Spooky Books for Sunny Seasons

Currently Reading: Pet, by Akwaeke Emezi

Recent Picture Recent Releases

The cover of When Aidan Became a Brother, by Kyle Lukoff and Kaylani Juanita.

Before I dive in to the recommendations I have this week, I want to make quick reference to two recently-released picture books featuring trans characters. Both of these books came out on June 4th, and would be a great addition to any personal or classroom library. They are, When Aidan Became a Brother, by Kyle Lukoff, and illustrated by Kaylani Juanita, and It Feels Good to Be Yourself, by Theresa Thorn, and illustrated by enby artist Noah Grigni. Be sure to check these out, and if you’re able, consider ordering them through your local independent bookshop!

The cover of It Feels Good to Be Yourself, by Theresa Thorn and Noah Grigni.

New Releases to Give You Chills

I grew up on an island in the North Atlantic. My body was not built for hot weather! If you’re like me, and you are seeking some spooky stories to beat the heat this summer, or a captivating thriller to keep you enthralled on the beach, I have recommendations for you, because there are some incredible grimdark tales set to release in the summer months this year.

Spring 2019

The cover of the Wise and the Wicked, by Rebecca Podos.

There are a couple of books that came out this spring that definitely fit the bill in terms of un-put-down-able reads for a spooky summer. I’ve written about one of these already, The Wise and the Wicked, by Rebecca Podos, which came out this May, but it deserves a second mention here. This is one of my favourite reads of 2019 so far, hands down, and as a bonus, it features affirming and interesting trans representation. This YA title came out in May, and is available now.

The cover of The Van Apfel Girls are Fone, by Felicity McLean.

The Van Apfel Girls Are Gone, by Australian author Felicity McLean, also came out this past spring. This book is described as a thriller, and although I wouldn’t necessarily categorize it that way, it is a great, suspenseful book. I’ve seen it categorized as YA, but it has great potential as a YA/adult crossover.

I got a review copy of this book through Edelweiss+, and I loved it. I picked it up in part because it was described as “quintessentially Australian”, and I’d never read an Australian title before, so I wanted to see what that meant. In the end, I could not put this book down, and I learned a lot. It made me curious to read books by other Australian authors!

Although the plotline is focused on the disappearance of three girls, the narrative centres on how we process childhood memories as a adults, and how we come to terms with childhood grief. The story is not super sad, and it’s extremely compelling. CW for missing children, cancer, and death. The Van Apfel Girls Are Gone was released in April, and is available now.

July

The cover of The Best Lies, by Sarah Lyu.

Sarah Lyu’s The Best Lies is the perfect one-sitting YA thriller for a rainy day at the cottage or sprawling on the beach. I grabbed this book from Edelweiss+ because I thought it would be fast-paced and formulaic – but wow, was I wrong. This psychological thriller gets deep fast, and I didn’t want to put it down. We know from the beginning of this book that the protagonist’s boyfriend is dead, that he was shot, and that the person who killed him is the MC’s best friend. Very quickly, we learn that nothing is as it seems for this character, an unreliable narrator, or for the reader.

This story is told in two timelines – one that begins three hours after the death of Remy’s boyfriend, and one that begins nearly a year earlier, when Remy met her best friend for the first time. As the plot of this murder mystery unfolds, the pacing and suspense both build, and readers are lead through an exploration of trauma, abuse, queerness, gun violence, and love. It’s a fantastic, if difficult read. I would recommend this book to any teen, educators interested in inclusive discussions about healthy relationships and boundaries, and adult readers alike. CW for domestic violence and obsessive behaviour. The Best Lies is available for pre-order now, and will be released on July 2nd.

The cover of Destroy All Monsters, by Sam J. Miller.

Both of my other July recommendations are books that deal with issues of mental health in a nuanced, sometimes suspenseful, and sometimes fantastical way. Both of these books reflected aspects of my own experiences in ways that kept me reading. I got an eARC of Destroy All Monsters from Edelweiss+ based on the recommendation of one of the owners of the shop where I work. Her description of this YA title really drew me in. Destroy All Monsters is by Sam J. Miller, a gay author, and is told from the perspectives of two friends, Solomon and Ash, who both experienced a traumatic event prior to the beginning of the narrative. Solomon suffers from psychosis and inhabits a rich inner world that is explored through his fantastical chapters, whereas Ash only experiences Solomon’s fantasies through the lens of her camera. The friends do not remember the trauma that they share, and this book explores their journey of discovery together.

I loved aspects of this book, but there were aspects that were disappointing. The treatment of mental illness in this book was skillful, however the ending was particularly unsatisfying for me, given the centrality and depth of the narrators’ friendship throughout the book. That said, for readers interested in exploring themes around trauma and who like fantasy worlds with awesome sky-dragons and suspenseful plotlines, this book is still a great read. This book comes out on July 2nd, and is available for pre-order now. CW for childhood trauma and sexual abuse.

The cover of Fractalistic, by Gerardo Delgadillo, which shows the image of a girl with eyes closed and hair spread above her head, as though she is floating. The background is a mixture of opaque images of stars and waves, and the cover is largely in monochromatic colours.

If you are a regular reader of this blog, you’ll know already that it’s not often that I will pick up a book that’s written by an author who appears to be a cis het white man… but seriously, if that cover doesn’t draw you in, I’m not sure what will. Shoutout to Shayne Leighton, who designed this, and most of the other Parliament House Press Covers, for grabbing my interest in Fractalistic, by Gerardo Delgadillo, which I got as an eARC through NetGalley.

For me, Fractalistic did have some tell-tale signs regarding the author’s privilege. None of the feminine characters in the book had the understanding of technology that the MC’s male love interest did. The male love interest’s future was also of great concern, whereas the futures of the female characters was never discussed in seriousness. In addition, although the book featured a racially diverse cast, the Spanish used because of the Mexican setting was all translated nearly word for word, and other aspects of diversity were lacking. All of the characters in the book were cisgendered, and the multiple romantic storylines were all heterosexual.

The other aspect of this book that was disappointing was that the technology itself was not well-described. I was surprised to read that the author is himself a coder, since it felt to me as though it was written by someone without a thorough understanding of the subject matter, but obviously it was a problem of translation and not of comprehension.

Even with the books flaws, I have to say that I ate it up. It’s a YA/adult crossover, so I would recommend it to mature readers of any age. Fractalistic is an absolute fever dream, and it was a spooky pleasure to let it wash over me. What was even more of a pleasure was that the surprising conclusion of the book was emotionally satisfying and had a lot of poignant things to say about the experience of mental illness. As a reader who has experienced many symptoms of neurodivergence and mental illness throughout my life, this book felt resonant and reflective of my experiences, and it was really enjoyable to read. Fractalistic comes out on July 9th, and is available for pre-order. CW for death of a parent, psychosis, gaslighting and manipulation.

(PS, if you like Fractalistic, but you are also a fan of cozy mystery, YA romance, and publishing world intrigue? Keep your eye out for The Undoing of Thistle Tate, by Katelyn Detweiler, which comes out on July 23rd. I DNF’d this book because the tropes weren’t for me – but it’s a bit more lighthearted than Fractalistic and has a lot of similar appeal!)

August

The cover of Here There Are Monsters, By Amelinda Bérubé.

I got an eARC of the YA novel Here There Are Monsters by Amelinda Bérubé through NetGalley. Although Here There Are Monsters might not have been my favourite spooky read of this year, I think it might be the perfect book to take to a beach. This book is a classic monster murder horror story. There’s nothing too heady here, and there’s a lot of really great, creepy imagery. The main character’s sister disappears in the first pages of the novel, and the rest of the story follows the MC’s quest to get her back from the monsters in the haunted wood behind their house.

Although this story is predictable and tropey, it’s well-written, and the characters are relatable. It’s a quick read, making it perfect for evoking spooky feels on a summer day. I didn’t have strong feelings about this book, but I enjoyed it. CW for violence, and off-the-page death of an animal. Here There Are Monsters drops on August 1st, and is available for pre-order now.

If you enjoyed reading these recommendations, and would like some of your own, head on over to my contact page, and send me a message! I love giving recs and readers’ advisory, and have lots of experience from my work as a bookseller.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.

Affirming Middle Grade Gems for Spring 2019

Currently reading: Ninefox Gambit, by Yoon Ha Lee

Note: the links found on this page are affiliate links for Amazon.com, so if you use them to make purchases, you will be helping to support my work. If you are in Canada, please use this Amazon Canada Affiliate link, and then search for the book you’re seeking. You can also always leave a tip for me through ko-fi!

Trans Book News

At the end of 2018, I sent some feedback to the hosts of my favourite podcast, Book Riot, that I thought they should have included more content about LGBTQ+ (and specifically trans and enby) people, content, and issues in their last couple of episodes of the year. Well, it appears that they listened. In their latest episode, they discuss some relevant bookish news stories that specifically focus on censorship of trans content in libraries, and opposition to drag queen storytime, both in the US. Take a listen here.

I’m really excited about this one: a new picture book about gender by enby illustrator Noah Grigni (and written by Theresa Thorn) is coming out this May. It looks like a beautiful book. If you’re in Canada, you can pre-order it here, and in the US, pre-order it here. Pre-orders support authors so much, and if you use these affiliate links to order, you’ll be supporting my work, too.

Last week, Ceillie Simkiss posted an important review of a forthcoming YA novel featuring a trans character, which is written by a cis author and riddled with problematic content. It’s not recommended for trans readers. Read the full review here.

Good news for trans representation in books and non-binary authors this week! Jessica Love’s Julián is a Mermaid, which I featured in my 2018 Trans-Affirming Picture Book Wrap Up, was a recipient of the Stonewall Book Award at ALA Midwinter! Another recipient was Kheryn Callender’s Hurricane Child, which – spoiler alert! – I will be discussing next week, as part of my Black (History? Future? Present?) Month post. See the full 2019 Rainbow List here.

The Moon Within

A selfie of me, with green hair, looking sleepy, and holding an ARC of The Moon Within, by Aida Salazar.

See the suspiciously sleepy-looking eyes in that photo? Yeah. It’s because it was after midnight, because once I picked this book up, I couldn’t put it down. No one is more surprised than me, and I’m thrilled to admit it.

I actually wound up with two hardcopy ARCs of Aida Salazar’s The Moon Within from the shop where I work. Perhaps because the rest of the staff saw it and had the same reaction I did: this is a middle grade, novel-in-verse. See me: skeptical. Yet, coming of age stories are usually among my favourites, and this one is by a Latinx author and features a mixed-race MC with a genderfluid best friend. I decided to give it a chance.

But let’s be totally transparent. I picked it up on the night that I did because I’d been in a bit of a reading slump, and I thought, this book is short, and I’m probably not going to like it anyway. Might as well. I ended up so glad that I did. This is me, with the humble pie over here.

This coming-of-age story is a charming exploration of many tensions that will resonate for readers: reclaiming Indigenous culture in contemporary America, navigating early love, and overcoming challenges in deep friendships. This book is entirely age-appropriate as a middle grade novel, with writing that remains poetic and descriptive. This story spans a relatively long period of time, enabled by the verse format, which avoids the passage of time and depth of emotion feeling cumbersome to the reader. Spanish language is woven into the text of this novel, at times with and at times without translation and explanation, and I expect that this will enrich the cultural experience of this text for Latinx and other Spanish-speaking readers.

The only aspect of this book that I found challenging as an AFAB trans enby was the focus on menstruation as a theme in the text. While I imagine that it would be empowering for girls and women, this was at times a struggle for me to navigate, because of the troubled relationship I have with my own body and its hormonal cycles. I did appreciate that the text touched on this tension as well, with reference to the AFAB genderfluid character in the book, but (my biased perspective is that) I thought that it could have been more thoroughly probed.

I’m thrilled to be able to recommend this book, which drops on February 26th, but can be pre-ordered now. Give this one to your kids. Point your teacher friends toward it. Send it in the mail to your enby friends in Oakland, like I’m going to do. It’s a gem. You won’t want to miss it.

Little Apocalypse

The cover of Little Apocalypse, by Katherine Sparrow.

Note: I received an eARC of Little Apocalypse through Edelweiss+.

I requested an ARC of Katherine Sparrow’s Little Apocalypse out of personal interest, because I love a good spooky story, even if it doesn’t have explicitly LGBTQ+ content. It was appealing in part because comped to Ellen Oh’s Spirit Hunters, which I read in 2018, and loved. Much like when I read The Moon Within, I picked it up because it was a middle grade book, and I’d been battling a cold, so that’s about where my executive function level felt comfortable at the time. But again like when I read The Moon Within… once I picked this up, I had trouble putting it down.

Maybe it’s about time that I checked my own prejudices about MG books, because despite being written for a young audience (I know, I know), the world-building in Little Apocalypse was rich and deep. I probably would have anticipated that had I been familiar with Sparrow before picking up this book – although this is her MG debut, she’s hardly a novice writer. Sparrow has four previously-published adult novels in a series called the Fay Morgan Chronicles, and one of her short stories, The Migratory Patterns of Dancers, was nominated for a Nebula award.

This is a monster-fighting book with a Strong Feminine Protagonist that is perfect Buffy or X-Files fans (or future fans of Buffy, or maybe Buffy herself). If you’re buying this one for a kid, and they enjoy superhero stories, it’s a great step up from something like Buffy: New School Nightmare, the Desmond Cole series, or the Goosebumps books. Parents will love about this book that although there aren’t a lot of responsible adult figures around while the plot is unfolding (surprise!), the main character’s love for her family is clear and abiding throughout the book, even as she truly comes into her own as the protagonist.

My favourite things about this book are that, 1, it was written for book lovers. It has a bookworm MC, features a library in one of its settings, and even some of the most dramatic apocalyptic imagery was book-evocative. 2, it’s a friendship book. There are little hints at romance in places in this novel, but ultimately, it is all in on nuanced, complicated, platonic relationships. 3, the monsters are awesome. 4, the author does not shy away from moral ambiguity in this book, and I love the depth and complexity of that gray area.

But ultimately, (spoiler alert) one of the things that I love about this book is that in the end, the main character undergoes a pretty significant physical and emotional transformation. Although it’s dramatic and complicated, she and her parents work through it together, and they wind up having a happy, loving life, all together. The book doesn’t gloss this over, but the happy ending was heartwarming. It was this part of the book that I felt would be really affirming to any kid, but especially to kids dealing with transition or coming out to their caregivers. (end spoilers)

I would recommend this book to anyone over the age of 9 or so (only because any younger, and I feel like it might be edging on nightmare territory), including adults. Little Apocalypse is available for pre-order now, and will be released on March 19th, 2019.

PS, if you enjoyed this post, please consider leaving me a tip! It only takes a minute, and it allows me to keep creating content just like this, buying food for my dogs, and pursuing completion of my education in social work.