Not All Bookstores Are Created Equal

Hey sportsfans! I was supposed to be reviewing a self-pubbed title today, but unfortunately, the book ended up being not the best fit for this space. Instead, you get me again! I’ve been a little self-indulgent here, and written a post that’s been on my mind for a few months – particularly since so many publishing professionals have been struggling through this weird pandemic year. I love these details, but I hope that even if it’s not usually their jam, readers will be able to use this knowledge to support authors during this ongoing, trying time.

I’m going to make my own shameless plug for support with this post as well. At the end, like all of my posts, I’ve put a link to my ko-fi. As a bookseller at a local indie, I lost most of my income due to COVID this year. I’ve been lucky enough to figure out ways to make it work, but your support is always appreciated! If you enjoy this post, please consider supporting my work on this blog!

Book Retail 101

The publishing industry is so huge that its inner workings can be mystifying even to those with a peek behind the curtains. When you walk into a retail outlet, and purchase a new book published by a trade publisher, there is a whole globalized ecosystem behind how that object came to be.

Photo by Streetwindy on Unsplash

The Short Version

First, the author writes the book. Generally, an agent then partners with the author to edit and submit the book to publishers. An acquiring editor purchases the book, and then works with the author, a marketing team, and artists to create the final mock up. That is then sent to a printer, generally in China. Advance review copies, or ARCs are the first prints of books that are created, pre-publication, and then the final product is printed. Cases of the book are shipped to the distribution company. Bookstores order copies from the distribution company, and they have 90 days to sell the books, or return them to the distributor. The books that are left over are called “remnants”, and depending on the title, they are either destroyed and recycled, or purchased in bulk at a lower price from a different kind of book retailer, who can then mark them down and resell them at discounted prices.

Types of Book Retailers

You can see even from this really brief breakdown that there are many different versions of every book, and that there are many kinds of book retailers. In this post, I’m going to break down what the different kinds of book retailers are, and how you can use that knowledge to best support the person that is at the heart of this whole industry: the author.

Photo by Serge Kutuzov on Unsplash

New Books for Cover Price

I’ll start with the type of book retailer that most people know best: brick and mortar chain bookstores. These are stores like Chapters and Indigo in Canada (and recently the US), Waterstones in the UK, and Barnes and Noble in the US. They are one of the backbones of book retain worldwide. They sell new books, which they buy at wholesale prices, for the cover price. That difference in price is their profit margin. They sometimes get special prices from distributors, allowing them to have pretty great sales – like “bargain bestsellers” or Indigo’s well-known 30% hardcover markdowns, for example. When you buy a book from one of these retailers, authors get royalties on that sale!

Independent bookstores are my favourite kind of bookstores, and that’s generally because they are smaller, and have a more curated selection of books, than your average chain store. Although they may have more than one storefront location, independent bookstores are not owned by an umbrella corporation, and operate (as the name would have you believe) independently. You can find an independent bookstore in the US through IndieBound, or in Canada through the map recently created by Penguin Random House Canada. CBC also recently posted a resource for finding a Canadian indie that will ship books ordered online, due to the pandemic.

Photo by Ashley Byrd on Unsplash

If you ask me, libraries and indies are the cornerstones of the publishing industry and book distribution. Indies work so hard to support authors and reading communities, and often take political stances in the industry where chain bookstores can’t or choose not to. Indies sell new books, which they buy at wholesale prices, for the cover price. That difference in price is their profit margin. They are not generally eligible for publisher discounts, which means that any discount you receive from an indie is a loss to the store, that they’ve chosen to absorb for their customers. When you buy a book from one of these retailers, authors get royalties on that sale!

One important thing to know when you’re shopping for a title that a smaller independent bookstore may not have in stock is that indies have contracts with all of the major book distributors in their region. What that means is that just because you don’t see something on the shelf doesn’t mean that they can’t get it for you! If you drop by, call, or Email your local indie seeking a specific title, they can almost always order it in for you if it’s still in print. Unlike online book retailers, if you pick up your book in the store when it arrives, you won’t be left on the hook for shipping costs, either.

Photo by James Barker on Unsplash

The next kind of book retailer where you’ll see new books in the wild for regular cover prices is special markets stores: your pharmacy, grocery store, Crate and Barrel, Pottery Barn, big box stores like Target or Wal Mart, price clubs like Costco, or gift stores. These are different from off-price retailers like Marshall’s or Winners, and I’ll get to those later. These stores are curated, but in a way that’s very different than independent bookstores, and generally only carry household names, bestsellers, or lifestyle books that fit a certain niche, depending on the store. They are purchased from distributors through special markets sales reps that work with publishers and help curate these selections. They are sometimes sold in speciality packaging created specifically for the needs of that retailer, and can sometimes be offered publisher discounts to lower the price point for the store’s customer base. When you buy a book from one of these retailers, authors get royalties on that sale!

Discounted New Books

This is where bookselling starts to get tricky. Let’s zip back to the short version of this story. Remember where I wrote: The books that are left over are called “remnants”, and depending on the title, they are either destroyed and recycled, or purchased in bulk at a lower price from a different kind of book retailer, who can then mark them down and resell them at discounted prices? Well, these stores are where those remaindered books go. Books sold at these stores have been bought for radically discounted prices, and the pricing of the books is at the discretion of the retailer. When you buy a book that has been remaindered, authors do not generally get royalties on that sale. The bulk sale of these books is a way for publishers to recoup some of the loss of printing and distributing a book that did not sell well for its cover price, and to avoid landfill waste or the costs of bulk recycling.

It is important to know: remaindered books are new books. They are generally identified by a remainder mark, which can be a dot on the cover of the book, or a line on the pages, but otherwise, they will not appear drastically altered or damaged. For more information about remaindered books, check out this piece from the Guardian.

Who are the stores that sell remnants, and how can you tell whether or not you are actually supporting an author when you buy their book? Some of these stores are off-price department stores that sell all kinds of remaindered goods, not just books. The most recognizable are those owned by the multi-national TJX Companies: HomeGoods, HomeSense, Marshalls, Sierra, TJ Maxx, TK Maxx, and Winners. Ross’ Dress for Less is also an off-price retailer. These stores target middle-income households with more affordable prices than regular retailers.

Photo by Enayet Raheem on Unsplash

If indies are my favourite book retailers, “independent” bookstores that make the bulk of their income off of remaindered books, and often, other remaindered sidelines (non-book products sold by book retailers, like bookmarks, tote bags, stationary, etc.) are my least favourite. Technically speaking, these are still independently-owned stores, but they do not play the pivotal role in the publishing industry or the lives of publishing professionals or authors that indie bookstores do. Some of them even have contracts with major book distributors and sell a mixture of remnants and new, cover-price books. My local example of this is Book City, which claims the title of “Toronto’s leading independent bookstore”, even in a huge city with thriving indies who do incredible work. (Shoutout to Another Story, A Different Booklist, Glad Day, Bakka Phoenix, Page and Panel, the Beguiling, Mable’s Fables, Ella Minnow, Type, (the list goes on)…)

The last place where you will see remaindered books in their natural habitats is in second hand book stores, thrift shops, or online book outlets like Book Depot or Book Outlet. Anywhere where you see books selling for less than the cover price, you can be almost certain that you have encountered a book that has been remaindered. The important thing to know is that while this may appear customer or budget friendly, it is actually much worse for the industry than patronizing your local library. Publishers get pennies for these remaindered copies, and none of the professionals or content creators who work to make these books happen get paid when remaindered books are sold.

Second Hand Stores and Rare Book Sellers

Credit where credit is due, on my part: I don’t advocate purchasing books that are still in print at discount prices if you can access them through a library or purchase them at cover price. However, second hand bookstores, and especially rare and antiquarian book dealers, are so essential to the literary landscape. I have spent many hours in my life rummaging through dusty shelves of out of print, impossible to otherwise find, or internationally printed books, and that way I have found some absolute gems. My current favourite is the Monkey’s Paw, and if you want to check out your local, you might find them through the Antiquarian Booksellers Association of Canada, or the International League of Antiquarian Booksellers.

Photo by César Viteri on Unsplash

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Neglected Favourites of 2019

Currently Reading: You’re Next, by Kylie Schachte

LGBTQ2S+ POC Authors Are #CanLit

A handful of rad authors, many of whom are LGBTQ2S+ POC, have been announced as part of the delegation representing Canada at the Frankfurt Book Fair this year! So happy to see so many authors who have been celebrated in this space before (and who will continue to be!) get the public recognition they deserve. Special congrats to Billy-Ray Belcourt, Canisia Lubrin, Catherine Hernandez, Farzana Doctor, Joshua Whitehead, Tanya Tagaq, Tanya Talaga, Téa Mutonji, and Vivek Shraya!

Looking for 2020 Reads?

I love being able to shout out other trans and/or non-binary content creators! Recently, Books Beyond Binaries has extended support to Santana Reads, a book blog by a rad content creator. Carolina is a bi, genderfluid, Puerto Rican 16-year old teen book blogger who is very passionate about diverse literature. When they’re not reading a good book, they can be found snacking on gingerbread cookies, napping, playing with their dog, and marathoning TV shows on Netflix. They are one of the co-hosts of the Latinx Book Club, and their latest post is a review of Don’t Ask Me Where I’m From, which comes out later this year. Thank you so much for this insightful review, Carolina!

If you are a non-binary content creator, and you can think of ways that this blog can support you, feel free to reach out through the contact form!

Genderqueer blogger and author Corey Alexander has put together another bang-up list of new release books with trans and/or non-binary authors for early 2020. So many rad titles on this list, but the ones I want to shout about are: Blood Sport, by the indelible Tash McAdam, which is a perfect pick for educators or those who want a more accessible reading level; Common Bonds, an anthology which has hella incredible rep across the aromantic spectrum; The Subtweet, by Vivek Shraya, who has never once disappointed me with anything she’s created; and The Thirty Names of Night, by Zeyn Joukhader, an #OV Syrian trans novel with an almost entirely QTPOC cast.

A mood board for Tundras, Travelers, and Other Travesties, featuring mostly a lot of mist and snow.

One of the other options on this list is Tundras, Travelers, and Other Travesties, by the fabulous enby author and online community builder who likely none of us could do without, Amara Lynn. It is a prescient solarpunk post-apocalyptic sci-fi short with a queer protagonist that is available now. I am thrilled to be able to share a preview of Amara’s newest offering in this space. Buckle in.


Excerpt: Tundras, Travelers, and Other Travesties

“I don’t understand. You live outside of Earth?”

“Yeah. In space. On an artificial planet, made for people to live on instead of Earth when it became too polluted and unlivable. Why don’t you know any of this?”

I shrug. I’m having trouble taking this in, confused by what it all means. I know that our outpost and greenhouse is built into the side of a hill of landfill waste, and the solar panels were built atop the highest landfill peaks to take in maximum sun exposure. All I know is this tundra, this landfill outpost. Zaza and Nana never told me anything about why there were so few people, why we never received travelers. Is it because they all live on this artificial planet Earth?

I clutch my knees to my chest, which aches along with my ribs. I don’t even realize I’m rocking until the traveler’s hands touch my shoulders.

“Hey, it’s okay. I’m sorry; I didn’t mean to shock you.”

I look up, staring at those bright pools. “Who are you?” I blurt the question without thinking about it.

“The name’s Ignis. I use he, his, and him pronouns.”

“Eis. What are pronouns?” I am unfamiliar with this concept.

Ignis seems confused that I don’t know. “They’re used to refer to a person when you’re not using their name. They vary based on a person’s gender. I’m a man and I use he, him, and his pronouns. Someone who is a woman might use she, her, and hers. There are also people who don’t have any particular gender or who fluctuate and use neutral pronouns like they and them, ze and zir, or ze and hir. Those are just a few.”

“Oh…” I have never known anyone else besides my parents. Now, thinking about it, I recall Nana used ze and zir when referring to Zaza, and Zaza had used they and them for Nana.

“Why don’t you know that?”

“I…I’m not sure. My parents did use some of those for each other, but I’ve never been asked about myself. I’m not sure I know what gender I would be.”

“That’s okay. Would you like me to use neutral pronouns for you? They and them, or ze and zir? I can list some others if you like.”

“Oh…maybe ze and zir?” That’s what Zaza used.

“Okay.” Ignis smiles. “And if you change your mind later after learning more about it, that’s totally okay, too.”

“Okay.”

If you want to read the rest of this story, it is available on B&N, Universal, Gumroad, and (if all else fails) Amazon, or it can be added on Goodreads! You can find Amara Lynn on Twitter!


Unsung Favourites of 2019

This post comes at a time when we are experiencing the fullness of a complicated world. I didn’t have a collaborator or special theme of this week, so I thought that I’d write about some of the best books that I read in 2019 that I didn’t get to talk about in this space. Hopefully, these recommendations will serve everyone who is new to social distance well! If you can, order these titles from your local indie, since many of them are suffering right now, and lots of them can take online orders and provide delivery.

There’s nothing that’s a better distraction, in my opinion, than a good thriller, and these two were page-turners. A Madness of Sunshine is the first crime book from NYT bestselling contemporary fantasy romance author Nalini Singh. This atmospheric story set in a vividly imagined small coastal town in New Zealand features a diverse cast including many Indigenous characters and a slow-burn romantic subplot. It’s a clever twist on a formulaic crime novel from a WOC that features enough predictable elements to feel recognizable, while still hinting at searing political commentary in the best of ways. Despite a few loose ends at the conclusion of the book, I would recommend this to anyone seeking a great mystery. CWs for domestic violence, substance use, murder, violence against women, some ableist language, police protagonist, violence against animals (one scene, with warning indicators before violence occurs).

I am a huge fan of UK-based author Fran Doricott, and I ate up her twisty abduction mystery thriller After the Eclipse. It’s a complex mystery with a badass femme journalist protagonist, and it’s hella queer. This one requires all the CWs, in particular for violence, child abduction, confinement, imprisonment, sexual assault, rape, pregnancy, and stalking, off the top of my head. However, I loved about this book that it had a positive, satisfying outcome, despite its grim themes.

The Collected Schizophrenias by LGBTQ2S+ author Esmé Weijun Wang, and Consent by Donna Freitas, were two of my favourite non-fiction books from last year. I bought Wang’s collection of essays at the Tattered Cover in the Denver airport, (unsuccessfully) holding back tears, in the middle of a mental health crisis. I could not have made a more perfect choice. Not only did the author respond with such generosity and care when I reached out to let her know that her book was in an airport display – a long-standing wish of hers – but the collection is moving, relatable, and insightful. It is the book about psychiatric disability that I have always needed. In contrast, Consent is a timely, chilling, and all-too-familiar story of an academic relationship gone awry for Freitas, a student at the time, who ultimately gets stalked by her mentor. Freitas’ story is an unflinching tale that every femme will be able to see themself in, and a searing social commentary.

I struggle to describe what I loved so much about the fever dream that is Gingerbread, by Helen Oyeyemi. It’s one of the few books in my life that I have finished, and then immediately felt the urge to flip back to the first page and read again. I had never read any of Oyeyemi’s work before Gingerbread, and I am delighted that she has such an extensive backlist for me to discover. This book is a strange and wonderful delight.

By contrast, Kiley Reid’s Such a Fun Age is a quick, engaging, millennial fiction, that I found instantly relatable in so many ways. You know that white girl who got rich off Instagram? Yeah, her. This book is both about her, and so not about her. With aspects of political commentary, a twisty romantic subplot, and the best-written child character I have ever read, I would recommend this one to anyone. It is a perfect book conversation starter or club pick, and it’s a great gift for the college freshman who loved The Hate U Give.

I don’t read a tonne of MG, as is probably evident from what I tend to review on this blog, but I picked up a few last year that I loved. I listened to The Lost Girl, by Anne Ursu, on audio, and it was fantastic. I love twin books to begin with, and this one was a love story to weird junk shops, featuring adolescent social awkwardness (hard relate) and an unpredictable, fairy-tale-inspired plotline. If you liked the Hazel Wood, you’ll like this, too.

I loved Jinxed so much that although its sequel hasn’t been released in Canada yet, I actually begged a UK-based friend to mail me a copy. Canadian-born Amy McCulloch’s book is set in a near future Toronto, and I picked up the ARC on a whim while I was bored between bookselling at an event. I read it in one sitting, and I loved every minute. Jinxed is about a realistic electronics tinkerer protag, in a world where smart phones have been replaced with personalized robotic animal companions, and features one of my favourite things: a school for the elite! It’s an engaging mystery, and ultimately our fair protagonist is left facing off against the corporate overlords. Jinxed has been released in North America now, and the sequel, Unleashed, is available across the pond. Also, look out for McCulloch’s forthcoming YA Gothic thriller, co-written with Zoe Sugg (aka Zoella), The Magpie Society (!!!).

I feel like there was literally no way I was going to miss these last two books. I think I’m physically incapable of passing on cheerleader intrigue or witchy 90’s throwbacks – and I stan. Squad is a short but impactful YA contemporary by non-binary author Rae (Mariah) McCarthy about a cheerleader who gets dumped by her friends, has to navigate newly-discovered mental health struggles, and figure out who she really is. All I can say about this book is that it’s charming AF, and I hard relate. It’s well-written, and it’s a story that I think any teenaged femme (or formerly teenaged femme) will see themselves in. It also has a well-crafted transgender secondary character, and a tough-to-navigate romantic subplot with aspects of “what does transition mean anyway?”… without spoiling the entire book – if you are a fan of Complicated Friendship Stories, this one’s for you.

As for The Babysitters Coven, by Kate Williams, I’m delighted to report that this book is exactly what it says on the label. 90’s throwback. Magic. Baddies. Femmes save the day. Babysitters. It’s brain candy, and it’s great. My bookshop sales rep from PRH Canada tossed me a copy of this when I told them that I basically wouldn’t be able to wait for its release date, so shout out to them for always humouring me with such good will. Especially at a time when the world feels heavy, this is a kitschy delight to spend an afternoon on.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

2019 In Review

Currently Reading: Keystone, by Katie Delahanty

News!

Get ready for your TBRs to balloon for the new year! Fellow trans blogger Corey Alexander brings you all the titles published in late 2019 with trans and/or non-binary authors. My top pick from this list are Pet, by Akwaeke Emezi, which I previewed earlier this year, and I’m most looking forward to Beyond the Black Door, by A. M. Strickland, which is on my TBR!

In response to the recent transphobic events at the Toronto Public Library, local independent bookstores are coming together to support trans writers and activists by co-hosting a teach-in at the 519 Community Centre on January 23rd. The store where I work is one of the organizers, so if you’re nearby, please come out and support the local trans and non-binary community.

Re-Introduction

When I first started this blog, one year ago, I wrote an introductory post, which gives a little bit of a window into what I’m about as far as my literary life is concerned. Because this blog and my reading in general is fairly politicized, and I believe that the personal is political, I’d like to offer a bit more information about myself that might give context to some of the 🔥hot takes🔥 that I post in this space.

A selfie of me in the bookshop where I work. I have medium complexion white skin, pink curly hair that is shaved on the right side and has dark roots, clear plastic frame glasses, and no makeup. I'm wearing a black tank top and a grey sports bra, and tattoos are visible on my shoulders. Bookshelves are visible in the background.
Me! 2019.

These are the facts about me that my Twitter bio won’t tell you!

  • Although legally I have to, I don’t capitalize my name. It’s emmy!
  • I’ve been (as) vegan (as possible, depending on where I was living) for more than 20 years! That said, I am firmly in solidarity with Indigenous and other marginalized people who cannot or do not engage with that life – especially (but not limited to) the Indigenous people who sustain their communities through the seal hunt and the deer harvest at Short Hills.
  • I’m a social work researcher, mostly focusing on LGBTQ2S+ health, and wellbeing of working dogs in therapeutic environments. In my previous life, I went to college for circus arts, and spent nearly a decade performing and coaching at a professional level. My specialities were juggling and group acrobatics.
  • I grew up in Newfoundland, an island off the east coast of Canada, in the North Atlantic. The island is the occupied territory of the Innu, the Mi’kmaq, and the Beothuk, who were victims of genocide. My family in Newfoundland can be traced back at least 7 generations on the maternal side, and we are white colonizers. I was raised in a house with my mom, my grandmother, and my great-grandmother, just the four of us most of the time.
  • J’ai appris le français quand j’étais très jeune, et j’ai vécu la grosse majorité de ma vie l’en parlant comme langue principale, alors que je me considère comme francophone.
  • My hobbies, when I have the time and energy, include film photography, snail mail (I collect postcards), roller skating, embroidery, cooking, and recently I’ve started playing video games occasionally. Oh! I also like to read!
  • I share my life with a lot of pets! Right now, that includes living primarily with an eleven year old retired racing greyhound, two formerly feral maine coon cats, and one five month old (by the time this gets posted!) deaf Dalmatian puppy. Their names are Boom, Whisper, Willow, and Pavot (pronounced pav-oh, it’s French for “poppy”, as in poppyseed). You can find them on Insta!
  • I’m polyamorous and have two relationships with genderqueer trans folks. My partner lives in Toronto, and I have a theyfriend and Denver. I am questing for a word that accurately describes “polyamorous but in no way seeking new romantic relationships,” because my life is as populated as I can handle it being.
  • I have diagnosed psychiatric disabilities and chronic illness, both of which are hormone-related (PMDD, chronic major depression, general and social anxiety, and PCOS). It’s also likely that I am on the autism spectrum, and I have most of the symptoms of borderline personality disorder, although these are both more or less undiagnosed.
  • Other alphabet soup diagnoses that play a big role in my life through the people I love are PTSD and DID.
  • I have a very small social circle, and most of my close friends are relationships that I primarily nurture online, in large part because I have am neuroatypical and have a disorganized anxious attachment style.
  • I love bees and kākāpō, but I have a lot of favourite animals.
  • Recently, I have been trying to come up with the books that I would take with me if I was going to be indefinitely stranded on a desert island, and so far, I think they would be The House of the Spirits, by Isabel Allende; The Tea Dragon Festival, by Katie O’Neill; Pet, by Akwaeke Emezi; Our Homesick Songs, by Emma Hooper; Gingerbread, by Helen Oyeyemi; and Not Quite Narwhal, by Jessie Sima.

2019 By the Numbers

All these numbers are current as of December 20, 2019.
My 2018 In Review can be seen here!

How many books I read in 2017: 41
How many books I read in 2018: 57
How many books I read in 2019: 124
First book read: One of Us is Lying, Karen McManus
Last book read: Truly Madly Guilty, Liane Moriarty
Average length: 287 pages

Books by POC: 52
POC MC: 43
Male authors: 33
Female authors: 160
Non-binary and/or authors: 5
Queer authors: 46
Queer MC: 45

Middle Grade: 18
YA: 74
Adult: 101
Graphic: 5
Short story or anthology: 1
Non-fiction: 37
Memoir: 9
Lit Fic: 55
Poetry: 3
SFF: 46
Thriller: 28
Horror: 18

Purchases: 26
Library: 60
ARC: 105

Digital: 108
Print: 50
Audio: 36

½ Star Books: 3
⭐️ Books: 21
⭐️ ½ Books: 0
⭐️⭐️ Books: 27
⭐️⭐️ ½ Books: 9
⭐️⭐️⭐️ Books: 24
⭐️⭐️⭐️ ½ Books: 28
⭐️⭐️⭐️⭐️ Books: 26
⭐️⭐️⭐️⭐️ ½ Books: 9
⭐️⭐️⭐️⭐️⭐️ Books: 41

January: 8
February: 11
March: 6
April: 11
May: 14
June: 16
July: 11
August: 11
September: 17
October: 7
November: 6
December: 6

Reading challenges I participated in: #VillainAThon

DNF: 68
Currently reading (unfinished in 2019): Keystone, Katie Delahanty; The Death of Mrs. Westaway, Ruth Ware; Amanda Greenleaf, Ed Kavanagh
Favourite books of the year: Little Apocalypse, Katherine Sparrow; The Collected Schizophrenias, Esmé Weijun Wang; The Wise and the Wicked, Rebecca Podos; Wilder Girls, Rory Power; Pilu of the Woods, Mai K. Nguyen; Pet, Akwaeke Emezi; In the Dream House, Carmen Maria Machado; The Tea Dragon Festival, Katie O’Neill; The Darkest Part of the Forest, Holly Black; I Know You Remember, Jennifer Donaldson; Your House Will Pay, Steph Cha; We Unleash the Merciless Storm, Tehlor Kay Mejia; The Seep, Chana Porter
Favourite picture books released this year (not otherwise included in stats above): My Footprints, Bao Yi; Stormy, by Guojing; No Room for a Pup, Laurel Molk and Liz Suneby; It Feels Good to Be Yourself, Theresa Thorn and Noah Grigni; King Mouse, Cary Fagan and Dena Seiferling; Princess Puffybottom… and Darryl, Susin Nielsen and Olivia Chen Mueller, Truman, Jean Reidy; Ping, Ani Castillo; The Cyclops Witch and the Heebie-Jeebies, Kyle Sullivan and Derek Sullivan, The Scarecrow, Beth Ferry and the Fan Brothers; The Rabbit Listened, Cori Doerrfeld

Upcoming in 2020

So far, I have three 2020 plans. First: to integrate the reading challenge that my online book community, the Rogue Book Coven, is hosting for next year! Just to be clear, I had no hand at all in creating this – but I’m really glad for the work of some of our other members, who put this majestic thing together. If you want to read along with us, find us on various social media platforms at #CovenBookChallenge throughout 2020! POI for anyone who decides to follow along: we use the octopus emoji (sometimes, gratuitously) to mean hugs!

Second, to my actual delight and pleasure, I recently joined the planning team for the Festival of Literary Diversity (FOLD), held in Brampton each May. As such, I’m looking forward to curating and participating in the FOLD reading challenge in 2020 as well. The challenges aren’t 100% finalized yet, but you can check out past challenges here.

Last but not least, following a tweet from Esmé Weijun Wang, I committed to reading two Big, Long, Old Russian Books. Anna Karenina, by Leo Tolstoy, and The Brothers Karamazov, by Fyodor Dostoyevsky. This is legitimately the challenge that I’m most worried about so… wish me luck?

Most Anticipated of (Early) 2019

Wondering what you can look forward to me chatting about next year? In January, I’m going to be previewing Karen McManus’ upcoming sequel to One of Us is Lying, the bestselling YA thriller, and chatting with author Chana Porter about gender and her Jewish Indigenous trans MC in The Seep, her unsettling and heartwarming dystopian alien invasion literary horror novel.

Some other Winter 2020 releases that I’m excited about reading? Non-binary Latinx author Anna-Marie McLemore’s new YA fantasy, Dark and Deepest Red, is a spooky modern fairy tale that spans generations. It drops on January 14th, and it’s right in my wheelhouse. I’m also looking forward to The Truants, by Kate Weinberg. It’s a thriller, and I’m curious to see if this NA is another millennial-appealing book in the vein of Such a Fun Age and Normal People, which I read earlier this year.

Kacen Callendar is the non-binary author of Hurricane Child, my favourite middle grade book of all time, and their next book, King and the Dragonflies, comes out this February. I’ll also definitely be checking out The Last Confession of Autumn Casterly, by Meredith Tate. It’s a spooky YA thriller, and my own teenage heart is stoked that this book has a musical, geeky protag, as a former band geek myself.

There are two final February releases I’m hoping to get to. I’m all about fancy school dramas, and Privilege by Mary Adkins is a feminist NA that deals with themes around sexual assault on a college campus. Since the #MeToo movement began, books with similar themes have definitely become more visible, and I’m hoping that Privilege will have something unique to offer. Finally, with some skepticism, I’m eyeing A Woman Like Her: The Short Life of Qandeel Baloch. This is Sanam Maher’s debut book, however she works as a journalist in Karachi, Pakistan. Without knowing a great deal about Baloch’s story, I’m hoping that Maher will have handled her story with sensitivity and respect.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Sign off image - an open book with a bright green glowing eye in the centre and several small eyes around it.

Femme Rebels

Currently Reading: The Water Dancer, by Ta-Nehisi Coates

An Academic Finding…

Some regular readers may know that when I’m not book blogging, I’m a PhD student, studying social work and critical animal studies. I came across an open access academic article this week while conducting a literature search on decolonial animal studies that I would be remiss not to share here. Although I haven’t written much about erotica here on the blog, obviously it’s a huge area of literature, and something I do write about a lot is spooky books… and who doesn’t love a good monster, right? Well, if monster erotica is up your alley, you should definitely check out this 2017 academic article from the journal Humanimalities, called How to Fuck a Kraken: Cephalopod Sexualities and Nonbinary Genders in Ebook Erotica. Although I couldn’t find much about the author, Dagmar Van Engen, online, they seem to be non-binary, and have taught in the English department at the University of Southern California. If you’re out there, Dagmar, give me a wave, so I can credit you properly! This article is rad. Dear readers: you’re welcome.

Artwork by Kayla Shaggy, a Dine/Annishinabe woman of color that draws and creates comic books.

If you like the artwork featured above, you can support see more on Kayla’s portfolio site, read her comics, or support her Patreon!

Femme Rebels in my #2019Reading

I only started tracking my reading in a real way a couple of years ago, back when the 50 Book Pledge was separate from Goodreads, and I didn’t even realize that there was such a thing as like, book culture. One of the things that I really like about tracking my reading is that as I read more, themes start to pop up in the titles I’ve picked, without my even expecting them to. One of the unintentional themes that’s come up in my reading this year, especially in the YA that I’ve been drawn to pick up, has been rebel girls.

Real talk: I would vastly prefer if I was finding loads of books with representation from a spectrum of gender identities, because the “rebel girl” trope for me feels a little binary and tired. However, if I’m going to read something from the plethora of books that are out there about binary identified characters, I’m at least glad that books are challenging gender stereotypes in so many ways, and that femme characters are fierce, queer, and forming complex friendships to take down the patriarchy.

There are three books that have really stood out for me this year in terms of this theme cropping up, and they’re all 2019 titles. We Set the Dark on Fire by Tehlor Kay Mejia came out in February; A Dress for the Wicked, by Autumn Krause, just dropped a few days ago; and The Grace Year, by Kim Liggett, hits shelves in October – just in time for spooky season! I also read two books earlier this year that fit nicely into this theme: Little Apocalypse, by Katherine Sparrow, which I reviewed earlier this year, and The Hollow Girl, by Hillary Monahan, which is a backlist title, released in 2017.

The Hollow Girl: Horrific Revenge Fantasy

I’m going to write briefly about The Hollow Girl, because it is backlist, and because I read it really early on in 2019, but I haven’t written about it on this blog before. I actually read it in one sitting on a plane ride. It was at a time this year when I was filled with frustration about many things, but in particular about one of my partners’ ongoing divorces from an abusive and manipulative ex, who was treating everyone involved in her life with my partner terribly. It was triggering a lot of things in me to go through that experience – memories of my own past with my long-term abusive ex not least among them, as well as memories of the rape I experienced in my early 20’s.

The Hollow Girl was the revenge fantasy I needed, and it was incredibly cathartic to read. This book is a rad horror story about feminine rage in the face of sexual assault, with excellent, positive Welsh Roma representation. CW for violence, murder, and gore. Welsh Roma representation. It’s a heartwrenching book, and not an easy one to stomach, especially on a plane surrounded by strangers and stale air, but it’s also a book filled with dark magic and creepy grandmother mentors. In the wake of the #MeToo movement, I would recommend this book to any femme who can stomach it.

Rebel Girls

The other three books that I wanted to look at more closely are not horror titles, although some of the content in these YA dystopian titles is uncanny enough so as to be chilling. All of these books are stories of oppressive societies with polarized upper and lower classes, and the feminine characters that use their individual privilege in an effort to reject social norms and resist structural forces that marginalized the vulnerable members of their societies.

I’m going to come out and say this early on, and loudly, as someone for whom Margaret Atwood’s writing was very formative in my own education about activism and injustice: Since Margaret Atwood’s disappointing, apologist behaviour in the face of the sexual assault and harassment issues that came up in the CanLit community in 2018 (eloquently detailed by Zoe Whittall, author of The Best Kind of People in the Walrus), I no longer recommend her books or media based on them to my customers at the book shop. I am happy to say that any of these YA titles would make a great alternative read or curriculum replacement for The Handmaid’s Tale.

We Set the Dark on Fire is the first book in a trilogy that was released earlier this year, with the second volume coming in February of 2020. The author, Tehlor Kay Mejia, is queer and Latinx, and the book is a powerful #OwnVoices coming of age story set on the fictional island of Medio, featuring an undocumented MC who is learning how to be an activist and a rebel while living her life under the enemy’s roof.

The only thing that truly disappointed me about this book is that from the prologue and the lore of Medio, I was really excited for this author to dig into the radical storytelling potential of the world that she had created where triads, rather than couples, were the norm as heads of household. Even though this was presented as an oppressive, faith-based, polygamist structure, as a consensually non-monogamous person, I was curious where the author would take that. There are so few works of fiction where non-monogamy is portrayed in a non-toxic way, and I was curious if that would be explored at all in this book. Unfortunately, it wasn’t. Fortunately, the book is super queer, and although I’m not a huge romance person, I was glad for that.

I loved that the author sprinkled Latinx culture and language throughout *We Set the Dark on Fire*, but I was surprised at how quickly it felt to me like a novel about a literal war, rather than a symbolic or internal struggle. The pacing of the story really picked up near the end of this volume, though, and I can’t wait to see what happens next. CWs for physical violence and war-like conflict, alcohol use, sexual harassment.

I would describe A Dress for the Wicked as Project Runway meets The Hunger Games. There are lots of things that I loved about this book, which is a classic country-mouse-turns-city-mouse tale about a rural girl who gets a chance to compete in a high-profile fashion competition in a dystopian society where fashion is everything. As someone with a vivid visual imagination, the writing was a perfect level of poetic and descriptive, and the ending was emotionally satisfying for me as a reader. Although it’s described as romance, that’s not the focus of this book. I actually found it to be a bit queer bait-y, since there is no LGBTQ2S+ representation, but the plot centres on several richly portrayed feminine characters, who have a lot of depth and mystery. The lack of queer rep felt like a bit of a missed opportunity here.

In a lot of ways, I would have been more interested in A Dress for the Wicked if the heterosexual love interests hadn’t been introduced at all, since the relationships that were most important to the narrative and most interesting to me were the nuanced friendships between the women. The other things that I loved about this book are that there really aren’t any CWs necessary, it stands alone, and it has a hopeful ending. I often joke that I’ll consume any media as long as there’s pretty dresses… well, if this is you, you want this book, because it’s one that you can feel good about on multiple axes.

The one note that I should make here, because I read an advance copy of this book, and I’m not sure if it was changed for the final edition, is that there was one moment in this book that made me raise a serious eyebrow. In chapter 7, the author includes a line that is a real dig about consent culture around kissing (“If there is anything less romantic than being asked if someone may kiss you, I don’t know what it is.”). It’s hugely problematic, and completely unnecessary. I hope that it was revised before the final version was released? If you are a reader and you got your hands on the published version – fire me a message from my Contact page, and let me know!

Last but not least is The Grace Year, which is an Indie Next pick for Fall 2019. Unlike A Dress for the Wicked, this book does get dark fast, and there should be a big CW for physical violence, as well as a trigger warning for anyone who’s #Exvangelical or who has endured abuse in religious contexts. One of my goals this year was to read more fiction and non-fiction about religious right extremism, and I will probably feature this book in a blog post specifically about that at some point. That said, I could not put this book down – and I’m not the only one. The book has already been optioned for film, even though it hasn’t hit shelves yet.

I read this one on a plane, too (2019 has involved a lot of travel for me), and I tore through it. The Grace Year has a bit of a gender-bent Lord of the Flies feel that’s a commentary on the Christian religious right in a dystopian setting. Especially for educators, this book addresses so many of the themes in The Handmaid’s Tale, only they’re updated for a 2019 context, and as far as I know, the author hasn’t recently defended rape culture, which is a plus. This book has some queer representation, and a super empowering ending that made me bawl my eyes out. In public. On a plane. And contrary to We Set the Dark on Fire, even though this book isn’t literally about consensual non-monogamy, it did give me warm and fuzzy compersion feels.

Of course, I would be remiss to review four books in one blog post – five if you flipped back to read what I previously wrote about Little Apocalypse – and not to say that the one thing that stands out in common among all of them to me is that despite the fact that they are all books about resistance, struggle, fighting social norms, overcoming oppression… they are all stories that are essentially devoid of any non-binary content. It’s great to see queer content trickling into some of these titles, but it would be so cool to see non-binary and/or trans MCs in some of these rebel titles! I’d have even taken a genderfluid best friend, or a trans girl sidekick… this is a great opportunity for an author to get in and fill this niche. Although these books are fabulous, I’m ready for the book about the trans rebel who leads us to progressive revolution.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

#2019Reading Update

Currently Reading: Songs from the Deep, by Kelly Powell

Dear Reader, 2019 has been a wild ride so far. As I’m writing this, we’re about 1/3 of the way through, and I wanted to take a pause to sum up some of the things that have been going on for me and my reading this year. Additionally, I’ve been chronicling my #2019Reading through that hashtag on Twitter – find me @saskeah, and give me a wave! There’s also a book review buried at the end of this post – so if you’re interested in what I thought about SLAY, by Brittney Morris, you can skip all my early chatter, and check that out at the bottom.

eReading

A huge thing that’s happened to me this year is that I started eReading. As someone with very limited income, I debated the decision to buy an eReader a lot – and finally, I purchased a Kobo on sale early this year. I purposely chose the Kobo because I didn’t want an Amazon product, and because I could purchase it through Indigo, the big Canadian book store chain (à la Barnes and Noble). Mostly, though, Kobo now links with Overdrive, the library access app, which means that it is dead simple to withdraw library eBooks on your device.

I primarily invested in the Kobo in order to access low or no cost books. As a blogger and bookseller, I have access to ARCs through Edelweiss+ and NetGalley, if I have a device to read them on, and because of the Overdrive app on Kobo, it’s easy to borrow library books as well. I didn’t know how I would feel about the eReading experience – because I work at an indie, I read exclusively in hard copy before this year.

It turns out that with a Kobo, I read way more. I can read more easily in low light or when my eyes are tired, I can carry multiple titles with me so I can switch what I’m reading to suit my mood and mental capacity, and I can DNF books that I’m not feeling with no financial risk. It’s easier on my body, and the eInk is easy on my eyes. In short: eReading. So accessible. Also, a little bit nostalgic. When I have a really good book and no early morning plans, I love being able to stay up late and read in low light past my bedtime. It makes me feel like a little kid again.

Seriously, yall. My Kobo has become my security blanket. Whenever I leave the house, I can take as many books as I might need with me – something for any mood, so many backups, things I might like to share – and it doesn’t make my bag any heavier. My Kobo comes with me everywhere. It’s the best little robot friend.

My one complaint, and this is an industry gripe, so feel free to gloss over this bit if you’re not knee deep in publishing, but I wish that more publishers would produce ARCs in epub format. I so often receive eARCs in PDF formats that are virtually or literally incompatible with a Kobo. I think it’s clear to most people in the book industry that it would be preferable if Amazon didn’t have a full on monopoly, so it would be nice to see folks in the industry not cater quite as blatantly to Kindle users.

New Things I Want to Discover

No matter how much I read and learn, there are always more things I feel like I don’t know but want to discover. This year, I’ve been trying to get back into SFF, for example, after a long hiatus because of my own mental capacity for processing worldbuilding-heavy stories. One of the things that has really helped that is discovering Nine Star Press, a small New Mexico based press that publishes LGBTQ+ titles, and has released two SFF titles this year that have both impressed me and eased me back into the genre – Empire of Light, by Alex Harrow, which I’ve already reviewed, and The Soulstealers, by Jacqueline Rohrbach, which I’ll review down the line. I also decided to focus some of my reading in 2019 on learning about far right Christian culture in the United States, and I’ll be writing that up in a post in the future as well.

However, two things have emerged that I’m interested in reading more of that I’ve never really explored before. First of all, cozy mysteries, which I had never even heard of until this year! I’ve been skulking around Cozy Mystery.com to get some ideas for what I should read to explore this genre – but I’m also very open to suggestions!

I’m also wide open for recs by your favourite Australian authors. I picked up The Van Apfel Girls Are Gone, by Felicity McLean earlier this year, in part because the publicity copy said that the book was “quintessentially Australian” – and I realized that I had no idea what that meant, and no idea if I’d ever even read a book from Australia. And that seemed ludicrous. After loving the Van Apfel Girls (and also deeply not understanding some of the cultural elements of the book!), I’d like to see what else I’m missing!

DNF All The Things!

Something else I’ve been doing in 2019 is DNF’ing. A lot. Often.

I realize that being able to do this is somewhat of a privileged position to be in. I access most of my books for free, and almost all of them at deeply discounted prices, because of my roles as a bookseller and blogger. I also access a lot of books through the library. But either way – I’ve come to peace with it. As I’m writing this, I’ve finished nearly 40 books this year, and I’ve DNF’d 18. I’ve even given up on my long-standing cardinal rule of reading at least 100 pages of any book, to give it a chance.

You know what? There are so many books in the world. If something doesn’t feel good to read and you have no other reason for wanting to read it? Just don’t! Read something different!

SLAY

The cover of Slay, by Brittney Morris.
Do you eat meat?

I was pretty stoked when I got approved for an ARC of SLAY from Edelweiss+. The pub copy bills it as Ready Player One (although a Goodreads user comped it to Warcross, and I think that’s more on point) + The Hate U Give, plus it was blurbed by Nic Stone. It’s a debut YA from author Brittney Morris, with a breathtaking cover design by Laura Eckes, who can be found on Twitter @iamturtlecat.

Probably, nobody needs me to hype this book. Not only was it not written for me, but it was also named by Entertainment Weekly as the YA debut they’re most excited for this year. But I loved it so much that I needed to gush about it, at least a little bit – especially since I don’t think most reviews will mention that there is Black trans representation in this book. It’s a side character whose plotline is heart wrenching, but there are not enough BIPOC trans characters out there yet, and my heart nearly jumped out of my chest when I realized that there would be in this gem that will likely be very widely read. I think a lot of readers will find mirrors and windows in this book that they won’t find anywhere else.

This book drops in September, and is available for pre-order now. Don’t sleep on this, particularly if you’re a fan of Angie Thomas, or an educator. Morris’ protag, Kiera, is a smouldering Queen of Black Girl Magic, and by this time next year, I’m pretty sure she’ll be SLAYing alongside Starr and Bri. I’m not a Black reader, but from my experience burning through this book in one sitting, it’s fast paced, it’s extremely well-written, it has characters that are highly relatable, and I learned a lot from it.

In an action-packed story with speculative elements, SLAY tackles serious social issues like gun violence, intergenerational relationship building, intercommunity struggles, and cultural appropriation through an accessible and magnetic (slightly near-future) contemporary drama. It interweaves elements of Black diasporic history and current culture in what essentially is a simple story about a young girl, and her video game.

It’s time for this white blogger to step back, but I’ll leave you with the completely extra book trailer that Simon Pulse created for SLAY, if you’re not already convinced that you should be calling up your local bookshop, and asking them to order this in for you, right now. Happy #2019Reading!

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2018 Trans Affirming Picture Book Wrap Up

Currently reading: The Wicked and the Divine vol. 2: The Fandemonium, by Kieron Gillen
Image is part of an illustration, showing a black child wearing a headdress made of ferns and a town tied around their waist, with a hand in the air, smiling.
From Julián is a Mermaid.

Working in the book shop, I constantly encounter customers who are surprised at the range of books available that include LGBTQ+ content, especially for children. I am always pleased to tell them that there are more and more coming out every year – especially because I love picture books, and have a growing collection myself. That said, it can still be hard to find the books that are affirming for trans and enby children, if you don’t have access to a brick and mortar shop that can identify them. The following are my picks for gender-affirming books for children published in the last year. Please, if I’ve missed any here, visit my contact page, and let me know!

Picture Books Published in 2018

Julián Is a Mermaid, by Jessica Love, appeared on lots of best-of lists for 2018. This affirming book is Love’s debut, about a young Afro-Latinx boy who experiments with dressing up as a mermaid in his abuela’s house. In the conclusion, they attend and join in the mermaid parade, an annual event at Coney Island in Brooklyn, New York. The lush watercolour illustrations and positive representation of non-white characters is what make this book stand out for me. Love says that this book was in part inspired by a trans family member of a boyfriend she had while writing the book.

Neither, by Airlie Anderson, is a colourful fever dream of a picture book suitable for the youngest audiences. It features a cast of misfit creatures who learn that they can reject binary identities and find happiness and friendship along the way. This book features a lot of rainbows, which is great for Pride season, and is perfect as an affirming springtime gift, as the main characters are reminiscent of the Peeps marshmallows.

Image is an illustration of a rainbow of chimera animals, all holding each other, and looking happy. A speech balloon reads "exactly!" in rainbow letters.
From Neither.

Jamie is Jamie: A Book About Being Yourself and Playing Your Way, by Afsaneh Moradian, challenges gender stereotypes through the story of a child who encounters confusion among their peers when they want to play with a wide variety of toys. The book includes a section for adults who are interested in using playtime as a learning tool for children to learn about gender and related constructs. This book is written by an author of colour, and illustrated by Maria Bogade, who has worked on award-winning projects such as the Gruffalo.

I am including Pride: The Story of Harvey Milk and the Rainbow Flag, by Rob Sanders because I wanted this list to be thorough, but this wouldn’t be my first recommendation. It’s an American-centric book that tells a whitewashed, gay male focused history of the rainbow flag. But also? Trans people are part of that rainbow, so. Make your own choices about this one. My alternate recommendation for this would be This Day in June, or M is for Mustache: A Pride ABC Book.

While Today I’ll Be a Unicorn, by Dana Simpson, does not feature openly trans characters, this book is trans affirming in that it is written and illustrated by a trans woman. Along with this book for young readers, Simpson also released Phoebe and Her Unicorn in Unicorn Theatre in 2018, the eighth and latest instalment in her wildly popular middle grade graphic novel series. The ninth book will be released in 2019.

Image is of a little girl putting on a headband with a unicorn horn, and a unicorn watching her. Text reads, "Today, I'll be a unicorn. I'll have a tail and a magic horn."
From Today I’ll Be a Unicorn.

There are lots of picture book options for people seeking stories about boys and other masculine characters openly defying gender norms and embracing traditionally feminine aspects. King Alice, by Matthew Cordell, tells the story of an imaginative young girl who invents a story in which she is a king.

Jack (Not Jackie), by Erica Silverman, explores the complicated emotions that a cis sibling might navigate upon discovering that their sibling is trans. It has been criticised by some trans readers as it uses the MC’s deadname and the wrong pronouns in the book. It has also been criticised for ciscentrism, and use of stereotypes about trans people. For all these reasons, it would not be my recommendation for a trans reader, but it could be a useful learning tool for a cis audience. I also give this book bonus points for being the only book, to my knowledge, featuring an explicitly transgender child.

Pink is for Boys, by Robb Pearlman, encourages readers to think of colours as being for people of all genders, and to move away from the pink/blue representation of the gender binary. This book features a diverse cast of characters, including racialized and disabled youth. For me, this book is a 101 level book, suitable in particular for children who may be learning about gender for the first time.

Last but not least is Love, Z, the newest offering from Jessie Sima. Sima is the author of several LGBTQ affirming and representative picture books, including Not Quite Narwhal and Harriet Gets Carried Away. In this latest book, Z, a young robot, searches for the meaning of “love”, and along the way encounters a charming cast of characters, including a feline boat captain. Although this book is not explicit in having trans subject matter, it does have meaningful queer representation, and the main character, Z, is never gendered in this story. (It’s perfect. What I’m saying is, it’s perfect.)

Two pages from Love, Z, in which the robot goes through his nightly bedtime routine, wondering "What is love?"
From Love, Z.

Other Trans-Affirming Books for Children Published in 2018

Aquicorn Cove, by Katie O’Neill, and The Prince and the Dressmaker, by Jen Wang, are middle grade graphic novels that were released this year. Both have affirming representation of non-cis characters, and The Prince and the Dressmaker was created by an author of colour. Both of these books make fantastic read-aloud stories for younger readers, as they both feature vibrant illustrations, and the former has valuable environmental messages as well.

Panels from Aquicorn Cove, in which one character gives another a necklace. The character asks, "Er, if I wanted to come back, without falling overboard this time...", and the second character responds, "Here, wear this into the water, and the Aquicorns will guide you to me."
From Aquicorn Cove.

A Quick and Easy Guide to They/Them Pronouns, by Archie Bonglovanni and Tristan Jimerson, is a short, charming, 101-level graphic primer for adults in the lives of non-binary children or other children choosing to use gender neutral pronouns.

When I read the Gender Identity Workbook for Kids, by Kelly Storck LCSW, I found myself wishing that I had had this book as a child. This is a great workbook for children in the early reader range who are exploring the ways in which they experience gender, and for the adults in their lives. I recommend this educational tool highly.

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2018 In Review

Currently reading: Braiding Sweetgrass, by Robin Wall Kimmerer

One of the things that I’m really lucky to have access to in my bookish life is Book Riot Insiders, a community which gives me access to some great resources. One of those is a channel of rad book bloggers, who have offered me some great support in getting started out. I am charmed to have been invited to host the year-end tag post for #BookishBloggersUnite, and the theme that was chosen was a 2018 wrap up! 

For the past several years, I have made it my goal to read 50 books. In 2017, I made it to 41. The last book that I read that year was for a queer book club that I was part of at the time, and it also wound up being the most read book in the Toronto Public Library system that year – a pretty impressive feat, given that TPL is the largest library system in all of North America. The book was Do Not Say We Have Nothing, by Margaret Thien. I closed out my reading year crying my eyes out over its final pages.

In 2018, I finally surpassed my goal of 50 books. I hope to review and write about many of them in the upcoming year. However, since this is a new project, I thought it might be interesting to offer some information about what I read. For me, 2018 is particularly poignant, because I took a lot of time off of school this year for personal reasons, and had more downtime to play with. I feel like the books I chose this year were really my choices, and say a lot about me as a reader, and probably as a bookseller, as well.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.