(Lots of) Picture Books for Grown Ups

Currently Reading: The Ghost Bride, by Yangsze Choo

A Useful Resource on Trans Language

I was recently tipped off about the Trans Language Primer by someone in a Slack, and when I was reminded about it during #IAmNonBinary Day on Twitter, I realized that it would be a great resource to share here. This is an extensive, ongoing glossary of trans-related terminology.

Blog Redesign and Relaunch

The final artwork by Ice for the blog’s redesign is done, and to celebrate, I will be hosting a giveaway on my Twitter when the full relaunch goes live in TWO WEEKS. On October 28th, I will have a new post, and the site will be fully redesigned. Check out my Twitter account that day to help me spread the word, and to get some spooky swag. The winners of the giveaway will be announced on my favourite day of the year: Halloween!

A purple book with a boney spine and ruffled pages.
A sample of the new artwork for the site, by Ice!

A Quick Personal Note…

Since we’re talking picture books this week, let me introduce you to Mia, a young girl who wants a puppy more than anything… but whose family thinks their city apartment is too small to accommodate a polka dot pet. In this new version of a traditional Yiddish folktale, Mia reminds her family that… there is always room for one more.

The cover of No Room for a Pup, which shows an open door, and in the doorway stands a black and white spotted puppy, holding a red leash in their mouth, with their head cocked to the side.

Spoiler alert: I am Mia. In this most literary of coincidences, No Room For A Pup, by Elizabeth Suneby and illustrated by Laurel Molk, was released on October 1st… on October 7th, my partner and I welcomed the newest addition to our family… meet Pavot!

A Dalmatian puppy lounging on a dog bed.

Pavot is a deaf Dalmatian puppy born on August 10th, whose name means “poppyseed” in French (one of my first languages). He joins D and Boom, two 11-year-old greyhounds, Whisper and Willow, our formerly feral cats, and my partner and I in our 500 square foot city apartment. It’s cozy in here, yall. To commemorate, both my partners and I have revamped a neglected Instagram account to showcase pictures of ALL the animals in our large, spread out, polyamorous family. Check them out!

Recommendations: Picture Books for Grown Ups

The Festival of Literary Diversity in Brampton, affectionately known as the FOLD, is my not-so-secret favourite literary festival. Since 2018, the indie where I work has been the festival’s official bookseller. This year, the FOLD launched FOLD Kids, and I had the pleasure of attending all weekend as the book vendor. After spending three days selling picture books, sometimes to caregivers or educators, but also to adult customers, I tweeted my love of picture books. Although I don’t have any children in my life in Toronto, I have a massive collection of picture books. Some of them are from my own childhood, but many are more recent. My partners and I love sharing them with the kids in our lives, but we also read them to each other, and sometimes to our pets. I also find them therapeutic to read myself, when my academic adult life gets too intense. They are nurturing works of art, and I would recommend every adult have a few favourites in their home.

My favourite picture book of all time is Not Quite Narwhal, by Jessie Sima. It’s a beautifully-illustrated story about a unicorn named Kelp who grows up believing himself to be a narwhal. He has to come to terms with his identities when he meets unicorns for the first time. This book is magical and engaging, but what made me cry when I first read it was that it is the most stealth book for affirming non-binary identity that I have ever encountered. I recommend this book – and the others by Sima – to everyone, and I handsell it all the time.

The cover of Not Quite Narwhal, by Jessie Sima. The cover depicts a unicorn wearing a scuba helmet, swimming in a ray of sunshine under the sea. There is help below and three fish swimming alongside.

After my tweet, I was approached by one of the FOLD organizers, who asked for more picture book recommendations

They told me:

  1. They were very behind on children’s lit.
  2. They like animals, nature, space, mysticism, and Halloween-themed books, and asked specifically for recommendations for books about sadness.

…and I wanted to focus on diverse books as much as possible, since that’s the focus of the FOLD, and on things that have come out recently. As far as I knew, these books were purely for the enjoyment of the person who asked, so this is not necessarily the same list I would offer if I had a child in mind. This is a much longer list than some of my previous lists of recommendations, since most of these books are quick little gems.

Spooky Season Picks

The cover of Lots of Cats, by E. Dee Taylor. Cover depicts in bright colours a small witch stirring a cauldron. Green smoke pours out, and cat eyes peek out from the smoke.

I started with some seasonal faves. I instantly fell in love with Lots of Cats by E. Dee Taylor when it was released in 2018. It was my staff pick Halloween book for that year. This book is bright, and colourful, and has a touch of 90’s nostalgia. The illustrations feature stunning neon colours that appear as though drawn by hand with coloured pencils. The story features an independent witch, who decides to conjure herself a furry friend, and ends up with more company than she bargained for. Let’s just say that I find this story… relatable.

The cover of Alfred's Book of Monsters. Depicts a small boy reading in a large armchair, with a tiny ghost beside him, frowning. In the background are the shadows of three, much larger, creatures, with glowing eyes.

Just in time for Halloween this year, Alfred’s Book of Monsters by Sam Streed is a new release that’s reminiscent of Edward Gorey’s work. It’s about a young Victorian boy who has an interest in monsters, despite his proper family’s objections. For those who enjoy a gothic Spooky Season aesthetic, this is my 2019 recommendation. My favourite Halloween season recommendation, however, remains How to Make Friends with a Ghost, which is written and illustrated by American Rebecca Green, who is currently making her home in Osaka, Japan. This book is a detailed guide for how to care for a ghost who you wish to befriend. A useful and delightful book for any lonesome ghost enthusiast.

The cover of How to Make Friends with a Ghost, which depicts a skeptical-looking feminine child sitting on a swing, and a blushing, hopeful-looking ghost hovering above the swing next to her.

My last recommendation is a recent release that stole my heart. Recently, middle grade author Ally Malinenko tweeted, “All stories about witches are stories about survival and all stories about ghosts are stories about grief. Children need scary stories to understand how to survive and to learn how to say goodbye.” This has certainly been true in my own life, both as a child, and an adult. Unfortunately, one of my 11-year-old dogs was recently diagnosed with terminal cancer, and I’ve experienced a lot of anticipatory grief through the time that we’ve been recently spending spoiling her. When I came across Kevan Atteberry’s Ghost Cat, a picture book about a young boy who’s sure he has a haunted house, it felt relatable and poignant – and also made me giggle. This is a sweet book for anyone who’s ever lost a pet, who loves their cat, or who has a fondness for the spirits who’ve got our back. (Fun fact: Atteberry is also the creator of Clippy, the Microsoft paperclip!)

The cover of Ghost Cat. A boy on a cool-coloured background looks over his shoulder as a ghostly cat runs away.

Books About Animals

Next, I’ll write a little bit about some of my favourite recent books about animals – which are, let’s be clear, some of my favourite books in general. Some are a little more literal, like Little Brown, by Marla Frazee. This is just a book about a cranky dog. It’s just about being cranky, and being a dog. I found it utterly relatable and it felt really real to me. Not all dogs are Dug… you know? And sometimes, we all struggle to know how to fit in.

The cover of Little Brown, which just shows a small brown dog, frowning, a lot.

There’s something that feels like a hug when I’m reading All the Animals Where I Live, by Philip C. Stead. It feels like memories of my grandmother, and of places that are serene, and times that feel simple, and quiet. It’s just… lovely. I honestly don’t know if I would have appreciated this book as a child, but as an adult, it’s perfectly soothing.

The cover of All the Animals where I live, which depicts a red house in the background, a shaggy dog, and in the foreground, a tree branch, with green leaves.

Another book that is categorized as children’s literature, but that I wouldn’t necessarily handsell that way, is Australian author Shaun Tan’s heartbreaking, anti-capitalist picture book, Cicada. Nothing is particularly soothing about this book. It made my whole self ache for the little insect protagonist. I was simply relieved that the story has a positive ending. This book is unique, and heartfelt, and it feels like a grown up child’s tale for neoliberal times.

The cover of Cicada depicts a cicada in a business suit, holding a sheet of paper, standing on a gray backdrop, with similar sheets of paper all over the floor.

I recommend Moon, by Alison Oliver, as a lighter compliment to Cicada. This book is a heartwarming friendship tale of a young, feminine character named Moon (who is not explicitly racialized in the book) and a grey wolf. The relationship between the wolf and Moon teaches the overburdened child how to be free. I have recommended this book often, not only because I think it’s a lesson that bears repeating, but also because the colours and artwork in this book are a treat. I also appreciate that this story challenges the typical kidlit notion of a wolf as an inherently villainous animal.

The cover of Moon, which shows a young feminine character with purple skin, wearing a white dress, sitting cross legged in the grass, wearing a flower crown. She sits beside a serene gray wolf. Both have their eyes closed.

Lastly, this counting book is a complex narrative in disguise. Pretty Kitty, by Karen Beaumont and illustrated by Stephanie Laberis, is the story of a reluctant older man who has to confront an ever-growing group of felines in need of homes. This is a must-read for anyone who’s had a cat arrive in their life unexpectedly, but if you follow the silent storytelling in the illustrations, this book also tells the story of a man coming to terms with the loss of an old friend and learning to open his heart.

The cover of Pretty Kitty, which has a purple cityscape in the background and yellow text. An older man walks across the cover, and many cats are scattered across the letters.

Books With Whimsical Nature Themes

I didn’t choose as many literal nature-themed books as I did animal-themed books, although clearly All the Animals Where I Live and Moon have a lot of nature running through them. Most of my nature recommendations are picture books that are less story and more science, and for someone who had an appreciation for mysticism, I decided to go with a little more whimsy on the nature front.

Ocean Meets Sky is by Terry and Eric Fan, known as the Fan Brothers, who are probably best known for their titles The Night Gardener and The Darkest Dark. The Fan Brothers were educated in Toronto, where I live, and I’m always happy to give recommendations with a connection to my locale. Ocean Meets Sky is my favourite of all their books, and it regularly brings me to tears.

The cover of Ocean Meets Sky, by the Fan Brothers. In the centre of a large compass rose, there is a blue whale, surrounded by ships and hot air balloons that float on seas of clouds.

Ocean Meets Sky has exquisite illustrations, depicting the place where the ocean meets the sky. These include lush depictions of ships and sea creatures, clouds, and ocean waves. The narrative is about a child coming to terms with the loss of his grandfather, and finding ways to honour him through his reimagining of stories that they used to share.

Cover of Dream Friends, by You Byun. The image is of an orange sky over green water with flowers made of bubbles growing out of it. A young girl rides the back of a large white mammal wearing a red bowtie who soars through the sky.

Dream Friends is the debut picture book by Korean-American author and artist You Byoun. It is a soft, appropriately dreamlike story, depicting the dreams of a young girl named Melody, who is learning to make friends. The unique world that this book creates for the reader is reminiscent of Lucy in the Sky with Diamonds for me, in that it combines down-the-rabbit-hole fantasy with sharp, vivid imagery.

I have long been an admirer of Jillian Tamaki’s work, and since she lives in the same neighbourhood as my bookshop, I’ve also had the pleasure of meeting her and being involved in events with her. I love her graphic novel This One Summer, which she co-created with her cousin, Mariko Tamaki, who recently announced the launch of her own graphic novel imprint for LGBTQ creators under Abrams Kids. Tamaki is mixed-race Canadian, with Japanese heritage.

The cover of They Say Blue, which shows a young child reaching into a blue background, where black birds fly.

I was excited when we received They Say Blue at the shop, but I was also lucky to be the bookseller for the FOLD that year, where Tamaki read her book at a children’s event. She is a lovely reader, and she brought the simple story that revolves around the passing of the seasons and the colours that come with them to life for me. As such, I would recommend reading this one aloud, if you can.

Navigating Difficult Emotions

There are so many beautiful picture books about dealing with difficult emotions these days. At Another Story, we actually have an entire section of the store dedicated to children’s books about feelings – and as a person who has a lot of them, it should perhaps come as no surprise that it’s my favourite kidlit section. When I was considering recommendations for books about sadness, many came to mind, but the first one I thought of was Wolf Erlbruch’s Duck, Death, and the Tulip.

The cover of Duck, Death, and the Tulip is just a simple drawing of a duck looking skyward, on a beige background.

This book is at once haunting and serene. It is a simple story of the death of a duck, and has essentially two characters: the duck, and death. It’s gentle, and slow, and doesn’t shy away from a difficult subject. It’s heart wrenching in its way, and I’m very fond of it.

A similarly heart wrenching book is guojing’s The Only Child. This was Chinese artist guojing’s debut title, and is a wordless picture book. There is nothing that I can say that will do guojing’s evocative artwork justice. The Only Child is based on guojing’s own childhood experiences, growing up under the single child law in Shanxi Province, China.

The cover of The Only Child shows a small child curled up against a large, furry animal, with tall horns.

It is difficult to classify The Forest, by Riccardo Bozzi, illustrated by Violeta Lopiz, and Valerio Vidali. It is part contemplative picture book, part exquisite art book. Written originally in Italian, the text was translated by Debbie Bibo. This book depicts, through vibrant images, embossing and debossing, and die-cut pages, a journey through the wilderness, but also man’s journey through life. This book is a treasure to hold in your hands.

The cover of The Forest, which has no text. From the Kirkus review of this title: The book’s design is clever, instantly arousing curiosity with its translucent jacket (sans title) overlaying brilliantly hued vegetation onto a muted cover.

My next three choices are about how particular characters deal with specific, onerous emotions, and in these books, the emotions themselves are made tangible. In two of these books, When Sadness is At Your Door, by Eva Eland, and Me and My Fear, by Francesca Sanna, the emotions are anthropomorphic characters in the book. Julie Kraulis, on the other hand, turns difficult emotions into literal baggage to be managed in Whimsy’s Heavy Things – another pick from an author who is in my Toronto local.

A collage of three book covers. In Whimsy's Heavy Things, a blonde character wearing a striped dress pulls a wagon full of black lumps up a hill. In When Sadness Is At Your Door, a character wearing a red coat and galoshes points at a large, round, light blue figure whose head is hanging. In Me and My Fear, a character with long blue hair is being cradled by a large white character who smiles as they sleep. A village of houses sits upon their back.

All of these tender stories offer practical strategies for navigating tricky emotional waters. Kraulis’ Whimsy learns (through failure) to break down her problems into manageable blocks, Eland’s simple illustrations advise welcoming sadness as one might a guest, and in Sanna’s story, a young girl has to learn to relate to unfamiliar people, after moving to a new place and a new school. Although these stories have young protagonists, all of these stories are emotions that will be familiar to any reader, and it never hurts to have gentle insight into how one might move through them.

The cover of Jerome By Heart, which depicts two boys bicycling down the street side by side, holding hands.

Translated from the French, Thomas Scotto’s Jerome by Heart is a uniquely touching book about a child who’s learning about his emerging queerness. This book is illustrated by Olivier Tallec, and translated by Claudia Zoe Bedrick and Karin Snelson. It’s so interesting to me that the pub copy for this book doesn’t explicitly recognize the character as gay, since this is one of the most quintessentially LGBTQ2S+ stories I’ve ever encountered. It’s simple, it’s sweet, and it’s full of age-appropriate adoration that will absolutely tug your heartstrings.

My last recommendation in terms of books about managing difficult feelings is a little bit easier to digest. There are a bunch of different versions of The Color Monster, by Spanish author Anna Llenas. My favourite, particularly for adults, is the pop-up book version. I have Big Feelings, and I love spooky creatures like monsters, so I find this book relatable and charming. Accompanied by intricate pop-ups, this lighthearted book is a great choice for anyone who’s going through a particularly emotional time in their life.

This video is a reading of the Color Monster pop up book, in which you get a taste of the three-dimensional details in the artwork.

General Picks

Finally, I wanted to suggest a couple of general picture book favourites of mine, in the same vein as Not Quite Narwhal, since the person I was writing recommendations for had already requested that title from the library. The first is Little Robot. Ben Hatke is one of my go-to children’s authors. Little Robot is a short, wordless graphic novel that he wrote and illustrated for children, about a main character of colour, who is never gendered, who makes friends with a small robot in a junkyard. The robot is confused, and needs a little help from the MC as he navigates the world beyond the robot factory.

The cover of Little Robot, by Ben Hatke. A young person of colour and a small robot sit on a grassy ledge overlooking a junkyard. A black cat climbs on discarded tires, and an angry eye peers up from the trash.

Peripherally, Hatke’s family recently suffered the tragic loss of their four year old child, Ida, after a sudden accident. There is a fundraiser that is ongoing for the Hatke family.

The last book I wanted to recommend is a must-read for any animal-loving bookworm with a deep sense of imagination. Franklyn’s Flying Bookshop is a deeply relatable tale by Jen Campbell, and illustrated by Katie Harnett.

The cover of Franklyn's Flying Bookshop, which shows a dragon silhouetted against the full moon. A young redheaded feminine character sits with the dragon, reading a book with them.

This book is the first in a series of books, which includes Franklyn and Luna Go to the Moon, and the forthcoming Franklyn and Luna and the Book of Fairy Tales. I realize that I didn’t give any space-themed recommendations in this list, although that was among the interests that I was taking into account when I made this list. Unfortunately, space isn’t a big one of my interests, although there are so many picture books about space. For that reason, I hope that Franklyn and Luna Go to the Moon might be a good lateral move from this book!

In Franklyn’s Flying Bookshop, Franklyn is a lonely, bookworm dragon, who’s struggling to make friends, who meets Luna, an isolated bookworm herself. They bond, and then decide to build a bookshop on Franklyn’s back in order to share their love of books with others. As a (somewhat isolated) bookseller myself, I found Luna to be one of the characters who is most relatable to me in any picture book I’ve encountered, and I imagine that this would be the case for many bookish folks (although, unfortunately, Luna appears to be a white character).

Spooky Books for Sunny Seasons

Currently Reading: Pet, by Akwaeke Emezi

Recent Picture Recent Releases

The cover of When Aidan Became a Brother, by Kyle Lukoff and Kaylani Juanita.

Before I dive in to the recommendations I have this week, I want to make quick reference to two recently-released picture books featuring trans characters. Both of these books came out on June 4th, and would be a great addition to any personal or classroom library. They are, When Aidan Became a Brother, by Kyle Lukoff, and illustrated by Kaylani Juanita, and It Feels Good to Be Yourself, by Theresa Thorn, and illustrated by enby artist Noah Grigni. Be sure to check these out, and if you’re able, consider ordering them through your local independent bookshop!

The cover of It Feels Good to Be Yourself, by Theresa Thorn and Noah Grigni.

New Releases to Give You Chills

I grew up on an island in the North Atlantic. My body was not built for hot weather! If you’re like me, and you are seeking some spooky stories to beat the heat this summer, or a captivating thriller to keep you enthralled on the beach, I have recommendations for you, because there are some incredible grimdark tales set to release in the summer months this year.

Spring 2019

The cover of the Wise and the Wicked, by Rebecca Podos.

There are a couple of books that came out this spring that definitely fit the bill in terms of un-put-down-able reads for a spooky summer. I’ve written about one of these already, The Wise and the Wicked, by Rebecca Podos, which came out this May, but it deserves a second mention here. This is one of my favourite reads of 2019 so far, hands down, and as a bonus, it features affirming and interesting trans representation. This YA title came out in May, and is available now.

The cover of The Van Apfel Girls are Fone, by Felicity McLean.

The Van Apfel Girls Are Gone, by Australian author Felicity McLean, also came out this past spring. This book is described as a thriller, and although I wouldn’t necessarily categorize it that way, it is a great, suspenseful book. I’ve seen it categorized as YA, but it has great potential as a YA/adult crossover.

I got a review copy of this book through Edelweiss+, and I loved it. I picked it up in part because it was described as “quintessentially Australian”, and I’d never read an Australian title before, so I wanted to see what that meant. In the end, I could not put this book down, and I learned a lot. It made me curious to read books by other Australian authors!

Although the plotline is focused on the disappearance of three girls, the narrative centres on how we process childhood memories as a adults, and how we come to terms with childhood grief. The story is not super sad, and it’s extremely compelling. CW for missing children, cancer, and death. The Van Apfel Girls Are Gone was released in April, and is available now.

July

The cover of The Best Lies, by Sarah Lyu.

Sarah Lyu’s The Best Lies is the perfect one-sitting YA thriller for a rainy day at the cottage or sprawling on the beach. I grabbed this book from Edelweiss+ because I thought it would be fast-paced and formulaic – but wow, was I wrong. This psychological thriller gets deep fast, and I didn’t want to put it down. We know from the beginning of this book that the protagonist’s boyfriend is dead, that he was shot, and that the person who killed him is the MC’s best friend. Very quickly, we learn that nothing is as it seems for this character, an unreliable narrator, or for the reader.

This story is told in two timelines – one that begins three hours after the death of Remy’s boyfriend, and one that begins nearly a year earlier, when Remy met her best friend for the first time. As the plot of this murder mystery unfolds, the pacing and suspense both build, and readers are lead through an exploration of trauma, abuse, queerness, gun violence, and love. It’s a fantastic, if difficult read. I would recommend this book to any teen, educators interested in inclusive discussions about healthy relationships and boundaries, and adult readers alike. CW for domestic violence and obsessive behaviour. The Best Lies is available for pre-order now, and will be released on July 2nd.

The cover of Destroy All Monsters, by Sam J. Miller.

Both of my other July recommendations are books that deal with issues of mental health in a nuanced, sometimes suspenseful, and sometimes fantastical way. Both of these books reflected aspects of my own experiences in ways that kept me reading. I got an eARC of Destroy All Monsters from Edelweiss+ based on the recommendation of one of the owners of the shop where I work. Her description of this YA title really drew me in. Destroy All Monsters is by Sam J. Miller, a gay author, and is told from the perspectives of two friends, Solomon and Ash, who both experienced a traumatic event prior to the beginning of the narrative. Solomon suffers from psychosis and inhabits a rich inner world that is explored through his fantastical chapters, whereas Ash only experiences Solomon’s fantasies through the lens of her camera. The friends do not remember the trauma that they share, and this book explores their journey of discovery together.

I loved aspects of this book, but there were aspects that were disappointing. The treatment of mental illness in this book was skillful, however the ending was particularly unsatisfying for me, given the centrality and depth of the narrators’ friendship throughout the book. That said, for readers interested in exploring themes around trauma and who like fantasy worlds with awesome sky-dragons and suspenseful plotlines, this book is still a great read. This book comes out on July 2nd, and is available for pre-order now. CW for childhood trauma and sexual abuse.

The cover of Fractalistic, by Gerardo Delgadillo, which shows the image of a girl with eyes closed and hair spread above her head, as though she is floating. The background is a mixture of opaque images of stars and waves, and the cover is largely in monochromatic colours.

If you are a regular reader of this blog, you’ll know already that it’s not often that I will pick up a book that’s written by an author who appears to be a cis het white man… but seriously, if that cover doesn’t draw you in, I’m not sure what will. Shoutout to Shayne Leighton, who designed this, and most of the other Parliament House Press Covers, for grabbing my interest in Fractalistic, by Gerardo Delgadillo, which I got as an eARC through NetGalley.

For me, Fractalistic did have some tell-tale signs regarding the author’s privilege. None of the feminine characters in the book had the understanding of technology that the MC’s male love interest did. The male love interest’s future was also of great concern, whereas the futures of the female characters was never discussed in seriousness. In addition, although the book featured a racially diverse cast, the Spanish used because of the Mexican setting was all translated nearly word for word, and other aspects of diversity were lacking. All of the characters in the book were cisgendered, and the multiple romantic storylines were all heterosexual.

The other aspect of this book that was disappointing was that the technology itself was not well-described. I was surprised to read that the author is himself a coder, since it felt to me as though it was written by someone without a thorough understanding of the subject matter, but obviously it was a problem of translation and not of comprehension.

Even with the books flaws, I have to say that I ate it up. It’s a YA/adult crossover, so I would recommend it to mature readers of any age. Fractalistic is an absolute fever dream, and it was a spooky pleasure to let it wash over me. What was even more of a pleasure was that the surprising conclusion of the book was emotionally satisfying and had a lot of poignant things to say about the experience of mental illness. As a reader who has experienced many symptoms of neurodivergence and mental illness throughout my life, this book felt resonant and reflective of my experiences, and it was really enjoyable to read. Fractalistic comes out on July 9th, and is available for pre-order. CW for death of a parent, psychosis, gaslighting and manipulation.

(PS, if you like Fractalistic, but you are also a fan of cozy mystery, YA romance, and publishing world intrigue? Keep your eye out for The Undoing of Thistle Tate, by Katelyn Detweiler, which comes out on July 23rd. I DNF’d this book because the tropes weren’t for me – but it’s a bit more lighthearted than Fractalistic and has a lot of similar appeal!)

August

The cover of Here There Are Monsters, By Amelinda Bérubé.

I got an eARC of the YA novel Here There Are Monsters by Amelinda Bérubé through NetGalley. Although Here There Are Monsters might not have been my favourite spooky read of this year, I think it might be the perfect book to take to a beach. This book is a classic monster murder horror story. There’s nothing too heady here, and there’s a lot of really great, creepy imagery. The main character’s sister disappears in the first pages of the novel, and the rest of the story follows the MC’s quest to get her back from the monsters in the haunted wood behind their house.

Although this story is predictable and tropey, it’s well-written, and the characters are relatable. It’s a quick read, making it perfect for evoking spooky feels on a summer day. I didn’t have strong feelings about this book, but I enjoyed it. CW for violence, and off-the-page death of an animal. Here There Are Monsters drops on August 1st, and is available for pre-order now.

If you enjoyed reading these recommendations, and would like some of your own, head on over to my contact page, and send me a message! I love giving recs and readers’ advisory, and have lots of experience from my work as a bookseller.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Non-Fiction about Gender and Trans Experiences!

Currently Reading: A Dress for the Wicked, by Autumn Krause

A question that I get asked all the time is what people should read if they want to learn about trans experiences. Most often, this question comes from people who have a trans person in their social circles, and folks are almost always seeking non-fiction titles. For a long time, I’ve been maintaining a long list of recommendations, and I figured it was high time to publish it as a resource here.

It’s important to note that this is not an exhaustive list. These are the books that I would personally recommend – as a non-binary trans person, as a bookseller at a shop that specializes in LGBTQIA2S+ non-fiction, and as a reader in community. It should also be noted that not all of these books speak directly to the experiences of trans people, however all of them are trans-affirming. FINAL NOTE: These titles are listed in no particular order, because I struggled to land on an organizational system and finally just… didn’t.

I hope that this resource will be useful, and that if you feel I’ve missed something significant, you’ll fire me a message and let me know!

Adult Non-Fiction (General)

  • Transgender History, Susan Stryker, 2008
  • Who’s Your Daddy?, by Rachel Epstein and Tobi Hill-Meyer, 2009
  • Excluded: Making Feminist and Queer Movements More Inclusive, by Julia Serano, 2013
  • To My Trans Sisters, by Charlie Craggs, 2017
  • Tomboy Survival Guide, by Ivan Coyote, 2016
  • “You’re In The Wrong Bathroom”: And 20 Other Myths and Misconceptions About Transgender and Gender Non-Conforming People, by Laura Erikson-Schroth and Laura A. Jacobs, 2017
  • I’m Afraid of Men, by Vivek Shraya, 2018
  • The Trans Generation: How Trans Kids (and Their Parents) Are Creating a Gender Revolution, by Ann Travers, 2018
  • Fired Up About Reproductive Rights, by Jane Kirby, 2017
  • She/He/They/Me: For the Sisters, Misters, and Binary Resisters, by Robyn Ryle, 2019
  • Queer Magic: Power Beyond Boundaries, by Lee Harrington, 2018
  • Fucking Trans Women, by Mira Bellwether, 2010
  • Queer and Trans Artists of Color: Stories of Some of Our Lives, by Nia King, 2014 (and Volume 2, 2016)
  • Trans/Love: Radical Sex, Love, & Relationships Beyond the Gender Binary, multiple authors, 2011
  • Life Isn’t Binary: On Being Both, Beyond, and In-Between, by Alex Iantaffi and Meg-John Barker, 2019

Adult Political Non-Fiction

  • Sexing the Body: Gender Politics and the Construction of Sexuality, by Anne Fausto-Sterling, 2000
  • Black Girl Dangerous on Race, Queerness, Class, and Gender, by Mia McKenzie, 2014
  • Black on Both Sides: A Racial History of Trans Identity, by C Riley Snorton, 2017
  • The Remedy: Queer and Trans Voices on Health and Health Care, multiple authors, 2016
  • Captive Genders: Trans Embodiment and the Prison Industrial Complex, by Eric A. Stanley and Nat Smith, 2011
  • Going Stealth: Transgender Politics and US Surveillance Practices, by Toby Beauchamp, 2019
  • Histories of the Transgender Child, by Julian Gill-Peterson, 2018
  • Life and Death of Latisha King: A Critical Phenomenology of Transphobia, by Gayle Salamon, 2018
  • Sovereign Erotics: A Collection of Two-Spirit Literature, by Qwo-Li Driskoll, 2011
  • Queer Indigenous Studies, by Qwo-Li Driskoll, Chris Finley, Brian Joseph Gilley, Scott L. Morgensen, 2011
  • Struggling for Ordinary: Media and Transgender Belonging in Everyday Life, by Andre Cavalcante, 2018
  • Pleasure Activism: The Politics of Feeling Good, adrienne marie brown, 2019

Adult Workbooks and Educational Resources

  • Trans Bodies, Trans Selves: A Resource for the Transgender Community, by Laura Erickson-Schroth, 2014
  • The Queer and Transgender Resilience Workbook, by Anneliese A. Singh, 2018
  • Gender: Your Guide, by Lee Airton, 2018
  • You and Your Gender Identity: A Guide to Discovery, by Dara Hoffman-Fox, 2017

Adult Memoir

  • Redefining Realness: My Path to Womanhood, Identity, Love, and So Much More, by Janet Mock, 2014
  • Sissy: A Coming-of-Gender Story, by Jacob Tobia, 2019
  • A Two-Spirit Journey, by Ma-Nee Chacaby, 2016
  • Tomorrow Will Be Different: Love, Loss, and the Fight for Trans Equality, by Sarah McBride, 2018
  • The New Girl: A Trans Girl Tells it Like it Is, by Rhyannon Styles, 2018
  • A Life in Trans Activism, by A. Revathi and Nandini Murali, 2016
  • Tranny, by Laura Jane Grace, 2016
  • Uncomfortable Labels, Laura Kate Dale, forthcoming in 2019
  • Butch is a Noun, by S. Bear Bergman, 2006
  • Blood, Marriage, Wine, & Glitter, by S. Bear Bergman, 2013
  • Butch Heroes, by Ria Brodell, 2018
  • Born Both: An Intersex Life, by Hilda Viloria, 2017

Adult Fictionalized Memoir

  • Small Beauty, by Jiaqing Wilson-Yang, 2016
  • Nevada, by Imogen Binnie, 2013
  • Fierce Femmes and Notorious Liars: A Dangerous Trans Girl’s Confabulous Memoir, by Kai Cheng Thom, 2016
  • Freshwater, by Akwaeke Emezi, 2018
  • A Safe Girl to Love, by Casey Plett (Short Stories), 2014

Adult Non-Fiction Poetry

  • Holy Wild, Gwen Benaway, 2018
  • Disintegrate/Dissociate, Arielle Twist, 2019
  • a place called NO HOMELAND, Kai Cheng Thom, 2017
  • Even This Page is White, Vivek Shraya, 2016

Graphic Non-Fiction

  • Pregnant Butch: Nine Long Months Spent in Drag, by AK Summers, 2014
  • First Year Out: A Transition Story, by Sabrina Symington, 2017
  • A Quick and Easy Guide to They/Them Pronouns, by Archie Bongiovanni and Tristan Jimerson, 2018
  • A Quick and Easy Guide to Queer and Trans Identities, by JR Zuckerberg and Mady G, 2019
  • Super Late Bloomer, by Julia Kaye, 2018
  • Gender Queer, by Maia Kobabe and Phoebe Kobabe, 2019
  • Death Threat, by Vivek Shraya and Ness Lee, 2019
  • Queer: A Graphic History, by Meg-John Barker and Julia Sheele, 2016

Young Adult Non-Fiction

  • The ABCs of LGBT+, by Ashley Mardell, 2016
  • Trans Teen Survival Guide, by Owl Fisher and Fox Fisher, 2018
  • Proud: Stories, Poetry, and Art on the Theme of Pride, multiple authors, 2019
  • The 57 Bus, by Dashka Slater, 2017
  • transVersing: Stories by Today’s Trans Youth, multiple authors, 2018
  • Girl Sex 101, by Allison Moon, 2015
  • Queer, There, and Everywhere: 23 People Who Changed the World, by Sarah Prager and Zoe Moore O’Ferrall, 2017
  • The Book of Pride, by Mason Funk

Young Adult Memoir

  • Before I Had the Words, by Skylar Kergil, 2017
  • Being Jazz: My Life as a (Transgender) Teen, by Jazz Jennings, 2016
  • Trans Mission: My Quest to a Beard, by Alex Bertie, 2019
  • Some Assembly Required: The Not-So-Secret Life of a Transgender Teen, by Arin Andrews, 2015

Children’s Non-Fiction

  • Gender Identity Workbook for Kids, by Kelly Storck, 2018
  • Who Are You: The Kids’ Guide to Gender Identity, by Brook Pessin-Whedbee and Naomi Bardoff, 2016
  • Gender Now Coloring Book: A Learning Adventure for Children and Adults, by Maya Christina Gonzales, 2010
  • What Makes a Baby, by Corey Silverberg and Fiona Smyth, 2012
  • The Gender Wheel: A Story About Bodies and Gender, by Maya Gonzales, 2017
  • It Feels Good to Be Yourself: A Book About Gender Identity, by Theresa Thorn and Noah Grigni, 2019
  • Sex is a Funny Word: A Book About Bodies, Feelings, and YOU, by Cory Silverberg, 2015
  • They She He Me: Free To Be!, by Maya Gonzalez and Matthew Sg, 2017

If you enjoyed reading these recommendations, and would like some of your own, head on over to my contact page, and send me a message! I love giving recs and readers’ advisory, and have lots of experience from my work as a bookseller.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

The Harrowing!

Currently reading: Shame is an Ocean I Swim Across, by Mary Lambert

Note: the links found on this page are affiliate links for Amazon.com, so if you use them to make purchases, you will be helping to support my work. If you are in Canada, please use this Amazon Canada Affiliate link, and then search for the book you’re seeking. You can also always leave a tip for me through ko-fi!

I was going to include a news section in this post, but I decided to leave it out this time around. There isn’t anything that I’ve read that feels like it hasn’t been covered by other sources, and I’ve shared a lot of salt lately. That said, if you missed my last post about Book Riot’s new policy rollout and demolition of the Epic Insiders program, feel free to check it out.

In this post, I’ll spend my energy talking about BOOKS! Two are educational titles designed for learning about queer and trans identities. The third is a recently released YA sci fi debut from Alex Harrow, a genderqueer author, who describes their work as “queerness with a chance of explosions”. Join the Harrowing and check out Empire of Light, which came out on February 25th.

Educational Titles

You Be You

Cover of You Be You! by Jonathan Branfman and illustrated by Julie Benbassat.

I received an arc of You Be You, by Jonathan Branfman and Julie Benbassat from Edelweiss+. This title is aimed at children 7 to 11 years of age, and yall, this is a book I’ve been waiting for, for a LONG time. It has diverse, charming, age-appropriate illustrations, and addresses topics such as sex, gender, sexuality, family, discrimination, privilege, intersectionality, and allyship in an affirming way. I was excited. Unfortunately, this was also a let down for me.

While I was pleased to see that the book uses biologically accurate terminology, particularly for body parts, the LGBTQ lexicon in this book is outdated. For example, “gender” and “gender identity” are treated as separate concepts. “Orientation” is used with regards to sexuality, rather than “identity”. “Homophobia” and “transphobia” are used in cases where “hetero-” and “cis-normativity” would have been more appropriate. There is conflation of the concepts of discrimination and oppression. Lastly, there was also some ableism in the framing of disabilities as afflictions (“having deafness” versus “deaf”).

After doing some research, it is unclear to me whether the author and illustrator are themselves queer or trans. Branfman is an academic, and particularly if he is coming from outside of the LGBTQ+ community, some of the nuances of current lexicon may have been lost in translation when incorporating current sociological education materials into an age-appropriate format.

Terminology, isn’t the only significant flaw with this book. Throughout the sections on family, the book consistently refers to a monogamous norm. Because I am part of a polyamorous, blended family, I found this personally disappointing. In addition, there was noticeable asexual erasure throughout the chapter on love and attraction. Finally, this book was focused exclusively on the American context. Part of the reason why I review books is to know whether or not they are suitable for sale at the Canadian independent bookshop where I work, and unfortunately that lowers the appeal of this book for us as well.

In short, the concept of this book is great, and it is available for sale as of July, 2019 (this is unclear – I think an initial publication happened in 2017, and this reprint is potentially part of a larger translation project). I hope that the creators will be able to incorporate feedback before that time, because otherwise I fear this book will be come quickly outdated. This is a great example of publishing taking baby steps in the right direction, but also demonstrates to me that we still have a long way to go.

A Quick and Easy Guide to Queer and Trans Identities

A page from the Quick and Easy Guide to Queer and Trans Identities, in which a snail is pictured atop a flowering, spiral-shaped plant on a pink psychedelic background with stars and plant fronds. A speech balloon reads, "Try new things, take some changes. You might be surprised at what you discover and what feels right!"
From A Quick and Easy Guide to Queer and Trans Identities.

By contrast, I received a copy of A Quick and Easy Guide to Queer and Trans Identities by Mady G and J. R. Zuckerberg from NetGalley. I am in love with this book, and I want to give it to everyone I know. What’s great is that at $9.99 USD, it’s actually feasible for someone at a limited income to purchase!

This book is wicked trippy, and I’m into it. And I learned things. Legit. From a 101 book. It’s current, it’s inclusive, it explores more in depth concepts (eg, non-binary dysphoria, the first time I’ve ever seen this in a published text; warning signs of abuse in relationships; aftercare; alternate personas) alongside the more basic ones. Although it’s cutesy, it is also nuanced. Also? The protagonist is a snail. YUP.

This book is slightly more wordy than I want it to be, but it’s appropriate for any age, and it is affirming of the most marginalized of LGBTQ+ identities, including non-binary and ace. Unfortunately, an exploration of Two Spirit identity is notably absent. There is no discussion of sex or sexual acts, and the complex, fantastical illustrations provide charming balance to the text.

I only have a few critiques to offer about this delightful comic. First, it is strange that the first block of text inside the cover is from the parent of a QT person. I wasn’t sure what this introduction achieved, and it felt disingenuous to the purposes of the comic. Second, there was a slightly problematic focus on self-love. I don’t think it’s too much, but it did feel a little ableist to me as someone who struggles with dysphoria and depression. Finally, there was no overt affirmation of non-monogamous identities, but to the creator’s credit, there was no overt monogamous normativity either.

My favourite thing about this book, though, is that there are creative activity pages at the end! INCLUDING HOW TO MAKE A ZINE. I loved them, and I can’t wait to make a sproutsona with queer fam one day!

This title is available for pre-order now, and will release on April 23, 2019.

Empire of Light

The cover of Empire of Light, by Alex Harrow.

I submitted a request for an Empire of Light eARC through Alex Harrow’s website, because through the grapevine, I’d heard of this soon-to-be released YA SFF debut from an enby author that I’d never heard tell of before. I read the publicity copy for the book and thought, this sounds fun. Sure. Why not?

As anyone who follows my reading will know, I don’t usually do “fun”. But I try to, sometimes, especially when things are rough. (Which: yes.) Full disclosure, it took me a minute to get into this book… but I was really glad that I did. It’s a romp, for sure. Empire of Light is a fast-paced ride, and the comp to queer Firefly with magic is on point. The characters in this book never lift off the surface of the planet, but it’s certainly otherworldly. Plus, in Harrow’s novel, there’s also magic: the inexplicable Voyance, which gives those who possess it some amorphous mystical powers. Without the squickiness of Joss Whedon to consider, why bother resisting?

“Queer with a chance of explosions” is the perfect brand for Harrow’s work. CW for all kinds of violence and guns everywhere in this novel, as well as positive representation of assisted death that appears on the page. There is (very queer) sexual intimacy that appears on the page in this book as well, and I found the mentions of use of condoms and lubrication in these settings utterly refreshing. However, there are also so many necessary ingredients for queer representation that feels real, impactful, and resonant. Aside from the undeniably gay protagonist, there is also shame-free representation of kink, bisexuality, demisexuality, non-binary identity, trauma, and some kind of ambiguous non-monogamy, possibly with a side of sex work.

It’s possible that this was me misinterpreting aspects of the book, but there were moments in which the Voyance, and the sometimes unpredictable effects that it had on the characters in the book, felt like it could work as a stand-in for some of the health challenges that have impacted LGBTQ+ communities, for example, the AIDS crisis.

This is a complicated book, but somehow, Empire of Light manages to come off as a colloquial, action-packed adventure story. For this francophone, it was particularly heartwarming that Harrow used French-language names for some of the geographical locations used in the book, even though the rationale behind that remains unclear to me. The only criticisms I have of this book are that some of the side characters felt underdeveloped, there wasn’t obvious racial diversity among the characters, and I missed having feminine MCs, since most of the significant characters in this book are masculine.

Empire of Light is available now, and if you’re a fan of exciting SFF that doesn’t shy away from addressing profound themes, or if you’re just looking for a fantastic LGBTQ+ #OwnVoices book to chew through this winter, get in on the Harrowing.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Black History Month Recs and a Taste of Salt

Currently reading: Empire of Light, by Alex Harrow

Note: the links found on this page are affiliate links for Amazon.com, so if you use them to make purchases, you will be helping to support my work. If you are in Canada, please use this Amazon Canada Affiliate link, and then search for the book you’re seeking. You can also always leave a tip for me through ko-fi!

Black History Month Non-Binary Reads

The covers of Hurricane Child, by Kacen Callender (formerly under a different name), and Freshwater, by Akwaeke Emezi.

Two of my overall favourite reads of 2018 happened to be by Black, non-binary authors, and I thought this would be the perfect time to give a shoutout to these books – although they hardly require it. The first is a middle grade debut novel called Hurricane Child, by Kacen Callender (formerly under a different name), and the second is a fictionalized memoir called Freshwater, by Akwaeke Emezi.

Callender, the author of Hurricane Child, was born and raised in the St. Thomas of the US Virgin Islands, which also serves as the setting for this book. It is a poetic gem that features a black, queer MC, who is 12 years old, and was born during a hurricane. The character is navigating falling in love for what appears to be the first time, and trying to find her missing mother. It’s the best-written middle grade book I’ve ever read, while being age-appropriate, and it’s spooky. Callender’s second novel and first foray into young adult lit, This is Kind of an Epic Love Story, dropped in October. It is my hope to see works featuring enby characters from Callender, but I would recommend anything they write.

Freshwater, (CW: trauma and sexual assault) is nothing short of breathtaking. Emezi is an Igbo and Tamil author, and this magical realism memoir is also their debut. They have a YA novel, Pet, forthcoming in 2019, and a second adult novel, The Death of Vivek Oji, also forthcoming. Emezi is trans, non-binary, and ogbanje, a Nigerian identity that involves aspects of plurality and of being a trickster spirit.

Freshwater is visceral and unique and bizarre and authentic. It took me a minute to get into the writing style, and this book is unlike anything I’ve ever read. Once I was able to process it, I was completely unable to put it down. Despite being fully an outsider to this story, I share with Emezi that I am non-binary and have experiences of trauma, and in addition one of my partners is plural, so aspects of the tale were very relatable for me. For a taste of Emezi’s writing, they have also written several short stories, including Who Is Like God, and a Curaçao fairy tale.

Trans Lit News

Unfortunately, some negative news in the trans lit world this week. The woman author of the 2018 book Invisible Men: Inside India’s Transmasculine Networks, Nandini Krishnan, committed ethical transgressions against the trans people featured in her book. These included, but were not limited to, misgendering, dead naming, erasure of Indigenous histories, and violation of consent.

Invisible Men was published by Penguin India, and is Krishnan’s second book. Firstpost has reported in their deep dive article on the book that Penguin has not admitted fault or taken action based on Krishnan’s transgressions. The book was reviewed in the News Minute by Gee Imaan Semmalar, one of the people portrayed in the book, who recommends Revathi’s A Life in Trans Activism as an alternate title on this topic.

In addition, I want to put a plug in for author and fellow trans book blogger, Bogi Takács. Due to some unfortunate circumstances, Bogi was recently forced to leave their doctoral studies. This is a great time for other folks in this community to step up and support their work!

Slightly Salty

I feel like this has been the week of people using performative inclusivity for profit, while being exclusive and silencing marginalized voices in practice, and I am upset about it.

The first instance of this I want to address is the Kickstarter for 99% Chance of Magic, an anthology from Heartspark Press. The marketing copy for this book, which has raised thousands of dollars in donated funding, claims that this book is the world’s first chapter book for transgender kids. This is problematic for two reasons. First, this book is an anthology, not a chapter book, and there are some other great anthologies out there for trans youth (the first that comes to mind is transVersing, published in 2018, an #OwnVoices anthology by and for trans youth).

The second issue was clear to me after reading the marketing copy for this book, reading information about the contributors, researching (and Tweeting at) Heartspark Press, and reviewing the calls for contributors that the press made for this anthology. This project is not inclusive of a breadth of trans experiences. All contributors, and all people included in Heartspark in general, are (C)AMAB ((coercively) assigned male at birth). The calls for contributors were made specifically with the #girlslikeus hashtag. The Heartspark Press online mission page reads, “Join us in lifting the voices of (C)AMAB trans people everywhere.” However, it is not made clear in the branding of this anthology that transmasculine and (C)AFAB non-binary voices were excluded from this project.

This isn’t the only Heartspark project that is branded ambiguously. On the homepage of their website, The Resilience Anthology is described as “the largest literary collection of trans women and non-binary writers”, and The Sisters from the Stars is described as “a new children’s book for trans kids and weirdos like us”. I have spoken to several enbies who have supported this press under the assumption that they are inclusive of all members of the trans community, when that is not the case.

An #OwnVoices project for and by (C)AMAB folks is great! There is so much space for trans literature in the world. However, it should be clear to folks who donate that the anthology does not reflect experiences of many non-binary, transmasculine, or intersex people. This information is important to provide to folks who purchase the anthology for, or sell it to, trans or gender creative children or youth. If given this book without context, it could easily and unintentionally worsen feelings of isolation or dysphoria.

The LGBTQ+ lexicon is ever-evolving, and the mobilization of identities for profit can be tricky. It’s time for organizations like Heartspark Press to update their marketing practices. Enbies (myself included!) are tired of microaggressive gatekeeping, binarizing of the non-binary, and neglect of transmasculine people. Say “trans” if you mean to include everyone in the trans community. If what you mean is something different, please say that. (And thanks to Laura Bishop, who articulated this better than I could have!)

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Affirming Middle Grade Gems for Spring 2019

Currently reading: Ninefox Gambit, by Yoon Ha Lee

Note: the links found on this page are affiliate links for Amazon.com, so if you use them to make purchases, you will be helping to support my work. If you are in Canada, please use this Amazon Canada Affiliate link, and then search for the book you’re seeking. You can also always leave a tip for me through ko-fi!

Trans Book News

At the end of 2018, I sent some feedback to the hosts of my favourite podcast, Book Riot, that I thought they should have included more content about LGBTQ+ (and specifically trans and enby) people, content, and issues in their last couple of episodes of the year. Well, it appears that they listened. In their latest episode, they discuss some relevant bookish news stories that specifically focus on censorship of trans content in libraries, and opposition to drag queen storytime, both in the US. Take a listen here.

I’m really excited about this one: a new picture book about gender by enby illustrator Noah Grigni (and written by Theresa Thorn) is coming out this May. It looks like a beautiful book. If you’re in Canada, you can pre-order it here, and in the US, pre-order it here. Pre-orders support authors so much, and if you use these affiliate links to order, you’ll be supporting my work, too.

Last week, Ceillie Simkiss posted an important review of a forthcoming YA novel featuring a trans character, which is written by a cis author and riddled with problematic content. It’s not recommended for trans readers. Read the full review here.

Good news for trans representation in books and non-binary authors this week! Jessica Love’s Julián is a Mermaid, which I featured in my 2018 Trans-Affirming Picture Book Wrap Up, was a recipient of the Stonewall Book Award at ALA Midwinter! Another recipient was Kheryn Callender’s Hurricane Child, which – spoiler alert! – I will be discussing next week, as part of my Black (History? Future? Present?) Month post. See the full 2019 Rainbow List here.

The Moon Within

A selfie of me, with green hair, looking sleepy, and holding an ARC of The Moon Within, by Aida Salazar.

See the suspiciously sleepy-looking eyes in that photo? Yeah. It’s because it was after midnight, because once I picked this book up, I couldn’t put it down. No one is more surprised than me, and I’m thrilled to admit it.

I actually wound up with two hardcopy ARCs of Aida Salazar’s The Moon Within from the shop where I work. Perhaps because the rest of the staff saw it and had the same reaction I did: this is a middle grade, novel-in-verse. See me: skeptical. Yet, coming of age stories are usually among my favourites, and this one is by a Latinx author and features a mixed-race MC with a genderfluid best friend. I decided to give it a chance.

But let’s be totally transparent. I picked it up on the night that I did because I’d been in a bit of a reading slump, and I thought, this book is short, and I’m probably not going to like it anyway. Might as well. I ended up so glad that I did. This is me, with the humble pie over here.

This coming-of-age story is a charming exploration of many tensions that will resonate for readers: reclaiming Indigenous culture in contemporary America, navigating early love, and overcoming challenges in deep friendships. This book is entirely age-appropriate as a middle grade novel, with writing that remains poetic and descriptive. This story spans a relatively long period of time, enabled by the verse format, which avoids the passage of time and depth of emotion feeling cumbersome to the reader. Spanish language is woven into the text of this novel, at times with and at times without translation and explanation, and I expect that this will enrich the cultural experience of this text for Latinx and other Spanish-speaking readers.

The only aspect of this book that I found challenging as an AFAB trans enby was the focus on menstruation as a theme in the text. While I imagine that it would be empowering for girls and women, this was at times a struggle for me to navigate, because of the troubled relationship I have with my own body and its hormonal cycles. I did appreciate that the text touched on this tension as well, with reference to the AFAB genderfluid character in the book, but (my biased perspective is that) I thought that it could have been more thoroughly probed.

I’m thrilled to be able to recommend this book, which drops on February 26th, but can be pre-ordered now. Give this one to your kids. Point your teacher friends toward it. Send it in the mail to your enby friends in Oakland, like I’m going to do. It’s a gem. You won’t want to miss it.

Little Apocalypse

The cover of Little Apocalypse, by Katherine Sparrow.

Note: I received an eARC of Little Apocalypse through Edelweiss+.

I requested an ARC of Katherine Sparrow’s Little Apocalypse out of personal interest, because I love a good spooky story, even if it doesn’t have explicitly LGBTQ+ content. It was appealing in part because comped to Ellen Oh’s Spirit Hunters, which I read in 2018, and loved. Much like when I read The Moon Within, I picked it up because it was a middle grade book, and I’d been battling a cold, so that’s about where my executive function level felt comfortable at the time. But again like when I read The Moon Within… once I picked this up, I had trouble putting it down.

Maybe it’s about time that I checked my own prejudices about MG books, because despite being written for a young audience (I know, I know), the world-building in Little Apocalypse was rich and deep. I probably would have anticipated that had I been familiar with Sparrow before picking up this book – although this is her MG debut, she’s hardly a novice writer. Sparrow has four previously-published adult novels in a series called the Fay Morgan Chronicles, and one of her short stories, The Migratory Patterns of Dancers, was nominated for a Nebula award.

This is a monster-fighting book with a Strong Feminine Protagonist that is perfect Buffy or X-Files fans (or future fans of Buffy, or maybe Buffy herself). If you’re buying this one for a kid, and they enjoy superhero stories, it’s a great step up from something like Buffy: New School Nightmare, the Desmond Cole series, or the Goosebumps books. Parents will love about this book that although there aren’t a lot of responsible adult figures around while the plot is unfolding (surprise!), the main character’s love for her family is clear and abiding throughout the book, even as she truly comes into her own as the protagonist.

My favourite things about this book are that, 1, it was written for book lovers. It has a bookworm MC, features a library in one of its settings, and even some of the most dramatic apocalyptic imagery was book-evocative. 2, it’s a friendship book. There are little hints at romance in places in this novel, but ultimately, it is all in on nuanced, complicated, platonic relationships. 3, the monsters are awesome. 4, the author does not shy away from moral ambiguity in this book, and I love the depth and complexity of that gray area.

But ultimately, (spoiler alert) one of the things that I love about this book is that in the end, the main character undergoes a pretty significant physical and emotional transformation. Although it’s dramatic and complicated, she and her parents work through it together, and they wind up having a happy, loving life, all together. The book doesn’t gloss this over, but the happy ending was heartwarming. It was this part of the book that I felt would be really affirming to any kid, but especially to kids dealing with transition or coming out to their caregivers. (end spoilers)

I would recommend this book to anyone over the age of 9 or so (only because any younger, and I feel like it might be edging on nightmare territory), including adults. Little Apocalypse is available for pre-order now, and will be released on March 19th, 2019.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

2018 Trans Affirming Picture Book Wrap Up

Currently reading: The Wicked and the Divine vol. 2: The Fandemonium, by Kieron Gillen
Image is part of an illustration, showing a black child wearing a headdress made of ferns and a town tied around their waist, with a hand in the air, smiling.
From Julián is a Mermaid.

Working in the book shop, I constantly encounter customers who are surprised at the range of books available that include LGBTQ+ content, especially for children. I am always pleased to tell them that there are more and more coming out every year – especially because I love picture books, and have a growing collection myself. That said, it can still be hard to find the books that are affirming for trans and enby children, if you don’t have access to a brick and mortar shop that can identify them. The following are my picks for gender-affirming books for children published in the last year. Please, if I’ve missed any here, visit my contact page, and let me know!

Picture Books Published in 2018

Julián Is a Mermaid, by Jessica Love, appeared on lots of best-of lists for 2018. This affirming book is Love’s debut, about a young Afro-Latinx boy who experiments with dressing up as a mermaid in his abuela’s house. In the conclusion, they attend and join in the mermaid parade, an annual event at Coney Island in Brooklyn, New York. The lush watercolour illustrations and positive representation of non-white characters is what make this book stand out for me. Love says that this book was in part inspired by a trans family member of a boyfriend she had while writing the book.

Neither, by Airlie Anderson, is a colourful fever dream of a picture book suitable for the youngest audiences. It features a cast of misfit creatures who learn that they can reject binary identities and find happiness and friendship along the way. This book features a lot of rainbows, which is great for Pride season, and is perfect as an affirming springtime gift, as the main characters are reminiscent of the Peeps marshmallows.

Image is an illustration of a rainbow of chimera animals, all holding each other, and looking happy. A speech balloon reads "exactly!" in rainbow letters.
From Neither.

Jamie is Jamie: A Book About Being Yourself and Playing Your Way, by Afsaneh Moradian, challenges gender stereotypes through the story of a child who encounters confusion among their peers when they want to play with a wide variety of toys. The book includes a section for adults who are interested in using playtime as a learning tool for children to learn about gender and related constructs. This book is written by an author of colour, and illustrated by Maria Bogade, who has worked on award-winning projects such as the Gruffalo.

I am including Pride: The Story of Harvey Milk and the Rainbow Flag, by Rob Sanders because I wanted this list to be thorough, but this wouldn’t be my first recommendation. It’s an American-centric book that tells a whitewashed, gay male focused history of the rainbow flag. But also? Trans people are part of that rainbow, so. Make your own choices about this one. My alternate recommendation for this would be This Day in June, or M is for Mustache: A Pride ABC Book.

While Today I’ll Be a Unicorn, by Dana Simpson, does not feature openly trans characters, this book is trans affirming in that it is written and illustrated by a trans woman. Along with this book for young readers, Simpson also released Phoebe and Her Unicorn in Unicorn Theatre in 2018, the eighth and latest instalment in her wildly popular middle grade graphic novel series. The ninth book will be released in 2019.

Image is of a little girl putting on a headband with a unicorn horn, and a unicorn watching her. Text reads, "Today, I'll be a unicorn. I'll have a tail and a magic horn."
From Today I’ll Be a Unicorn.

There are lots of picture book options for people seeking stories about boys and other masculine characters openly defying gender norms and embracing traditionally feminine aspects. King Alice, by Matthew Cordell, tells the story of an imaginative young girl who invents a story in which she is a king.

Jack (Not Jackie), by Erica Silverman, explores the complicated emotions that a cis sibling might navigate upon discovering that their sibling is trans. It has been criticised by some trans readers as it uses the MC’s deadname and the wrong pronouns in the book. It has also been criticised for ciscentrism, and use of stereotypes about trans people. For all these reasons, it would not be my recommendation for a trans reader, but it could be a useful learning tool for a cis audience. I also give this book bonus points for being the only book, to my knowledge, featuring an explicitly transgender child.

Pink is for Boys, by Robb Pearlman, encourages readers to think of colours as being for people of all genders, and to move away from the pink/blue representation of the gender binary. This book features a diverse cast of characters, including racialized and disabled youth. For me, this book is a 101 level book, suitable in particular for children who may be learning about gender for the first time.

Last but not least is Love, Z, the newest offering from Jessie Sima. Sima is the author of several LGBTQ affirming and representative picture books, including Not Quite Narwhal and Harriet Gets Carried Away. In this latest book, Z, a young robot, searches for the meaning of “love”, and along the way encounters a charming cast of characters, including a feline boat captain. Although this book is not explicit in having trans subject matter, it does have meaningful queer representation, and the main character, Z, is never gendered in this story. (It’s perfect. What I’m saying is, it’s perfect.)

Two pages from Love, Z, in which the robot goes through his nightly bedtime routine, wondering "What is love?"
From Love, Z.

Other Trans-Affirming Books for Children Published in 2018

Aquicorn Cove, by Katie O’Neill, and The Prince and the Dressmaker, by Jen Wang, are middle grade graphic novels that were released this year. Both have affirming representation of non-cis characters, and The Prince and the Dressmaker was created by an author of colour. Both of these books make fantastic read-aloud stories for younger readers, as they both feature vibrant illustrations, and the former has valuable environmental messages as well.

Panels from Aquicorn Cove, in which one character gives another a necklace. The character asks, "Er, if I wanted to come back, without falling overboard this time...", and the second character responds, "Here, wear this into the water, and the Aquicorns will guide you to me."
From Aquicorn Cove.

A Quick and Easy Guide to They/Them Pronouns, by Archie Bonglovanni and Tristan Jimerson, is a short, charming, 101-level graphic primer for adults in the lives of non-binary children or other children choosing to use gender neutral pronouns.

When I read the Gender Identity Workbook for Kids, by Kelly Storck LCSW, I found myself wishing that I had had this book as a child. This is a great workbook for children in the early reader range who are exploring the ways in which they experience gender, and for the adults in their lives. I recommend this educational tool highly.

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