Badass Illegal Funtimes!

Currently Reading: The Seep, by Chana Porter.

News

Before I jump into this week’s post, I want to do a quick shoutout to Gemma Hickey, fellow non-binary Newfoundlander, whose new book just hit shelves in time for holiday shopping.

The cover of Almost Feral, by Gemma Hickey, which shows a tree-lined highway disappearing into the distance against a cloudy grey sky.
The cover of Almost Feral.

From Breakwater Books, Almost Feral chronicles Hickey’s literal and figurative journeys – across the island, on foot, but also to the realization that they are transgender. There are so few visible non-binary folks from my little island that this book has been on my radar for a while. I haven’t gotten my hands on it yet, but I suspect it would be a great read for the Eat, Pray, Love crowd.

For more book recommendations for your holiday shopping, feel free to check out the holiday gift list from Another Story, the bookshop where I work! I contributed to this list, curated by our staff every year. Simply click on the image below to view it, and if you choose to purchase a book on the list, please consider supporting your local indie, and/or dropping a tip in my ko-fi.

A collage of five cover images, and a caption that reads Another Story Bookshop 2019 Holiday Gift List. The covers are, In the Dream House, Frying Plantain, I Hope We Choose Love, Pet, and Nibi's Water Song.

Quick Personal Note

This has been a wild ride, but I have two personal notes to make this week. First, this is the ONE YEAR ANNIVERSARY POST for Books Beyond Binaries. This project has become so near and dear to me, and I never imagined that I would enjoy it this much. I wanted to say thank you to everyone who’s supported the blog, and me, and trans and non-binary literature this year. If you are reading this, you have no idea what it means to me to have your support.

Relatedly, I had to say goodbye to one of my beloved dogs this weekend. This post may be a little more scattered than usual. I appreciate your understanding!

Dinner Date, affectionately known as D. August 1 2008 – December 7 2019.

New from M. K. England: Spellhacker!

Two books laying in some festive foliage. Underneath, a hardback of The Disasters, a space helmet on a pink background. On top, an ARC of Spellhacker, a purple galaxy print cover with sparkly gold text.
Spellhacker and The Disasters, by M. K. England.

Readers may know queer author and librarian M. K. England from her queer YA space opera debut, The Disasters, which came out in 2018. I am thrilled that today’s post is part of the blog tour for England’s sophomore novel, Spellhacker! This new book is the story of a heist gone wrong in a futuristic world with magic, starring a girl named Diz who is basically a cactus secretly filled with marshmallow. Diz is joined by her non-binary childhood friend Remi (who she is definitely not dating), her fierce bestie Ania, and her dad-friend Jaesin.

For this post, I asked England to tell me a bit more about our heroine: Diz.

So, here’s the thing about Diz from SPELLHACKER: There’s the person she thinks she is, and the person she actually is. She is a champion self-liar. She’s a Hufflepuff who thinks she’s a Slytherin, a cactus secretly filled with marshmallow. It makes taking personality quizzes on behalf of Diz kind of challenging, because… am I taking this as the more self-aware Diz at the end of the book, as the angry, oblivious Diz at the beginning of the book, or as the author who knows her true heart? Take a look at the results and see what you think. 🙂

M. K. England

First off, let’s start with something basic… we asked Diz, What Dog Breed Are You?

Diz’s result in the What Dog Breed Are You quiz: Mutt!

Unfortunately, this wasn’t the most informative result. Being a mixed breed dog gives you all kinds of advantages in the evolutionary lottery, but there aren’t a lot of specific characteristics we can pin down from that: You’re a renegade, an artist, and you will not be confined to any sort of box. You have tons of real-life experience that makes you a great dinner-party guest with tons of stories. Plus, you are cute in that “je ne sais quoi” kind of way. Luckily, our collective Twitter feeds have been flooded with Which Three Disney Characters Are You? results!

Diz’s result in the Which Three Disney Characters Are You a Combo Of?

In this quiz, we learn SO MUCH MORE. Diz got some big personalities on this one – Megara, a young woman enslaved by Hades in Disney’s Hercules, Disgust, from Inside Out, and ice princess Elsa, from Frozen. Fierce and feminine, Diz definitely doesn’t want to be messed with: You’re sarcastic, opinionated, and fiercely independent. You blaze your own path and don’t let the rules of society dictate how you live your life. Although you boast about your tough exterior, you actually have a very sensitive heart and fall in love easily.

Diz’s result in the Which Type of Explorer Are You quiz: You’re a climber!

Next, we asked what kind of explorer Diz would be. Our lovable but formidable heroine aptly got “climber”: Brave like a rock climber, you’re a natural risk taker. Climbers scale rocks and mountainsides for fun. Like these daredevils, you never say no to a good challenge of any kind. Friends rely on you to take adventures to new heights!

Since England’s previous book was set in space, and Spellhacker is more of a fantasy, I had to ask Diz – did she feel more like an alien or an Earthling? Turns out, England’s new MC may have a little disaster in her yet…

Diz’s result in the Are You More of an Earthling or an Alien Quiz: Alien!

If you weren’t born among the stars, you certainly should live there now. Since you likely came to us from afar, you embody a vibrant spirit of curiosity, wonder, and exploration. Never relinquish your love of space, alien friend!

Last, but not least, it would be a total travesty to have a queer as heck book, and not ask of the MC, What Kind of Rainbow Are You?!

Your rainbow is intensely shaded green, red, and black.

 
 
 
 
 
 
 

What is says about you: You are an intelligent person. You appreciate mystery. You may meet people who are afraid of you. You get bored easily and want friends who will keep up with you.

Find the colors of your rainbow at spacefem.com.

This one gets Diz spot on: You are an intelligent person. You appreciate mystery. You may meet people who are afraid of you. You get bored easily and want friends who will keep up with you.

…of course, it was too tempting to read all of Diz’s results, and not wonder what mine would be. Would I be able to keep up with this badass? Dear reader, definitely not. This pug polar explorer with a greyed out rainbow is firmly rooted to the earth. And my Disney characters? Predictable: Alice in Wonderland, Sully from Monsters Inc., and Peter Pan. Lighthearted, confusing, cozy adventures only, for me. I’m glad that I can at least live vicariously through Diz in Spellhackers!

England is hosting a HUGE pre-order campaign for this book, which officially launches on January 21, 2020, with HarperTeen. If there are fans of Marie Lu, Space Unicorn Blues, or Nicky Drayden on your holiday gift list or if you read and loved Alex Harrow’s Empire of Light earlier in 2019, you should definitely get in on this, and get all the rad Spellhacker swag – a bookmark, stickers, a signed bookplate, a postcard, and some additional digital goodies are all on the table for this one.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

A badge that reads Spellhacker Launch Crew member.

Guest Post: Poetry from a Former Skeptic

Currently Reading: A Madness of Sunshine, by Nalini Singh

This week, I am extraordinarily grateful to Beck Andoff, for providing me with a FANTASTIC guest post on a topic that I have neglected in my previous posts: poetry! I don’t read enough poetry, and I certainly don’t give it the coverage it deserves in this blog, so I’m glad that when I asked for a post from a fellow Toronto indie bookseller, this is what I got!

Andoff is somewhat of a local celebrity, and someone who I very much look up to in my local indie bookshop world, who can sometimes be heard sharing their book recommendations on Metro Morning!

Beck is a cheerful, messy queer whose gender could best be described as HIM from Powerpuff Girls. Too much gender for one tired anxious depressive body. Beck manages two locations of Type Books in Toronto, reads a lot of pop culture crit and micro histories, and lives with Bill Pullman the malamute mutt.

I’m honoured to host this guest post and share their poetry recommendations in this space!

From Beck: Queer Poetry

The Gay Agenda is just about getting you to read poetry.

Once upon a time, I loved being that smug 20 year old jerk who dismissed poetry as boring. I was yucking people’s yum left, right, and centre. In the years of bookstore experience I had before I worked at Type, I never ONCE handsold a poetry book.

But then, one day this past fall, The Queers got me. They caught me with the simplest little poem in the teeniest prettiest little book (Sennah Yee’s How Do I Look), and made me realize that poetry could be irreverent and current and kind of ridiculous and still have bite to it. The year since then has been an excited process of discovering just how much of a contrary fool I was to be missing all this for a decade. So here’s a little list of my fledgling queer poetry collection recommendations from someone who hasn’t a fuckin clue how to talk about poetry.

Holy Wild by Gwen Benaway

Wow. Gwen is a trans girl of Anishinaabe and Métis descent (and a hero of the trans/NB/GNC community here in Toronto right now), and this poetry collection ACHES. It’s righteous and exhausted and graceful and very, very real. And tremendously readable for something that deals with some incredibly painful subjects. Take your time with this one, and watch her work forever.

Hera Lindsay Bird by Hera Lindsay Bird

This miserable joyous snarky work by bisexual New Zealander Hera Lindsay Bird fully embraces rooting her pieces in time with frequent absurd references to pop culture, like the poem MONICA… which is about Monica from Friends. She also just has some of the best titles in the game: KEATS IS DEAD SO FUCK ME FROM BEHIND, WILD GEESE BY MARY OLIVER BY HERA LINDSAY BIRD, BRUCE WILLIS YOU ARE THE GHOST.

Don’t Call Us Dead by Danez Smith

Danez Smith is often one of the best things about my twitter newsfeed— their recent (joke) thread about top privilege was a thing of beauty (I caught myself literally saying to someone “it’s funny because it’s true!”). Their poetry’s really tremendous. Not an easy read for me— fragmented and abstract, plays with form— but very worth it. a note on Vaseline is one that burned its way into my heart and brain.

How Do I Look by Sennah Yee

Every one of these itsy-bitsy poems was a precious lil jewel of delight for my soul. Irreverent and goofy and artful and specific. I am endlessly tempted to get the whole of the poem My Type tattooed on my body.

NDN Coping Mechanisms by Billy-Ray Belcourt

Griffin-winning poet. He tangles longing and gay sex and colonization, and his style is an amazing clash of academic and conversational. And he has a poem titled AND SO I ANAL DOUCHE WHILE KESHA’S ‘PRAYING’ PLAYS FROM MY IPHONE ON REPEAT. Come on. My standard for all poetry now is unflinching reference to the realities of queer sex prep, apparently.

Lunch Poems by Frank O’Hara

Why had none of my jerk friends never told me Frank O’Hara was queer? Rude. He writes yearning and contentment and wanting to be loved like absolutely no one else, and with precise clarity of language. His poetry often feels like a warm bath. Reading this really makes me wonder if it was fluke that I wasn’t born a white cis gay man writing poetry in the 1960s rather than white genderqueer queer person writing fuck-all at the end of the world.

Full-Metal Indigiqueer by Joshua Whitehead

Easily the most high-concept collection on this list. A Two-spirit Ojibwe Cree storyteller and writer (his novel Jonny Appleseed was visceral and RAW and sexy and heartbreaking), this collection uses a kind of scifi-meets-lore conceit, and I’ve never seen anything quite like it.

This is a list of poets that have captured me (mostly through my coworker Sasha’s amazing recommendations), but it is also the list of someone who has only been dipping their toe into poetry for less than a year. There’s a huge body of amazing queer poetry out in the world, and the right bookstores and libraries will be able to indoctrinate you better than I have.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Can’t Lit Fall Previews

Currently Reading: Your House Will Pay, by Steph Cha

Not to throw shade (except kind of really to throw a little shade…), but there is one Canadian book that has been getting some serious buzz this fall. And guess what? I don’t think it’s the most exciting CanLit that’s being released this season! Not even close. Let me tell you about what I DO think is the most exciting CanLit being released this season…

Empire of Wild, by Cherie Dimaline

The cover of Empire of Wild: A Novel, by Cherie Dimaline. The cover also notes that the author is the same as the #1 Bestseller The Marrow Thieves. The image is a mostly desaturated image of a green armchair sitting in the middle of a forest clearing.

I work at Another Story, an indie bookshop in Toronto’s west end. The year that I began working there was the year that Cherie Dimaline’s YA Indigenous speculative fiction novel The Marrow Thieves took the world by storm. When I chewed through it in one sitting, the cover was fresh and bare. Now, the cover is littered with medallions representing the awards that this title has won since its released, so much so that they nearly obscure the art. By the time the winter holiday shopping season rolled around, we were literally having cartons of this title delivered by hand from our distributors at the last minute to keep up with customer demand.

I was working at the Festival of Literary Diversity (FOLD) in Brampton in 2018 when I learned that Dimaline had secured contracts for four more books after the success of the Marrow Thieves, and on September 17th, the first of those will be available to the public. Empire of Wild is, like Dimaline’s last book, an Indigenous speculative fiction title, this time written for a mature audience. I couldn’t wait to get my hands on an ARC of this book.

I wasn’t disappointed. Much like when I read the Marrow Thieves, it took me a few chapters to really get into the pacing. As a settler reader, I sometimes find myself challenged by this aspect of Indigenous storytelling, but the more Indigenous lit I spend time with, the more that I am growing accustomed. Taking the time to get into the rhythm of brilliant books is always well worth it.

In Empire of Wild, Dimaline skillfully weaves her MĂ©tis heritage into a politicized, suspenseful narrative that centres around a woman’s search for a missing partner, the damage that Big Oil does in Indigenous communities, and the rougarou – a MĂ©tis mythical creature that calls to mind an anthropomorphic, demonic wolf.

CWs for this book include murder, other violence, possible abduction/abandonment by a family member, extreme right religious content, and substance use. It is an adult title, and it doesn’t pretend to be for a YA audience. I would definitely recommend this book. Is there any more enjoyable way to learn about social justice issues than through delicious, #OwnVoices storytelling?

If you are a settler and pick up Dimaline’s work, and then want to learn more about Indigenous issues, there are some great resources and books that can be read as follow up – including Billy-Ray Belcourt’s fall release, NDN Coping Mechanisms, which I recommend later in this post.

Other resources I would recommend are the final report of the national inquiry into Missing and Murdered Indigenous Women and Girls, and the content produced by Idle No More. Some non-fiction titles that would be fantastic follow up include 21 Things You May Not Know About the Indian Act, by Bob Joseph, Seven Fallen Feathers, by Tanya Talaga, Heart Berries, by Therese Marie Mailhot, and A Mind Spread Out on the Ground, by Alicia Elliott. Last but not least, if you can’t get enough Indigenous speculative fiction, I can’t recommend Jonny Appleseed enough, by Two-Spirit author Joshua Whitehead.

I Hope We Choose Love, by Kai Cheng Thom

The cover of I Hope We Choose Love: A Trans Girl's Notes from the End of the World, by Kai Cheng Thom. A red flower with a yellow and red centre on a black background, with white lettering.

Kai Cheng Thom is one of the only authors whose work I savour. From her insightful articles and essays to her picture books, Thom’s writing is some of my favourite. She has an advice column in Xtra, and her recent essay on the legacy of trauma within queer communities has been resonating with lots of folks online. From the Stars in the Sky to the Fish in the Sea is one of my all-time favourite, gender-affirming picture books to read with children and adults alike, and Thom’s artwork is sumptuous and vibrant.

I’ve read, re-read, and been repeatedly brought to tears by her poetry collection a place called NO HOMELAND, but I’ve actually held off on reading her fictionalized memoir, Fierce Femmes and Notorious Liars, which got some buzz recently since it was Emma Thompson’s Shared Shelf pick in March of 2019. I couldn’t bring myself to read it, because Thom didn’t have any other books, and I didn’t want to have read everything she’d published! I was so excited when I heard that Thom had a new project in the works, and now the wait is almost over, since her new collection of non-fiction essays, I Hope We Choose Love: A Trans Girl’s Notes from the End of the World, will hit shelves on September 24th.

Heartwrenchingly, I find myself hesitant about this new collection. It is beautiful, and brilliantly written. It is thought provoking, and that Thom brings a perceptive, and well-informed analytical lens to the issues that marginalized people face surviving the current political climate together. I would never hesitate to recommend any of Thom’s work (this collection included) to another reader, but I wondered even reading the title if perhaps our paradigms had diverged too far in recent times for me to find Thom’s newest work meaningful for me personally in the same way that I had her previous publications. Am I too cynical? Am I too white? Am I too hopeless? Am I too immature? Am I too angry?

I saw red flags that led me to believe this book was not for me. In the first chapter, Thom referenced works that make me deeply uncomfortable, for example, Sarah Schulman’s Conflict is Not Abuse, which is a deeply problematic work that can be used to gaslight victims of harassment. Thom also criticized “call out culture” or “cancel culture”, when I am of the opinion that if cancel culture’s existence isn’t a myth entirely, people often use this rhetoric when what they really mean is “consequences.” Yet, when Thom outlined her political views, I found nothing objectionable, and so I decided to proceed with caution.

Whatever it is about me and my social location, or about this political moment, I struggled with this collection. The format alternates between essays and poetry, and while much of the poetry reached me in a way that felt reminiscent of NO HOMELAND, the essays did not. They’re accessible and well-articulated, and I was often right there with Thom, until about three quarters of the way through. At some point in each of the essays, I found myself taking pause.

There was a conversation on Twitter recently about how instead of describing the written work of a marginalized person as “important” or “urgent”, we should be approaching these works as requiring “urgent listening.” I hold Kai Cheng Thom in great esteem, and while the conclusions drawn in this book are difficult for me to agree with, it is a book that I think warrants urgent listening, and probably for me, revisiting. I would definitely recommend it to fans of books like Emergent Strategy, by adrienne maree brown, and it may just become my alternate recommendation when folks come into my shop for Conflict is Not Abuse. In the meantime, me and my rage are looking forward to savouring Fierce Femmes and Notorious Liars in the not-too-distant future.

NDN Coping Mechanisms, by Billy-Ray Belcourt

The cover of NSN Coping Mechanisms: Notes from the Field, by Billy-Ray Belcourt. The cover notes that the author is the winnter of the Griffin Poetry Prize. The image is a person with long, dark hair, wearing a black shirt, set against a backdrop of dry, tall grass or wheat, and a pale, clear blue sky. The person has their hands folded as if in prayer in front of them, and the hands are bound together with white fabric. They are holding a piece of wood that looks like a dried, dead tree, with a hole positioned over one of the person's eyes. The wood obscures the rest of the face.

I was honoured to be able to attend the Toronto launch of this book as one of the staff of Another Story, who are the book vendors for the literary events held at the Art Gallery of Ontario. As Belcourt himself noted during his talk, the event was very well-attended, and I spent the majority of my time behind the bookselling table admiring the spectacular beadwork and other Indigenous jewellery that so many of the people in the diverse crowd seemed to be wearing.

In my doctoral studies, I cite Belcourt’s work on animality in decolonial thought constantly these days. He is one of few Indigenous scholars based in colonial Canada who has written academic work in this area, and since I study working animals using an anti-racist and decolonial lens, his work has been invaluable to me. Because I had yet to read Belcourt’s Griffin-award-winning poetry collection This Wound is a World, I was intrigued by this new work consisting of both scholarly theorizing, as well as poetry.

The event, like the book (title pronounced N-D-N Coping Mechanisms), was varied in both tone and intellectual register. The book is a gripping commentary on the paradoxical horror and beauty of Indigenous queer life in colonial Canada. Belcourt noted that the book had already made the CBC Books Bestseller List for its first week out – but had, strangely, been placed in the fiction category.

Belcourt was joined at the AGO by fellow Indigenous author and scholar, Leanne Betasamosake Simpson, who asked questions ranging from how Belcourt conceptualized success and envisioned his responsibility to future Indigenous queer authors, to probing for details about the men that Belcourt writes about in his new book. Belcourt himself joked about being born in the 90’s and thus having too short an attention span to write a novel, and also mused about who the anthropological object of his creative work was. I simultaneously enjoyed the evening, and felt (appropriately) like a complete outsider. At times, the conversation was theoretically challenging for me to keep up with – and I say that as a fifth year PhD student. I was both awed, and at times, a little lost. Both Belcourt’s and Simpson’s readings of excerpts from the book made me shiver.

There were a few moments in the evening that were particularly poignant for me. When asked why he writes, Belcourt responded, “I don’t know how else I would deal with all this shit.” As someone who has been eyeball-deep in affective scholarly work for the better part of my adult life, this was deeply relatable to me. In some ways, NDN Coping Mechanisms appeals to me as a work precisely because of this. I am interested and often validated when I have the opportunity to read about the experiences of other marginalized people who have found creative ways to cope with the state of the world, or who cope through content production.

I was also charmed and impressed when Simpson inquired whether Belcourt suffered from imposter syndrome, and he replied, “Maybe it’s just my generation’s thing of being like, I know I’m amazing!” The audience laughed, and Belcourt paused before continuing, “I know what I bring to the table.” As a bookseller and a member of the literary community, if I could have one wish for all Indigenous people, it would be that they all feel this kind of confidence in their work. Indigenous literature is certainly having a cultural moment right now, one that I hope will have a lasting effect on the literary scene in our colonial nation state, and I hope that Indigenous creators can all be aware of just how much they bring to the table.

Lastly, and to make reference back to some of my complicated feelings about Thom’s I Hope We Choose Love, Simpson mentioned during the launch that some of Belcourt’s lines of poetry would stay with her forever, and I think that the one that she mentioned is a good place to end this recommendation of Belcourt’s NDN Coping Mechanisms, which is available for purchase now. He wrote, “Revenge is more decolonial than justice,” something which feels equitable and firey and powerful to me. Simpson therefore asked herself, and Belcourt, and I think that it is a good question for everyone in the Canadian literary community to consider: what does revenge look like in CanLit?

Other Fall Books That Just Can’t Lit

…and if two books won’t be enough to stock up your TBR this fall, there are lots of other Canadian releases you should know about, for readers of all ages. These are some of the ones that I would recommend:

  • One Drum, by Richard Wagamese, October 19th
    Political non-fiction, Indigenous author.
  • On Fire, by Naomi Klein, September 17th
    Political non-fiction.
  • From Where I Stand, by Jody Wilson-Raybould, September 20th
    Political non-fiction, Indigenous author.
  • Breaking the Ocean, by Annahid Dashtgard, available now
    Memoir, Iranian-Canadian author.
  • Pickles vs the Zombies, by Angela Misri, September 21st
    Middle grade dystopian.
  • Angry Queer Somali Boy, by Mohamed Abdulkarim Ali, available now
    LGBTQ2S+ memoir, POC author.
  • Hustling Verse, various authors, available now
    Poetry, authors are sex workers.
  • African Canadian Leadership, various authors, available now.
    Political non-fiction, POC authors.
  • I Promise, by Catherine Hernandez and Syrus Marcus Ware, available now
    Picture book, LGBTQ2S+, POC authors.
  • Blanket Toss Under the Midnight Sun, by Paul Seesequasis, October 22nd
    Photography, Indigenous artist.
  • We Three, by Markus Harwood-Jones, available now
    YA with polyamory and LGBTQ2S+ representation.
  • In My Own Moccasins, by Helen Knott, available now
    Memoir, Indigenous woman author.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

2019: A Year of POC Authors

Currently reading: Devoted, by Jennifer Mathieu
The cover of Tanya Tagaq's book Split Tooth.
Split Tooth, by Tanya Tagaq.

Recently, I was raving on Twitter about one of my favourite new releases of this year, Split Tooth, by Tanya Tagaq. Not only is it a book every settler should read, it’s also this beautiful white hardcover edition with red paper edging. It’s a stark and beautiful book design. In a response to one of my tweets, someone commented that she had made a resolution to only read books by authors who aren’t white in 2019… so I offered to make her some recommendations. 

She told me:
1. Her resolution was to read only POC authors.
2. She was hoping to get Guns of Penance and Trail of Lightning for Christmas.
3. Three recent favourites included None of the Above, Eragon, and and My Life on the Road.

My Picks

This project took a lot longer than I anticipated, because this was a person who I’d never encountered before, and didn’t have in front of me, so I didn’t have as much information to go on. Because of that, I came up with a wide range of suggestions for her.

First, I decided to look at memoirs. nĂ®tisânak is a new book from Lindsay Nixon that just launched locally at the Naked Heart festival in Toronto, and lots of people are raving about it. It can be described as a queer Indigenous punk rock memoir. If that isn’t an incredible hook, I really don’t know what is.

A photo of Lindsay Nixon, as seen on the cover of her book.
From the cover of nîtisânak, by Lindsay Nixon.

Another memoir I decided to point her toward is When They Call You a Terrorist. I feel like I haven’t heard as much about this book this year as I expected, and it has broad appeal for people interested in progressive politics and activism. It’s written by two Black Lives Matter movement founders, Patrisse Khan-Cullors and Asha Bandele. 

Bonus pick: After I had given this reader her recommendations, I managed to get my hands on an ARC of Alicia Elliott’s A Mind Spread Out on the Ground. I read it on a plane, in one sitting, and I was pleasantly surprised. I read a handful of Indigenous memoirs and non-fiction volumes in 2018, and I wondered if Elliott’s book would give me new things to think about, or if it would feel like more of an echo. I was humbled to be reminded that there are still many things for me to learn, and I appreciated Elliott’s willingness to play with format, and the richness of her story. I’m ever grateful for the generosity of Indigenous authors. A Mind Spread Out on the Ground is Elliott’s full-length debut, and it is available for pre-order now.

Because of this reader’s mention of two YA books and their interest in diverse literature, I couldn’t help myself. I had to suggest Hurricane Child by Kheryn Callendar. This is the best middle grade book I’ve maybe ever read. It’s poetic, it’s a spooky and magical story, and it’s a rare gem with a young, black, queer MC.

The cover of Girls of Paper and Fire, by Natasha Ngan.
Girls of Paper and Fire, by Natasha Ngan.

Inspired by the mention of Eragon, I had to include some YA fantasy on this list. I wanted to be sure that there was some some LGBTQ content, because the reader had mentioned None of the Above, so first, I went with Girls of Paper and Fire from Natasha Ngan, but since that book doesn’t include any fantasy creatures like the Eragon dragons, I also decided to give her Aru Shah and the End of Time, by Roshani Chokshi. While I’d not really recommend a Riordan book to any reader, I’m excited about this title from his new imprint as an alternative to his wildly popular fantasy series. Aru Shah is based on Hindu mythology, and has reviewed and sold very well. Chokshi releases her next book in January of 2019.

My last recommendation wasn’t really related to the recent favourites this reader had mentioned, but rather was inspired by her Christmas list, which included Indigenous SFF. I don’t think I can recommend Indigenous SFF and YA in the same post in good conscience without bringing up Cherie Dimaline’s extremely lauded Marrow Thieves. This book has so many awards that the medallions are starting to obscure the cover art, and it sold so well at the shop where I work during Christmas of 2018 that we literally had our distributor driving over cases in their personal vehicles because we kept running out. 

Response?

It’s too soon to say if this reader enjoyed the books, but her feedback on the recommendations was positive, and she mentioned bringing a couple of them to her book club next year. Bonus: If these recs appeal to you, and you’re interested in allyship, you can join this reader’s public book club, Our Marginalized Relations, on Goodreads!

If you enjoyed reading these recommendations, and would like some of your own, head on over to my contact page, and send me a message! I love giving recs and readers’ advisory, and have lots of experience from my work as a bookseller.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.