always a little nervous about sticking my nose in where I’m just going to be an intrusive elder. But. I decided in this case that talking about spooky books is something I’m willing to do with just about anyone, so I’m pushing my internalized ageism aside and hoping that I’ll be welcome.

If you’re interested in more details on the #VillainAThon, check out Kailey’s post about participating, and choose something from the required reading list! It’s a super accessible event, and if you’re going to participate, please let me know, so I can give you a wave on the bird site!

The Tenth Girl, by Sara Faring

Cover image for Sara Faring's The Tenth Girl. Background is an ice blue, with branches and birds silhouetted against it. There are some letters and numbers indistinct in darker ink. The primary image is of a large, dark, manor house that is suspended in the middle of the cover. It fades to black and then into the background.

Kailey has put together some great recommendations for Villainous reading, but I thought that I’d pile on with one more. I read this book so long ago that I nearly forgot to write about it at all, even though it made my head spin at the time, so I’m very glad that trying to think of something to recommend for the #VillainAThon brought it back to mind. Two of my favourite spooky aspects are morally ambiguous characters, and haunted houses that become characters in their own right. This book has both of those in spades, nothing in this book is as it seems.

This book is a suspenseful, historically situated, complex horror novel, by Argentine-American author Sara Faring. It has dual narrators, which I initially had a negative reaction to, but once I read a few chapters, I had trouble putting it down. I’m so glad that I persevered. The characters and the setting of this novel are well-developed and compelling. The Patagonian setting is unique, and I would encourage educators to recommend this book to students who are interested in history, political resistance, and dictatorships in general. For someone looking for a bit of a more mature read, this would be another book that I would recommend as an alternative to Atwood’s Handmaid’s Tale.

The plotline is extremely complex, with one of the most shocking twist endings I’ve ever read. That said, I question this novel’s categorization as a young adult read. None of the main characters are teens, and this book is one of the more chilling horror novels I’ve read this year – the scare factor is high. It works well as NA, or as a YA/adult crossover. I would recommend this book to fans of Tananarive Due’s The Good House, or Sarah Maria Griffin’s Other Words for Smoke, which I blogged about earlier this year.

Who is the villain in this book? One of the things that I like about it is that I think that many readers would give many different answers. Without spoiling the book, I’d have to say that to make that judgement, you’d have to read it for yourself when it comes out on September 24th. In the meantime, check out the Den of Geek’s interview with Sara Faring, and the book trailer for The Tenth Girl.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Spooky Books for Sunny Seasons

Currently Reading: Pet, by Akwaeke Emezi

Recent Picture Recent Releases

The cover of When Aidan Became a Brother, by Kyle Lukoff and Kaylani Juanita.

Before I dive in to the recommendations I have this week, I want to make quick reference to two recently-released picture books featuring trans characters. Both of these books came out on June 4th, and would be a great addition to any personal or classroom library. They are, When Aidan Became a Brother, by Kyle Lukoff, and illustrated by Kaylani Juanita, and It Feels Good to Be Yourself, by Theresa Thorn, and illustrated by enby artist Noah Grigni. Be sure to check these out, and if you’re able, consider ordering them through your local independent bookshop!

The cover of It Feels Good to Be Yourself, by Theresa Thorn and Noah Grigni.

New Releases to Give You Chills

I grew up on an island in the North Atlantic. My body was not built for hot weather! If you’re like me, and you are seeking some spooky stories to beat the heat this summer, or a captivating thriller to keep you enthralled on the beach, I have recommendations for you, because there are some incredible grimdark tales set to release in the summer months this year.

Spring 2019

The cover of the Wise and the Wicked, by Rebecca Podos.

There are a couple of books that came out this spring that definitely fit the bill in terms of un-put-down-able reads for a spooky summer. I’ve written about one of these already, The Wise and the Wicked, by Rebecca Podos, which came out this May, but it deserves a second mention here. This is one of my favourite reads of 2019 so far, hands down, and as a bonus, it features affirming and interesting trans representation. This YA title came out in May, and is available now.

The cover of The Van Apfel Girls are Fone, by Felicity McLean.

The Van Apfel Girls Are Gone, by Australian author Felicity McLean, also came out this past spring. This book is described as a thriller, and although I wouldn’t necessarily categorize it that way, it is a great, suspenseful book. I’ve seen it categorized as YA, but it has great potential as a YA/adult crossover.

I got a review copy of this book through Edelweiss+, and I loved it. I picked it up in part because it was described as “quintessentially Australian”, and I’d never read an Australian title before, so I wanted to see what that meant. In the end, I could not put this book down, and I learned a lot. It made me curious to read books by other Australian authors!

Although the plotline is focused on the disappearance of three girls, the narrative centres on how we process childhood memories as a adults, and how we come to terms with childhood grief. The story is not super sad, and it’s extremely compelling. CW for missing children, cancer, and death. The Van Apfel Girls Are Gone was released in April, and is available now.

July

The cover of The Best Lies, by Sarah Lyu.

Sarah Lyu’s The Best Lies is the perfect one-sitting YA thriller for a rainy day at the cottage or sprawling on the beach. I grabbed this book from Edelweiss+ because I thought it would be fast-paced and formulaic – but wow, was I wrong. This psychological thriller gets deep fast, and I didn’t want to put it down. We know from the beginning of this book that the protagonist’s boyfriend is dead, that he was shot, and that the person who killed him is the MC’s best friend. Very quickly, we learn that nothing is as it seems for this character, an unreliable narrator, or for the reader.

This story is told in two timelines – one that begins three hours after the death of Remy’s boyfriend, and one that begins nearly a year earlier, when Remy met her best friend for the first time. As the plot of this murder mystery unfolds, the pacing and suspense both build, and readers are lead through an exploration of trauma, abuse, queerness, gun violence, and love. It’s a fantastic, if difficult read. I would recommend this book to any teen, educators interested in inclusive discussions about healthy relationships and boundaries, and adult readers alike. CW for domestic violence and obsessive behaviour. The Best Lies is available for pre-order now, and will be released on July 2nd.

The cover of Destroy All Monsters, by Sam J. Miller.

Both of my other July recommendations are books that deal with issues of mental health in a nuanced, sometimes suspenseful, and sometimes fantastical way. Both of these books reflected aspects of my own experiences in ways that kept me reading. I got an eARC of Destroy All Monsters from Edelweiss+ based on the recommendation of one of the owners of the shop where I work. Her description of this YA title really drew me in. Destroy All Monsters is by Sam J. Miller, a gay author, and is told from the perspectives of two friends, Solomon and Ash, who both experienced a traumatic event prior to the beginning of the narrative. Solomon suffers from psychosis and inhabits a rich inner world that is explored through his fantastical chapters, whereas Ash only experiences Solomon’s fantasies through the lens of her camera. The friends do not remember the trauma that they share, and this book explores their journey of discovery together.

I loved aspects of this book, but there were aspects that were disappointing. The treatment of mental illness in this book was skillful, however the ending was particularly unsatisfying for me, given the centrality and depth of the narrators’ friendship throughout the book. That said, for readers interested in exploring themes around trauma and who like fantasy worlds with awesome sky-dragons and suspenseful plotlines, this book is still a great read. This book comes out on July 2nd, and is available for pre-order now. CW for childhood trauma and sexual abuse.

The cover of Fractalistic, by Gerardo Delgadillo, which shows the image of a girl with eyes closed and hair spread above her head, as though she is floating. The background is a mixture of opaque images of stars and waves, and the cover is largely in monochromatic colours.

If you are a regular reader of this blog, you’ll know already that it’s not often that I will pick up a book that’s written by an author who appears to be a cis het white man… but seriously, if that cover doesn’t draw you in, I’m not sure what will. Shoutout to Shayne Leighton, who designed this, and most of the other Parliament House Press Covers, for grabbing my interest in Fractalistic, by Gerardo Delgadillo, which I got as an eARC through NetGalley.

For me, Fractalistic did have some tell-tale signs regarding the author’s privilege. None of the feminine characters in the book had the understanding of technology that the MC’s male love interest did. The male love interest’s future was also of great concern, whereas the futures of the female characters was never discussed in seriousness. In addition, although the book featured a racially diverse cast, the Spanish used because of the Mexican setting was all translated nearly word for word, and other aspects of diversity were lacking. All of the characters in the book were cisgendered, and the multiple romantic storylines were all heterosexual.

The other aspect of this book that was disappointing was that the technology itself was not well-described. I was surprised to read that the author is himself a coder, since it felt to me as though it was written by someone without a thorough understanding of the subject matter, but obviously it was a problem of translation and not of comprehension.

Even with the books flaws, I have to say that I ate it up. It’s a YA/adult crossover, so I would recommend it to mature readers of any age. Fractalistic is an absolute fever dream, and it was a spooky pleasure to let it wash over me. What was even more of a pleasure was that the surprising conclusion of the book was emotionally satisfying and had a lot of poignant things to say about the experience of mental illness. As a reader who has experienced many symptoms of neurodivergence and mental illness throughout my life, this book felt resonant and reflective of my experiences, and it was really enjoyable to read. Fractalistic comes out on July 9th, and is available for pre-order. CW for death of a parent, psychosis, gaslighting and manipulation.

(PS, if you like Fractalistic, but you are also a fan of cozy mystery, YA romance, and publishing world intrigue? Keep your eye out for The Undoing of Thistle Tate, by Katelyn Detweiler, which comes out on July 23rd. I DNF’d this book because the tropes weren’t for me – but it’s a bit more lighthearted than Fractalistic and has a lot of similar appeal!)

August

The cover of Here There Are Monsters, By Amelinda Bérubé.

I got an eARC of the YA novel Here There Are Monsters by Amelinda Bérubé through NetGalley. Although Here There Are Monsters might not have been my favourite spooky read of this year, I think it might be the perfect book to take to a beach. This book is a classic monster murder horror story. There’s nothing too heady here, and there’s a lot of really great, creepy imagery. The main character’s sister disappears in the first pages of the novel, and the rest of the story follows the MC’s quest to get her back from the monsters in the haunted wood behind their house.

Although this story is predictable and tropey, it’s well-written, and the characters are relatable. It’s a quick read, making it perfect for evoking spooky feels on a summer day. I didn’t have strong feelings about this book, but I enjoyed it. CW for violence, and off-the-page death of an animal. Here There Are Monsters drops on August 1st, and is available for pre-order now.

If you enjoyed reading these recommendations, and would like some of your own, head on over to my contact page, and send me a message! I love giving recs and readers’ advisory, and have lots of experience from my work as a bookseller.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Non-Fiction about Gender and Trans Experiences!

Currently Reading: A Dress for the Wicked, by Autumn Krause

A question that I get asked all the time is what people should read if they want to learn about trans experiences. Most often, this question comes from people who have a trans person in their social circles, and folks are almost always seeking non-fiction titles. For a long time, I’ve been maintaining a long list of recommendations, and I figured it was high time to publish it as a resource here.

It’s important to note that this is not an exhaustive list. These are the books that I would personally recommend – as a non-binary trans person, as a bookseller at a shop that specializes in LGBTQIA2S+ non-fiction, and as a reader in community. It should also be noted that not all of these books speak directly to the experiences of trans people, however all of them are trans-affirming. FINAL NOTE: These titles are listed in no particular order, because I struggled to land on an organizational system and finally just… didn’t.

I hope that this resource will be useful, and that if you feel I’ve missed something significant, you’ll fire me a message and let me know!

Adult Non-Fiction (General)

  • Transgender History, Susan Stryker, 2008
  • Who’s Your Daddy?, by Rachel Epstein and Tobi Hill-Meyer, 2009
  • Excluded: Making Feminist and Queer Movements More Inclusive, by Julia Serano, 2013
  • To My Trans Sisters, by Charlie Craggs, 2017
  • Tomboy Survival Guide, by Ivan Coyote, 2016
  • “You’re In The Wrong Bathroom”: And 20 Other Myths and Misconceptions About Transgender and Gender Non-Conforming People, by Laura Erikson-Schroth and Laura A. Jacobs, 2017
  • I’m Afraid of Men, by Vivek Shraya, 2018
  • The Trans Generation: How Trans Kids (and Their Parents) Are Creating a Gender Revolution, by Ann Travers, 2018
  • Fired Up About Reproductive Rights, by Jane Kirby, 2017
  • She/He/They/Me: For the Sisters, Misters, and Binary Resisters, by Robyn Ryle, 2019
  • Queer Magic: Power Beyond Boundaries, by Lee Harrington, 2018
  • Fucking Trans Women, by Mira Bellwether, 2010
  • Queer and Trans Artists of Color: Stories of Some of Our Lives, by Nia King, 2014 (and Volume 2, 2016)
  • Trans/Love: Radical Sex, Love, & Relationships Beyond the Gender Binary, multiple authors, 2011
  • Life Isn’t Binary: On Being Both, Beyond, and In-Between, by Alex Iantaffi and Meg-John Barker, 2019

Adult Political Non-Fiction

  • Sexing the Body: Gender Politics and the Construction of Sexuality, by Anne Fausto-Sterling, 2000
  • Black Girl Dangerous on Race, Queerness, Class, and Gender, by Mia McKenzie, 2014
  • Black on Both Sides: A Racial History of Trans Identity, by C Riley Snorton, 2017
  • The Remedy: Queer and Trans Voices on Health and Health Care, multiple authors, 2016
  • Captive Genders: Trans Embodiment and the Prison Industrial Complex, by Eric A. Stanley and Nat Smith, 2011
  • Going Stealth: Transgender Politics and US Surveillance Practices, by Toby Beauchamp, 2019
  • Histories of the Transgender Child, by Julian Gill-Peterson, 2018
  • Life and Death of Latisha King: A Critical Phenomenology of Transphobia, by Gayle Salamon, 2018
  • Sovereign Erotics: A Collection of Two-Spirit Literature, by Qwo-Li Driskoll, 2011
  • Queer Indigenous Studies, by Qwo-Li Driskoll, Chris Finley, Brian Joseph Gilley, Scott L. Morgensen, 2011
  • Struggling for Ordinary: Media and Transgender Belonging in Everyday Life, by Andre Cavalcante, 2018
  • Pleasure Activism: The Politics of Feeling Good, adrienne marie brown, 2019

Adult Workbooks and Educational Resources

  • Trans Bodies, Trans Selves: A Resource for the Transgender Community, by Laura Erickson-Schroth, 2014
  • The Queer and Transgender Resilience Workbook, by Anneliese A. Singh, 2018
  • Gender: Your Guide, by Lee Airton, 2018
  • You and Your Gender Identity: A Guide to Discovery, by Dara Hoffman-Fox, 2017

Adult Memoir

  • Redefining Realness: My Path to Womanhood, Identity, Love, and So Much More, by Janet Mock, 2014
  • Sissy: A Coming-of-Gender Story, by Jacob Tobia, 2019
  • A Two-Spirit Journey, by Ma-Nee Chacaby, 2016
  • Tomorrow Will Be Different: Love, Loss, and the Fight for Trans Equality, by Sarah McBride, 2018
  • The New Girl: A Trans Girl Tells it Like it Is, by Rhyannon Styles, 2018
  • A Life in Trans Activism, by A. Revathi and Nandini Murali, 2016
  • Tranny, by Laura Jane Grace, 2016
  • Uncomfortable Labels, Laura Kate Dale, forthcoming in 2019
  • Butch is a Noun, by S. Bear Bergman, 2006
  • Blood, Marriage, Wine, & Glitter, by S. Bear Bergman, 2013
  • Butch Heroes, by Ria Brodell, 2018
  • Born Both: An Intersex Life, by Hilda Viloria, 2017

Adult Fictionalized Memoir

  • Small Beauty, by Jiaqing Wilson-Yang, 2016
  • Nevada, by Imogen Binnie, 2013
  • Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoir, by Kai Cheng Thom, 2016
  • Freshwater, by Akwaeke Emezi, 2018
  • A Safe Girl to Love, by Casey Plett (Short Stories), 2014

Adult Non-Fiction Poetry

  • Holy Wild, Gwen Benaway, 2018
  • Disintegrate/Dissociate, Arielle Twist, 2019
  • a place called NO HOMELAND, Kai Cheng Thom, 2017
  • Even This Page is White, Vivek Shraya, 2016

Graphic Non-Fiction

  • Pregnant Butch: Nine Long Months Spent in Drag, by AK Summers, 2014
  • First Year Out: A Transition Story, by Sabrina Symington, 2017
  • A Quick and Easy Guide to They/Them Pronouns, by Archie Bongiovanni and Tristan Jimerson, 2018
  • A Quick and Easy Guide to Queer and Trans Identities, by JR Zuckerberg and Mady G, 2019
  • Super Late Bloomer, by Julia Kaye, 2018
  • Gender Queer, by Maia Kobabe and Phoebe Kobabe, 2019
  • Death Threat, by Vivek Shraya and Ness Lee, 2019
  • Queer: A Graphic History, by Meg-John Barker and Julia Sheele, 2016

Young Adult Non-Fiction

  • The ABCs of LGBT+, by Ashley Mardell, 2016
  • Trans Teen Survival Guide, by Owl Fisher and Fox Fisher, 2018
  • Proud: Stories, Poetry, and Art on the Theme of Pride, multiple authors, 2019
  • The 57 Bus, by Dashka Slater, 2017
  • transVersing: Stories by Today’s Trans Youth, multiple authors, 2018
  • Girl Sex 101, by Allison Moon, 2015
  • Queer, There, and Everywhere: 23 People Who Changed the World, by Sarah Prager and Zoe Moore O’Ferrall, 2017
  • The Book of Pride, by Mason Funk

Young Adult Memoir

  • Before I Had the Words, by Skylar Kergil, 2017
  • Being Jazz: My Life as a (Transgender) Teen, by Jazz Jennings, 2016
  • Trans Mission: My Quest to a Beard, by Alex Bertie, 2019
  • Some Assembly Required: The Not-So-Secret Life of a Transgender Teen, by Arin Andrews, 2015

Children’s Non-Fiction

  • Gender Identity Workbook for Kids, by Kelly Storck, 2018
  • Who Are You: The Kids’ Guide to Gender Identity, by Brook Pessin-Whedbee and Naomi Bardoff, 2016
  • Gender Now Coloring Book: A Learning Adventure for Children and Adults, by Maya Christina Gonzales, 2010
  • What Makes a Baby, by Corey Silverberg and Fiona Smyth, 2012
  • The Gender Wheel: A Story About Bodies and Gender, by Maya Gonzales, 2017
  • It Feels Good to Be Yourself: A Book About Gender Identity, by Theresa Thorn and Noah Grigni, 2019
  • Sex is a Funny Word: A Book About Bodies, Feelings, and YOU, by Cory Silverberg, 2015
  • They She He Me: Free To Be!, by Maya Gonzalez and Matthew Sg, 2017

If you enjoyed reading these recommendations, and would like some of your own, head on over to my contact page, and send me a message! I love giving recs and readers’ advisory, and have lots of experience from my work as a bookseller.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.